Burroughs' search for a telepathy-inducing drug is yet-another indicator of just how serious an explorer of expanded consciousness he was. This bk even includes Ginsberg's drawings of Yage-induced visions. An important bk up there w/ Artaud's "The Peyote Dance", the works of R. Gordon Wasson on mushrooms, & many other works of the same ilk. ( )

Some of the prose of William S. Burroughs defies classification, which is one of the strongest suggestions of its author's inventiveness and originality. For example, Exterminator! has long been regarded as a short story collection, as that is what it looks like, but is now considered to be an experimental novel. The Yage letters, both in its form, and the suggestive title, led critics believe that it consists of correspondence, although that view is hard to reconcile for the work as a whole. The first part of The Yage letters, i.e. "In search of yage (1953)" looks like an (edited) collection of letters, but the subsequent parts consist of prose fragments and poetry. These other fragments were not included in all previous editions, leading to the discussion as to whether they are or are not part of the work as a whole. Doubt has also been cast on the true nature of these parts, as some of it looks like poetry, but possibly should not be considered as such. There are also critics, who have suggested that The Yage letters is, in fact, a novel.

In The Yage Letters Burroughs records his travels visiting the Amazon rainforest and his search for yagé (ayahuasca), a plant which produces a drug with near-mythical hallucinogenic and some say telepathic qualities. The book also explores the way the Indians consumed and used this powerful drug. Along the way, Burroughs and Alan Ginsberg relate other stories, ideas and concepts, some of which Burroughs would later use in other novels.

The Yage letters. Redux, with the added subtitle "Redux" refers toy the new edition (2006), edited by Oliver Harris. It is a very well-documented edition, preceded by a long introduction by the editor. In this essay, Oliver Harris proposes that The Yage letters be seen as a travelogue. His conclusion is based on textual analysis and history of the manuscripts and writing process, which shows that, although some of the letters by Alan Ginsberg are authentic, much of the correspondence written by Burroughs is not, that is to say, they are written as letters, but were originally conceived of as prose, and were never sent. Out of 9,500 words in the manuscript only 320 came from authentic letters (p. xxxii). The Yage letters was in its origins not written in epistolary form.

Furthermore, the editor points out that Burroughs interest in Yage was not only driven by his obsession with drugs. As a graduate student at Harvard, Burroughs trained and an anthropologist, while he also, eclectically, studied Medicine during his time spent in Vienna. Burroughs also sought funding to investigate and describe the source and culture of the usage of Yage.

Particularly the first part of The Yage letters is very readable, and of considerable interest. It consists of travel writing into South American involving both anthropological and botanical descriptions. The travelogue shows William S. Burroughs as an excellent prose stylist. It has characteristics of an adventure story, and is profoundly personal. To some readers, a number of expletives may be disturbing, but such use of language was to be expected in Burroughs work, anyway. Surprisingly, the travelogue also mixes in some sensuous descriptions involving Burroughs interest in young men.

The long introduction by the editor of The Yage letters. Redux, Oliver Harris, is a jewel. It does not only introduce and describe the history of the work, but also provides an excellent description, updated for the latest literary criticism, of the circle of the Beat Generation, and the co-operation between William S. Burroughs and Alan Ginsberg on this work.

The Yage letters. Redux is by far the most readable and most beautiful text that I have read by Burroughs. ( )

The Yage Letters is a slim book consisting of correspondences between Burroughs and Ginsberg in 1953. Burroughs was traveling around South America (mostly Colombia, Ecuador, and Peru) in pursuit of Yage plant to make Ayahuasca which loosely translates as "Spirit Vine". It's a powerful hallucinogenic brew made from obscure Amazonian botanicals by indigenous witch doctors. The brew contains DMT (dimethyltryptamine) -- an extremely powerful hallucinogenic compound.

Burroughs describes S. American villages and towns vividly. He playfully recounts run-ins with the police and doesn’t for a moment hide his disgust for the S. American way of life. He paints a rather dismal picture of the region. Every village and town is "filthy", "pest-ridden", and full of "do-nothings and whores". One quote was telling, "They're too apathetic to be corrupt."

His descriptions of his Ayahuasca trips are fascinating. Through Ayahuasca he's able to glean some really insightful knowledge about the universe and more importantly himself. It basically tears down the false ideas people surround themselves with and forces one to look at the real "you" minus the ego, standing there stripped down to the core self with all its imperfections and potential.

The book is amusing, interesting, and cautionary for sure. Ginsberg relates his Ayahuasca experiences as well (years later) in his own poetic style. However, since the book is simply a collection of letters there really wasn't much substance to speak of save anecdotal stories and chance encounters. I never really got pulled in, but it was still fun. ( )

Brief but beautifully evocative of both a time & place that have all but ceased to exist outside the imagination. Burroughs followed Rimbaud in his Boys' Own determination to be the white man who made one last desperate attempt to step outside the confines of his own stupid culture and *see*; unlike Rimbaud, Burroughs never stopped writing, and that might have been the gesture that saved him. The letters jump time as well as space toward the end, cutting from the nineteen-fifties up to near present day-- the language & concerns evolve as suddenly. As with 'The Letters Of...' and 'Interzone', 'The Yagé Letters' aren't for everyone, but they might be considered slightly more relevant to younger readers. ( )