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El centauro

por John Updike

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1,1802416,689 (3.47)41
In a small Pennsylvania town in the late 1940s, schoolteacher George Caldwell yearns to find some meaning in his life. Alone with his teenage son for three days in a blizzard, Caldwell sees his son grow and change as he himself begins to lost touch with his life. Interwoven with the myth of Chiron, the noblest centaur, and his own relationship to Prometheus, The Centaur is one of John Updike's most brilliant and unusual novels.… (más)
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Inspirada en la leyenda griega de Quirón y Prometeo, a quien aquél cedió su sabiduría y su don de ser inmortal, esta novela no ocurre en el Olimpo, sino en torno a la escuela superior de una pequeña ciudad de Pennsylvania. Quirón, el más sabio de entre los centauros, pasa a ser aquí un profesor de ciencias, quien, antes de los incidentes -y accidentes- que se producen durante tres días de invierno de 1947, procura descifrar los conflictos que le enfrentan a su hijo de quince años -Prometeo-, a quien intenta rescatar de la mediocridad y la apatía. Gracias a la referencia mitológica, el lector revivirá en toda su dureza, pero también en toda su profunda ternura, la tragedia de la agonía del viejo maestro y la iniciación del hijo en la difícil tarea de existir, que transcurren en el escenario de una casi titánica confrontación generacional. La figura del centauro fue creada por John Updike como contrapunto evidente a la figura ya célebre de su personaje Harry «Conejo» Angstrom.
  Natt90 | Mar 27, 2023 |
Purports to tell the story of the evolution of a father's relationship with his son in a small town in modern Pennsylvania. At least this is how the average dopey reader would undertand the story, until, that is, he is confronted with an index ... having belatedly realised that the modren-dress story is a retelling of the legends of classical Greece.
añadido por KayCliff | editarNew Writing 9, Robert Irwin (Dec 12, 2010)
 
Above all there is that beautiful Updikean wordplay, here manifested in attributive metaphors. Half the sentences in this book could be studied for Updike’s uncanny ability to lay visual markers on unrelated nouns, embedding man-made objects into natural surroundings by modifying the images of the artificial with those of the natural.
 
This is a poor novel irritatingly marred by good features. The title, grindingly reinforced by the tasteful Hellenic fragment on the cover, sounds the warning note of “significance” and the severe intention is further signaled by a dark quotation from Karl Barth on the title page: something about man being “a creature on the boundary between heaven and earth.” As if one were not tuned by this time to the “universal” wave length, there follows on the next page, before our story really begins, a précis of the myth of Chiron, the weary centaur who sacrifices his immortality as an atonement for Prometheus. Then, lest we forget, the author has appended, at the suggestion of his wife, an index of the mythical references which crop up throughout the text...

The fact is that Updike does himself a great disservice by enameling his tale with the elaborate reference. At the center of all that wearisome pedantry he has a neglected germ of literary imagination. The father is carefully and sympathetically observed with a shambling heroism, fatigued and gullible, which is nicely set off against the irritable fondness of his son. He has chosen however to inflate this compact moral set-up, blowing it up into a volume which is out of proportion to its weight. It finally becomes flounderingly portentous and pompously intoned, like Hemingway’s Old Man and the Sea.
 
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"Heaven is the creation inconceivable to man, earth the creation conceivable to him. He himself is the creature on the boundary between heaven and earth. "
KARL BARTH
But it was still needful that a life should be given to expiate that ancient sin, -- the theft of fire. It happened that Chiron, noblest of all the Centaurs (who are half horses and half men), was wandering the world in agony from a wound he had received by strange mischance. For, at a certain wedding-feast among the Lapithae of Thessaly, one of the turbulent Centaurs had attempted to steal away the bride. A fierce struggle followed, and in the general confusion, Chiron, blameless as he was, had been wounded by a poisoned arrow. Ever tormented with the hurt and never to be healed, the immortal Centaur longed for death, and begged that he might be accepted as an atonement for Prometheus. The gods heard his prayer and took away his pain and his immortality. He died like any wearied man, and Zeus set him as a shining archer among the stars.
--Old Greek Folk Tales Told Anew
BY JOSEPHINE PRESTON PEABODY, 1897.
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Caldwell turned and as he turned his ankle received an arrow.
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"The Devil and me, Pop," my father said. "I love lies. I tell 'em all day. I'm paid to tell 'em." (Knopf, 1990, p. 49)
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In a small Pennsylvania town in the late 1940s, schoolteacher George Caldwell yearns to find some meaning in his life. Alone with his teenage son for three days in a blizzard, Caldwell sees his son grow and change as he himself begins to lost touch with his life. Interwoven with the myth of Chiron, the noblest centaur, and his own relationship to Prometheus, The Centaur is one of John Updike's most brilliant and unusual novels.

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