This is a review for both books, Shadowbridge, and the second part, Lord Tophet. This is essentially one big book that should be read together, so it makes sense to review both of them at the same time.

First, I love this world. The way the bridges work, the way the world changes from bridge to bridge. I also liked the magic - it is there, but it is subtle. There are also Gods here. They are not quite what you think they should be, nor do they play a large part in this story.

The story follows a performer named Leodora - she is a storyteller, using shadow puppets to tell her story. She is the daughter of a legendary performer and might even exceed her fathers talent. As she gains fame, she attracts unwanted attention.

Its a slow story. Sometimes a bit too slow - sometimes, it is told as a story within a story. This is story of discovering oneself - finding a voice. This is not a traditional fantasy story. No swords, or epic battles. Highly recommended if you want a fantasy story with a modern feel. ( )

Continuation of Shadowbridge, engaging fantasy. ( )

An excellent conclusion to Shadowbridge. This book has been sitting in my work tote for over a year while I failed to get around to reading it, but luckily slow internet met lack of work last week and I finally got started on it. I very nearly forgot where I left off but soon enough I was right back into the thick of the story and loving it.

Our adventure-prone puppet troupe finds themselves favored again by the gods, this time bringing life back to a gods-blighted span where troupes had been banned for years. Luckily they almost immediately meet up with the proprietor of the theatre where Jax's father had last played. The proprietor insists they be her premiere act and the troupe settles in to their routine.

Something is coming, though. Something is looking for the child of Bardsham and has gotten wind of Jax...

Another quick read, with some excellent, funny, and even recognizable fairy tales told by and too Jax. She nearly loses herself in an upside-down world listening to all the world's tales, but love succeeds in distracting her and she escapes. How she is able to pull the story she needs most from a reluctant storyteller is the product of divine coincidence and how she then uses the story to defeat the big bad and save her love make for an exciting finish.

Highly recommended. ( )

Strong fantasy novel, the second half of Shadowbridge. Satisfying if bittersweet ending. Full review of both books here. ( )

Summary: In this sequel to Shadowbridge, Gregory Frost returns to his world of giant bridges spanning endless swaths of ocean. He returns to the story of Leodora, a young orphan following in her father's footsteps and earning her fame as greatest living shadow puppeteer and storyteller since her father, Bardsham. He even returns to the exact moment where Shadowbridge ends, with Leodora taken to Edgeworld, the realm of the gods.

For Leodora and her companions have traveled to Colemaigne, a span that years ago hosted her father. However, it was on Colemaigne that Bardsham so angered the god Lord Tophet that he blighted the entire city and the people who dwelt there. However, as Leodora returns to the span and her fame begins to grow, she begins to attract the attention of Tophet… and while all interactions with the gods have their price, the attentions of an angry and vengeful god are no small matter.

Review: I really don't understand the decision to make this novel a separate book from its predecessor. While I understand that publishers and booksellers are not crazy about the fat fantasy novel that is as wide as it is tall, when a single novel is broken into multiple parts, it becomes very important that each novel can stand at least somewhat on its own. Story arcs and character development can carry across a series, of course, but I still expect each of the pieces to have its own plot -- complete with beginning, middle, and end. That, I think, is where Shadowbridge and Lord Tophet break down… the first book gets all of the character development and world building, while the second gets the plot.

However, Lord Tophet doesn't get to the plot for a while. It becomes obvious relatively early on in Shadowbridge that the real mystery, the crux of the story, is the story of the past, the story of what happened to Leodora's parents. However, it's never as straightforward as that; most of the story focuses on Leodora and Diverus's adventures, with a liberal helping of the myths and legends of the spans that Leodora collects and performs. All of this is interesting and well-told, as Frost definitely has an active imagination and a knack for working very disparate elements into a richly textured world. Unfortunately, its shine started to wear off after a while, and I started to wish it would hurry up and get to the main plot that had been hinted at since the beginning of the first book. Amidst all of the tangents, we don't really get any answers until the last fifth of the book, with the result that it comes out feeling somewhat abrupt.

Lauren Davis did another fine job with the narration; she still sounds too young to me to be reading adult fiction, but by the time I got to Lord Tophet, I'd settled in and accepted her as the voice of Leodora.

Overall, while I had some problems with the pacing and structure of this book, I did enjoy listening to it, and will certainly look for more of Gregory Frost's work in the future. 3.5 out of 5 stars.

Recommendation: While I felt that it didn't quite live up to what I was expecting after listening to Shadowbridge, it was still an interesting read. One caveat, however: while Shadowbridge and Lord Tophet are sold as two separate books, they are really two halves to the same story, and neither one is a stand-alone -- so make sure you have them both on hand before starting.

This review is also published at SFsite.com. ( )