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The Language of New Media (Leonardo Books)…
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The Language of New Media (Leonardo Books) (edición 2002)

por Lev Manovich (Autor)

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A stimulating, eclectic accountof new media that finds its origins in old media, particularly the cinema. In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.… (más)
Miembro:DawnDrain
Título:The Language of New Media (Leonardo Books)
Autores:Lev Manovich (Autor)
Info:The MIT Press (2002), Edition: Revised ed., 400 pages
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Etiquetas:political-science/17-914-international-politics-in-the-new-century-via-simulation-interactive-gaming-and-edutainment-january-iap-2005 (course), political-science (subject), School of Humanities. Arts. and Social Sciences (school), MIT OCW

Detalles de la obra

El Lenguaje De Los Nuevos Medios De Comunicacion/ The Language of New Media (Paidos Comunicacion/ Communication) por Lev Manovich

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5 estante atrás
  Lior.Zylberman | Apr 11, 2020 |
Lev Manovich's _The Language of New Media_ has been well received, and hailed by reviewers as, for example, 'the most rigorous definition to date of new media', and 'the first rigorous and far-reaching theorization of the subject'. [1] It is an ambitious project, (necessarily) broad in scope, as it attempts to provide, as the back cover tells us, 'a systematic and rigorous theory of new media'. Rather than retread ground and re-hail the rigour that has already been covered and hailed by others, I will identify here some of the aspects of Manovich's work that I feel don't quite work (whether that is due to my own subjective, stylistic preferences or prejudices, or due to what I consider to be omissions or oversights), as well as the parts which seem to make assumptions or which gloss over issues which might be explored in more detail than they are currently. This is not to say this will be a negative review -- far from it -- Manovich's book is interesting, useful, and, while it is already three years old, still timely. Almost undoubtedly it will be revised for a second edition (updates of Chapter 3 and Chapter 6 have recently appeared on Manovich's website). Hopefully, some of the points identified here will be addressed in a future revision.

In seeking to provide a critique of the whole work, I have identified some of the ways in which Manovich's prose doesn't quite (to me, anyway) yield the expected meaning. This may be a fussiness on my part over stylistics, as the anticipated meaning is usually to be found some time later. And while I have suggested that Manovich has undertaken an ambitious project, on a task akin to mucking out the Augean stables, at the same time I have suggested there are places where the book has not quite done enough: places where I would like to see some further discussion, some clarification in passages where, for me, the argument seems to move too quickly. Elsewhere, I have identified areas left unexplored that might usefully have been developed. This is not to, as Enid and Becky from _Ghost World_ might have it, 'accentuate the negative', but is simply a subjective critique of an ambitious work. Overall, Manovich's book *is* useful and thought-provoking, even if it does contain some irritations in style and pacing. I have already ordered a library copy, and I look forward to a revised second edition.
añadido por eddieduggan | editarFilm Philosophy, eddie duggan (Aug 19, 2009)
 

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A stimulating, eclectic accountof new media that finds its origins in old media, particularly the cinema. In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.

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