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To Give Them Light: The Legacy of Roman Vishniac

por Roman Vishniac, Marion Wiesel (Editor)

Otros autores: Elie Wiesel

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In this magnificent collection by one of the great photographers of this century, the lost world of Eastern Europe's Jewish communities once again comes to life. Between 1936 and 1939, Roman Vishniac traveled through the Jewish settlements of Carpathian Ruthenia, Slovakia, and Poland, passionately documenting a rich and vital culture that would soon cease to exist. As Elie Wiesel writes in his eloquent preface, " ... takes us on a journey, an unforgettable journey, from Bratislava to Mukachevo and the Carpathians, where Jews believed in God's light alone; and on through the distinct and irreplaceable Jewish communities of Poland - Warsaw and Lodz, Lublin and Cracow, Slonim and Vilna. We meet Jews in those last minutes before they were torn from history by a tempest of fire and ashes; when their lives still coursed with energy and creativity. We encounter their towns and villages before they were consumed by flames." The vibrant, intimate world of Vishniac's photographs contains shepherds and sages, waifs and dignitaries, cheder boys and traveling salesmen, housewives, shopkeepers, and "carriers of heavy loads." In the Carpathians, a man walks to work with a saw under one arm, a prayer shawl under the other. In Lublin, a woman sells baked goods at the Old City wall, while in the yeshiva, "entranced young faces look beyond earthly existence." In Vilna, children play ball at the entrance to the ghetto. For Vishniac, the glance or gesture of each mother, each child, was a story that had to be told. As Cornell Capa writes at the beginning of this volume, Roman Vishniac "was selected through divine grace to give us his memory of a world that has vanished, a world you are holding in your hands." Includes nearly 140 photographs as well as brief excerpts from Vishniac's unpublished diaries.… (más)
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» Ver también 2 menciones

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Moving and brilliant memory of life gone by. Everyone should have this on their shelf. ( )
  CorinneP | Apr 19, 2007 |
Acquired 2017
  jgsgblib | May 26, 2018 |
Mostrando 2 de 2
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» Añade otros autores (2 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Roman Vishniacautor principaltodas las edicionescalculado
Wiesel, MarionEditorautor principaltodas las edicionesconfirmado
Wiesel, Elieautor secundariotodas las edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
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In this magnificent collection by one of the great photographers of this century, the lost world of Eastern Europe's Jewish communities once again comes to life. Between 1936 and 1939, Roman Vishniac traveled through the Jewish settlements of Carpathian Ruthenia, Slovakia, and Poland, passionately documenting a rich and vital culture that would soon cease to exist. As Elie Wiesel writes in his eloquent preface, " ... takes us on a journey, an unforgettable journey, from Bratislava to Mukachevo and the Carpathians, where Jews believed in God's light alone; and on through the distinct and irreplaceable Jewish communities of Poland - Warsaw and Lodz, Lublin and Cracow, Slonim and Vilna. We meet Jews in those last minutes before they were torn from history by a tempest of fire and ashes; when their lives still coursed with energy and creativity. We encounter their towns and villages before they were consumed by flames." The vibrant, intimate world of Vishniac's photographs contains shepherds and sages, waifs and dignitaries, cheder boys and traveling salesmen, housewives, shopkeepers, and "carriers of heavy loads." In the Carpathians, a man walks to work with a saw under one arm, a prayer shawl under the other. In Lublin, a woman sells baked goods at the Old City wall, while in the yeshiva, "entranced young faces look beyond earthly existence." In Vilna, children play ball at the entrance to the ghetto. For Vishniac, the glance or gesture of each mother, each child, was a story that had to be told. As Cornell Capa writes at the beginning of this volume, Roman Vishniac "was selected through divine grace to give us his memory of a world that has vanished, a world you are holding in your hands." Includes nearly 140 photographs as well as brief excerpts from Vishniac's unpublished diaries.

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