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The Time We Have Taken

por Steven Carroll

Series: Glenroy Series (3)

MiembrosReseñasPopularidadValoración promediaMenciones
1578173,841 (3.46)28
"That exotic tribe was us. And the time we have taken, our moment. One summer morning in 1970, Peter van Rijn, proprietor of the television and wireless shop, pronounces his Melbourne suburb one hundred years old. That same morning, Rita is awakened by a dream of her husband's snores, yet it is years since Vic moved north. Their son, Michael, has left for the city, and is entering the awkward terrain of first love. As the suburb prepares to celebrate progress, Michael's friend Mulligan is commissioned to paint a mural of the areas history. But what vision of the past will his painting reveal? Meanwhile, Rita's sometime friend Mrs Webster confronts the mystery of her husband's death. And Michael discovers that innocence can only be sustained for so long. The Time We Have Taken is both a meditation on the rhythms of suburban life and a luminous exploration of public and private reckoning during a time of radical change."--Provided by publisher.… (más)
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» Ver también 28 menciones

Mostrando 1-5 de 8 (siguiente | mostrar todos)
Third book of the trilogy so the characters and the suburb were familiar. Events progress slowly with lengthy decriptions of the main characters thoughts and the author's voice of what happens in the future (this is a bit disconcerting for the reader). ( )
  siri51 | Mar 18, 2019 |
The blurb claims it is 'a meditation on the rhythms of suburban life'. Alas I find said suburban life quite dull. I also found it surprisingly lacking in local flavour ... Felt like the characters could have been anywhere really, which was odd for a work built around the idea of a suburb's centenary. Most poignant aspect the one-sided love of Michael for Madeleine, but not remarkable enough to warrant another star. ( )
  Kirstie_Innes-Will | Apr 18, 2014 |
This book, and indeed the trilogy it forms part of, has a whiff of pretentiousness about it. It's almost as though Carroll is consciously trying to write the great Australian novel; a book which makes profound statements about the nature of suburban society. I suppose (almost) all authors have visions of their own grandeur, but it doesn't always come across so obviously. Almost the entire book is written from the point of view of an external observer and the total amount of direct dialog would probably occupy less than one page. It's as though the narrator is teaching us a lesson on the social history of Australian post-war suburbia, rather than making the reader a part of that society. That's not necessarily bad, and indeed there's lots of good aspects of this approach. The story is worth telling and I did enjoy reading it. The characters are definitely realistic and as a suburban baby-boom Australian I felt very much that this was my society. I just think a more subtle approach would in the end be more effective. ( )
  oldblack | Sep 17, 2012 |
Suburban Melbourne, 1970. I was there, had forgotten much about it until reading this beautiful reminder ( )
1 vota JillianMcD | Nov 12, 2009 |
Too slow for me, gradual unfolding of characters' lives. Didn't feel any sympathy with them - too much at a distance.
  mairangiwoman | Dec 3, 2008 |
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"That exotic tribe was us. And the time we have taken, our moment. One summer morning in 1970, Peter van Rijn, proprietor of the television and wireless shop, pronounces his Melbourne suburb one hundred years old. That same morning, Rita is awakened by a dream of her husband's snores, yet it is years since Vic moved north. Their son, Michael, has left for the city, and is entering the awkward terrain of first love. As the suburb prepares to celebrate progress, Michael's friend Mulligan is commissioned to paint a mural of the areas history. But what vision of the past will his painting reveal? Meanwhile, Rita's sometime friend Mrs Webster confronts the mystery of her husband's death. And Michael discovers that innocence can only be sustained for so long. The Time We Have Taken is both a meditation on the rhythms of suburban life and a luminous exploration of public and private reckoning during a time of radical change."--Provided by publisher.

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