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Solomons Seal (1980)

por Hammond Innes

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1482184,534 (3.34)1
'It was a weapon fashioned by somebody with experience and understanding of a deadly primitive craft, and the red paint on the tip could be nothing else but a simulation of the blood of the intended victim. The masked doll and the weapon, the two together...and the blood-red sky fading above me. I felt suddenly cold and appalled'.When Perenna Holland, descendant of a once powerful shipping family, is forced to sell her home on the English seacoast, the inventory turns up in an album of curious old stamps. Her fascination with their provenance takes estate agent Roy Slingsby on an eventful voyage to a South Pacific island where new technology and old sorcery coexist in uneasy tension.As a long-feared insurrection explodes on the island, Roy finds his own fate now inexorably ties to that of the Holland family. And, still pursuing the mystery of the stamps, he unravels a dark secret rooted in long-ago murder, revenge and thwarted ambition."Along with echoes of Robert Louis Stevenson, Innes includes evocations of Joseph Conrad, elements of the Gothic novel and the atmospher of one of those splendid, slow-moving detective stories that the British do so well" - The Washington Post… (más)
Añadido recientemente porkimkke, 1001Things, millczuk, sean882, dsw26, coppo23, ChinaKernow, stimgs88
Bibliotecas heredadasHarry S Truman
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Such a surprise, this book. For those interested in a particular niche within the adventure genre, it is nothing short of a masterpiece. I speak of contemporary (contemporary, here, meaning 1980) South Sea adventure stories. Indeed, the date of publication seems a bit of an anachronism. The entire time reading it, I felt as if I were reading something from the early to middle 1950s, not a work of the era of Thatcher, Carter, and Reagan. Primarily, that is because of the sense of seagoing isolation in the tale as well as the unreliable communication on land and in the air. Isolated heroes facing the harsh forces of nature, while being undermined by unscrupulous antagonists, is key to the genre.

What makes this book so special, however, is the mystery thread that runs through it. Built upon the nuances and minutia of stamp collecting, the plot launches out from the rustic English seaside to Australia and then the South Seas, in particular the islands Bougainville and Buka in Papua New Guinea. Along the way, the reader follows the tale of illicit cargoes, revolutions, and family curses. All the while, the story of generations is held together through the solving a philatelic crime and mystery.

Oh, yes, Innes also manages to insert a love story amidst the twisting and turning of family betrayal, hatreds, and jealousies. And all told against the backdrop of the sea. In some ways, this novel has a little Joseph Conrad, I'm thinking Lord Jim, in it, along with a dash of C.S. Forester. ( )
  PaulCornelius | Apr 12, 2020 |
Great adventure, moving fast forward. ( )
  jouni | Sep 7, 2007 |
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'It was a weapon fashioned by somebody with experience and understanding of a deadly primitive craft, and the red paint on the tip could be nothing else but a simulation of the blood of the intended victim. The masked doll and the weapon, the two together...and the blood-red sky fading above me. I felt suddenly cold and appalled'.When Perenna Holland, descendant of a once powerful shipping family, is forced to sell her home on the English seacoast, the inventory turns up in an album of curious old stamps. Her fascination with their provenance takes estate agent Roy Slingsby on an eventful voyage to a South Pacific island where new technology and old sorcery coexist in uneasy tension.As a long-feared insurrection explodes on the island, Roy finds his own fate now inexorably ties to that of the Holland family. And, still pursuing the mystery of the stamps, he unravels a dark secret rooted in long-ago murder, revenge and thwarted ambition."Along with echoes of Robert Louis Stevenson, Innes includes evocations of Joseph Conrad, elements of the Gothic novel and the atmospher of one of those splendid, slow-moving detective stories that the British do so well" - The Washington Post

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