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Biography & Autobiography.
Nonfiction.
Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley. Annie Dillard sets out to see what she can see. What she sees are astonishing incidents of "beauty tangled in a rapture with violence." Her personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, Dillard stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons.… (más)
emydid: Dillard was very much influenced by Thoreau (she did her master's thesis on Walden), and both Pilgrim at Tinker Creek and Walden have similar narrative structures. Both books follow their narrator through the course of a year, and both weave detailed observations of the natural world together with self-examination and statements of a personal worldview. Annie Dillard's concerns are more explicitly theological, while Thoreau tends to be more concerned with the relationship between the individual and society - but both of their books are beautifully-written, densely symbolic investigations into the relationship between the self, nature, and the spiritual. It's interesting to think about the links and contrasts between the two books - for example, between Dillard's idea of "seeing" and Thoreau's reflections on self-exploration and awareness.… (más)
bezoar44: These authors share some of the same fearless introspection; and while both study the natural world, it is in some ways just a (vital) context in which to explore what it means to live meaningfully.
Annie Dillard fue una de las primeras mujeres que decidió desafiar desde la escritura y de forma rigurosa el estereotipo masculino del hombre de la frontera y de su relación con la naturaleza salvaje. En este libro se relatan sus exploraciones en la naturaleza salvaje del estado de Virginia, durante las cuales da cuenta de una capacidad de observación que resulta tan insólita como reveladora.
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
It ever was, and is, and shall be, ever-living Fire, in measures being kindled and in measures going out. ---Heraclitus
Dedicatoria
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
for Richard
Primeras palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
I used to have a cat, an old fighting tom, who would jump through the open window by my bed in the middle of the night and land on my chest.
[Afterword] In October, 1972, camping in Acadia National Park on the Maine coast, I read a nature book.
[More Years Afterword] I was twenty-seven in 1972 when I began writing Pilgrim at Tinker Creek.
Citas
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Not only does something come if you wait, but it pours over you like a waterfall, a tidal wave. You wait in all naturalness without expectation or hope, emptied, translucent, and that which comes rocks and topples you; it will shear, loose, launch, winnow, grind.
Últimas palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
And like Billy Bray I go my way, and my left foot says "Glory," and my right foot says "Amen": in and out of Shadow Creek, upstream and down, exultant, in a daze, dancing, to the twin silver trumpets of praise.
[Afterword] And consequently a generation of youth has grown up cursing my name--which, you recall, I didn't want to use in the first place. --Annie Dillard, 1999
Biography & Autobiography.
Nonfiction.
Pilgrim at Tinker Creek is the story of a dramatic year in Virginia's Roanoke Valley. Annie Dillard sets out to see what she can see. What she sees are astonishing incidents of "beauty tangled in a rapture with violence." Her personal narrative highlights one year's exploration on foot in the Virginia region through which Tinker Creek runs. In the summer, Dillard stalks muskrats in the creek and contemplates wave mechanics; in the fall, she watches a monarch butterfly migration and dreams of Arctic caribou. She tries to con a coot; she collects pond water and examines it under a microscope. She unties a snake skin, witnesses a flood, and plays King of the Meadow with a field of grasshoppers. The result is an exhilarating tale of nature and its seasons.