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Cargando... Invierno mediterráneo : un recorrido por Túnez, Sicilia, Dalmacia y Greciapor Robert D. Kaplan
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. A very interesting writeup on a small swath of the mediterranean streaching from Tunisia, Sicily, Greece and Croatia with some indepth analysis on the effects of Greek, Roman, Carthiginian and Spartan influences in these areas. Very interesting. “Mediterranean Winter” is a really good read. It is subtitled: “The pleasures of History and Landscape in Tunisia, Siciliy, Dalmatia and the Peloponnese”. It is a travel book that Robert Kaplan wrote in 2004 about a trip he took back in the ‘70s. The focus of the book is actually on what it says: history and landscape, and how they influenced each other. I already knew Kaplan as I read “The Ends of the Earth”, another travel book that describes his journey from the poorest areas of West Africa (Laos, Togo, Benin) to Iran and Turkmenistan. Kaplan was a regular reporter when Bill Clinton was spotted with his book “Balkan Ghosts” tucked under his arm during his presidency. That propelled Kaplan’s popularity like a rocket, and he was suddenly advising the US government on various foreign policy matters. I was familiar with his style, which I would define as the style of an “introverted left-brainer”. Let me explain: the reality in which Kaplan seems to move in is a reality made of facts, objects and historical data, rather than people. The real-life dialogue with local people is kept to a real minimum, while most of what he presents is filtered through his own eyes and through the (many!!) books he has read and he keeps referencing. This is fantastic for a book lover, because you get to hear about many wonderful books that you didn’t know about, but, on the other hand, it shifts the writing on the cold and dry side. Not that there’s anything wrong with that. In Tunisia, Kaplan becomes more aware of the Roman Empire, and its vast influence on the North Africa regions. He also makes a compelling case for the history of Carthage being at the roots of Tunisia’s more modern and enlightened current politics, as opposed to other muslim countries. In Sicily, he becomes aware of ancient Greece, and the struggle between Athens and Syracuse. And in Greece, he reflects on Byzantium. For every city or region he visits, he gives us a summary of the main historical events that shaped that place and its people. Given the broad geographies described in the book, these summaries are necessarily sketched, but they often provide a good enough insight into the main events. One of the things that I love the most about travel books is when the author gets his hands dirty and talks to the local people, gets their colors and perspectives about their city, country or history. Kaplan doesn’t do too much of this. He is more of an intellectual traveler, who often prefers the connection with long-dead people through books rather than the face-to-face talking and listening experience. However, while “The Ends of the Earth” came across as too US-centric, from a cultural perspective, I preferred this book as it is free from any “I am a U.S. geo-strategic advisor” attitude. Having said that, i read that Kaplan initially was a strong supporter of the Iraq war, but he now regrets that position completely, and he now thinks the war was a mistake. So what have all those thousands of books on history and strategy taught him? That makes me wonder: is history able to teach us anything at all, really? Is “Historia magistra vitae”? In essence, a great travel book for lovers of literature and history. Sometimes you get the impression that Kaplan travels to complete the literary experience he's had, when he read what Flaubert, Maupassant, Gibbon, and other great writers said about certain places and their own visits there. Almost as if those books were more real to him than the actual travel. “Mediterranean Winter” is a really good read. It is subtitled: “The pleasures of History and Landscape in Tunisia, Siciliy, Dalmatia and the Peloponnese”. It is a travel book that Robert Kaplan wrote in 2004 about a trip he took back in the ‘70s. The focus of the book is actually on what it says: history and landscape, and how they influenced each other. I already knew Kaplan as I read “The Ends of the Earth”, another travel book that describes his journey from the poorest areas of West Africa (Laos, Togo, Benin) to Iran and Turkmenistan. Kaplan was a regular reporter when Bill Clinton was spotted with his book “Balkan Ghosts” tucked under his arm during his presidency. That propelled Kaplan’s popularity like a rocket, and he was suddenly advising the US government on various foreign policy matters. I was familiar with his style, which I would define as the style of an “introverted left-brainer”. Let me explain: the reality in which Kaplan seems to move in is a reality made of facts, objects and historical data, rather than people. The real-life dialogue with local people is kept to a real minimum, while most of what he presents is filtered through his own eyes and through the (many!!) books he has read and he keeps referencing. This is fantastic for a book lover, because you get to hear about many wonderful books that you didn’t know about, but, on the other hand, it shifts the writing on the cold and dry side. Not that there’s anything wrong with that. In Tunisia, Kaplan becomes more aware of the Roman Empire, and its vast influence on the North Africa regions. He also makes a compelling case for the history of Carthage being at the roots of Tunisia’s more modern and enlightened current politics, as opposed to other muslim countries. In Sicily, he becomes aware of ancient Greece, and the struggle between Athens and Syracuse. And in Greece, he reflects on Byzantium. For every city or region he visits, he gives us a summary of the main historical events that shaped that place and its people. Given the broad geographies described in the book, these summaries are necessarily sketched, but they often provide a good enough insight into the main events. One of the things that I love the most about travel books is when the author gets his hands dirty and talks to the local people, gets their colors and perspectives about their city, country or history. Kaplan doesn’t do too much of this. He is more of an intellectual traveler, who often prefers the connection with long-dead people through books rather than the face-to-face talking and listening experience. However, while “The Ends of the Earth” came across as too US-centric, from a cultural perspective, I preferred this book as it is free from any “I am a U.S. geo-strategic advisor” attitude. Having said that, i read that Kaplan initially was a strong supporter of the Iraq war, but he now regrets that position completely, and he now thinks the war was a mistake. So what have all those thousands of books on history and strategy taught him? That makes me wonder: is history able to teach us anything at all, really? Is “Historia magistra vitae”? In essence, a great travel book for lovers of literature and history. Sometimes you get the impression that Kaplan travels to complete the literary experience he's had, when he read what Flaubert, Maupassant, Gibbon, and other great writers said about certain places and their own visits there. Almost as if those books were more real to him than the actual travel.
In Mediterranean Winter, Robert D. Kaplan, the bestselling author of Balkan Ghosts and Eastward to Tartary, relives an austere, haunting journey he took as a youth through the off-season Mediterranean. The awnings are rolled up and the other tourists are gone, so the damp, cold weather takes him back to the 1950s and earlier—a golden, intensely personal age of tourism. Decades ago, Kaplan voyaged from North Africa to Italy, Yugoslavia, and Greece, luxuriating in the radical freedom of youth, unaccountable to time because there was always time to make up for a mistake. He recalls that journey in this Persian miniature of a book, less to look inward into his own past than to look outward in order to dissect the process of learning through travel, in which a succession of new landscapes can lead to books and artwork never before encountered.
El autor rememora un viaje dejuventud por el Mediterráneo. No se han encontrado descripciones de biblioteca. |
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