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Cargando... El gran Gatsby (1925)por F. Scott Fitzgerald
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AunqueF. Scott Fitzgerald era un autor popular cuando publicó El gran Gatsby, esta no se convirtió en novela de culto hasta después de su fallecimiento.Gatsby encarna el arquetipo del millonario cuyo éxito radica en la juventud y la popularidad, y que al mismo tiempo oculta con celo sus miserias personales y el origen de su fortuna. Es, en resumen, la metáfora perfecta de los EstadosUnidos de los felices años veinte y de la ley seca. Imitada hasta la extenuación y siempre admirada, El gran Gatsby es, casi un siglo después, la auténtica Gran Novela Americana. The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story is of the fabulously wealthy Jay Gatsby and his new love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. Jay Gatsby, el caballero que reina sobre West Egg, el anfitrión de las noches sin tregua, pero también el triunfador marcado por el trágico sino de una soledad no pretendida, es el arquetipo de esos años veinte que se iniciaron con la prohibición y discurrieron en el gangsterismo y la corrupción política organizada. Protagonista de una década que culminaría con la catástrofe de 1929, su imagen de esplendor no hace sino anunciar un drama inevitable. Triunfo de perpetua juventud, brillantez animada por el exceso, fueron también las constantes de la vida de Francis Scott Fitzgerald, quien nos ofrece en El gran Gatsby una de sus obras mayores. EL GRAN GATSBY ESTA CONSIDERADA DE MANERA UNÁNIME COMO UNA DE LAS MEJORES NOVELAS ESTADOUNIDENSES DE LA HISTORIA. F. SCOTT FITZGERALD NARRÓ EL ESPÍRITU DE LOS TIEMPOS CON TAL MAESTRÍA QUE LOGRÓ CONDENSARLO PARA LA POSTERIDAD EN ESTA MAGISTRAL OBRA, CONVERTIDA EN EL MAYOR SÍMBOLO DE LA LLAMADA JAZZ AGE. JAY GATSBY REPRESENTA LO MEJOR Y LO PEOR DEL SUEÑO AMERICANO, CON SU DISPOSICIÓN A ACUMULAR DINERO Y GASTARLO CON OSTENTACIÓN A FIN DE PERSEGUIR LO ÚNICO QUE EN REALIDAD LE INTERESA EN LA VIDA: EL AMOR DE LA HERMOSA PERO FRÍVOLA DAISY BUCHANAN. EN ESTA EDICIÓN ILUSTRADA , EL TEXTO CLÁSICO DE FITZGERALD APARECE ACOMPAÑADO Y REINTERPRETADO POR EL TALENTOSO ARTISTA GRÁFICO NORTEAMERICANO JOHNNY RUZZO. SUS MAGNÍFICAS ILUSTRACIONES TIENDEN UN PUENTE UN TANTO VISUAL COMO TEMPORAL QUE ACTUALIZA UN LIBRO TAN CLÁSICO COMO "EL GRAN GATSBY" Y LO APROXIMA A LOS LECTORES CONTEMPORÁNEOS, AL OTORGARLE UNA NUEVA DIMENSIÓN QUE TAN SÓLO REFUERZA LA INDUDABLE VIGENCIA DE UNA DE LAS NOVELAS MÁS LEÍDAS Y ALABADAS DE LA LITERATURA CONTEMPORÁNEA.
The Great Gatsby is a romance novel that written by American Author F.Scott Fitzgerald.This novel is talk about the New Yorker in 1900s.The Great Gatsby is a classic piece of American fiction. It is a novel full of triumph and tragedy.Nick Carraway is the narrator, or storyteller, of The Great Gatsby, but he is not the story's protagonist, or main character. Instead, Jay Gatsby is the protagonist of the novel that bears his name. Tom Buchanan is the book's antagonist, opposing Gatsby's attempts to get what he wants: Tom's wife Daisy. The weakness of this book is they using the classic languange and a little difficult to understand.The weakness also about Gatsby affection to Daisy,He spends that money on lavish parties in the hopes that she will show up.When she finally spends time with him, for the first time in many years, he naively believes that she will leave Tom for him but,unfortunately she is not. However,the strength of this book is the writer are using the unique title so the reader are feel sympathy and curious about it, also the characteristic about Jay Gatsby that teach the reader many lesson. To conclude,this book is the very recommended book,especially High School students because Fitzgerald’s novel is a portal to the savage heart of the human spirit, and wonders at our enormous capacity to dream, to imagine, to hope and to persevere. The great Gatsby is truly a romance book like no other.F.SCOTT.Switzgerald describing about the life of New Yorker in 1900s.This novel is very popular many students if high school are required by their teachers to read this book.The narrator of The Great Gatsby is a young man from Minnesota named Nick Carraway. He not only narrates the story but casts himself as the book’s author.As ive read about this book,Gatsby’s personality was nothing short of “gorgeous.” moreover,the weakness about this book is hard to understand if u are not really pay attention on it.this novel is about a contradiction,Gatsby's idealism makes him blind.He doesn't see that Daisy can't have love and money, just money. Gatsby can't turn back time.He even doesn't see death coming toward him. However,the strength of this book something quite different from others,it is the charm and beauty of writing,has many important meanings that should be learned early on in life. To conclude,what i can say is don't be too obsessed just because you have so much money,money ain't last forever.but overall its a magnificent,fantastically, entertaining and enthralling story. "The Great Gatsby" is in form no more than a