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Cargando... My Brother, Grant Woodpor Nan Wood Graham
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Everyone knows her face but few ever knew her name. The stoic-faced woman in Grant Wood's American Gothic was his sister Nan, perhaps one of his closet friends and observers. In My Brother, Grant Wood, Nan Wood Graham offers us an intimate glimpse of the artist in a full-life biography. Her portrait of her brother is as direct and poignant as the portrait he painted of her. Through her anecdotes and reminiscences, Graham not only revives the vivid personality of her brother, she also conjures an era when eastern Iowa was the center of an exciting new movement of art, known as regionalism. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)759.13The arts Painting History, geographic treatment, biography United States and Canada United StatesClasificación de la Biblioteca del CongresoValoraciónPromedio:
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I'm impressed at the variety of positions Grant Wood held, especially given economy of the Great Depression. He seemed to have more of a vital role in the arts in Iowa than any artists of my acquaintance currently do in their towns. At some points the biography becomes merely a listing of the different artworks Grant was producing, likely because his sister Nan had moved out of town by then and had fewer anecdotes to recount. I particularly enjoyed reading about some of his innovations when he remodeled different buildings for living quarters, and the ways his family had to make do in order to survive in the Depression.
I picked up this book wanting to read something more by Julie Jensen McDonald to decide if the collection of story excerpts I had recently read was an adequate representation of her writing. This was the only work by her in my local library, but given her role as more of an editor I think my question is still unanswered. I can only imagine the difficulty in trying to make something readable out of the manuscript by Grant's sister, Nan Wood Graham, which after 5 years of editing by John Zug is described as "deadly prose". The introduction by Graham lets us know that she wants to present Grant as she knew him, which implies that she would retain rigid control over the content. I hope it was her desire rather than McDonald's decision to include the boring listing of current and subsequent owners of each piece of art which is mentioned.
The book includes a chronology of Grant Woods' life and a paged listing of "unidentified" illustrations at the front, and ends with an index. The list of illustrations would have been improved if it had also included the pages of the titled illustrations. As I read about a particular artwork I would have wanted to turn to see it but had to fumble to try to find it. Then I finished the book & discovered a very thorough index. ( )