glorified anecdote, and not too probable at that What gives the story distinction is something quite different from the management of the action or the handling of the characters; it is the charm and beauty of the writing. I find Gatsby aesthetically overrated, psychologically vacant, and morally complacent; I think we kid ourselves about the lessons it contains. None of this would matter much to me if Gatsby were not also sacrosanct. There is the convoluted moral logic, simultaneously Romantic and Machiavellian, by which the most epically crooked character in the book is the one we are commanded to admire. There’s the command itself: the controlling need to tell us what to think, both in and about the book. There’s the blanket embrace of that great American delusion by which wealth, poverty, and class itself stem from private virtue and vice. There’s Fitzgerald’s unthinking commitment to a gender order so archaic as to be Premodern: corrupt woman occasioning the fall of man. There is, relatedly, the travesty of his female characters—single parenthesis every one, thoughtless and thin. (Don’t talk to me about the standards of his time; the man hell-bent on being the voice of his generation was a contemporary of Dorothy Parker, Gertrude Stein, and Virginia Woolf, not to mention the great groundswell of activists who achieved the passage of the Nineteenth Amendment. Yet here he is in A Short Autobiography: “Women learn best not from books or from their own dreams but from reality and from contact with first-class men.”) It is an impressive accomplishment. And yet, apart from the restrained, intelligent, beautifully constructed opening pages and a few stray passages thereafter—a melancholy twilight walk in Manhattan; some billowing curtains settling into place at the closing of a drawing-room door—Gatsby as a literary creation leaves me cold. Like one of those manicured European parks patrolled on all sides by officious gendarmes, it is pleasant to look at, but you will not find any people inside. Indeed, The Great Gatsby is less involved with human emotion than any book of comparable fame I can think of. None of its characters are likable. None of them are even dislikable, though nearly all of them are despicable. They function here only as types, walking through the pages of the book like kids in a school play who wear sashes telling the audience what they represent: OLD MONEY, THE AMERICAN DREAM, ORGANIZED CRIME. Pertenece a las series editorialesArion Press (15) Biblioteca Folha (5) Blackbirds (2014) — 35 más Delfinserien (82) detebe (20183) Grandes éxitos (2) Lanterne (L 30) New Directions Classics (NC9) Penguin English Library, 2012 series (2018-06) Penguin Modern Classics (746) Reclams Universal-Bibliothek (9242) Světová četba (248) Westvaco American Classics (2004) Contenido enThe "Great Gatsby" and "The Diamond as Big as the Ritz" (Collector's Library) por F. Scott Fitzgerald The Great Gatsby / Tender is the Night / This Side of Paradise / The Beautiful and the Damned / The Last Tycoon por F. Scott Fitzgerald Tender Is the Night / This Side of Paradise / The Great Gatsby / The Last Tycoon por F. Scott Fitzgerald F. Scott Fitzgerald Collection: The Great Gatsby, The Beautiful and Damned and Tender is the Night (Collins Classics) por F. Scott Fitzgerald A este lado del paraíso ; El gran Gatsby ; [traducción, A este lado del paraíso, Juan Benet Goitia ; traducción, El gran Gatsby, E. Piñas] por F. Scott Fitzgerald F. Scott Fitzgerald: The Great Gatsby, All the Sad Young Men & Other Writings 1920–26 (LOA #353) (Library of America, 353) por F. Scott Fitzgerald Está renarrado enTiene la precuela (fuera de la serie)Tiene la adaptaciónAparece abreviada enInspiradoTiene como guía/complementario de referencia aTiene como estudio aF. Scott Fitzgerald: The Great Gatsby (Icon Reader's Guides to Essential Criticism) por Nicolas Tredell Tiene un comentario del texto enTiene una concordanciaTiene como guía de estudio aTiene como guía de enseñanza aPremiosDistinctionsNotable ListsTorchlight List (#77) Waterstones Books of the Century (No 12 – 1997) Геном русской души (49) Голямото четене (57)
Una extraordinaria fábula sobre el sueño americano. Nominada por los estadounidenses como una de las 100 mejores novelas en la serie de PBS The Great American Read. Jay Gatsby, el caballero que reina sobre West Egg, es el arquetipo de aquellos míticos años veinte en que pareció que todo era posible, un tiempo de felicidad entre el horror de la Primera Guerra Mundial y la barbarie de la Segunda. Junto al resto de los protagonistas, representa a la Generación Perdida, a todos aquellos «jóvenes tristes» que personificaron el mito de la pasión y el desamor, de la literatura que se funde con la vida. Publicada por primera vez en 1925, El gran Gatsby está considerada como La Gran Novela Americana. Simboliza el triunfo, la perpetua juventud y el deslumbramiento que desembocan en la tragedia, la decadencia y la caída, constantes reflejadas con asombrosa precisión en la propia vida de Fitzgerald. «El gran Gatsby es el primer paso adelante dado por la narrativa norteamericana desde Henry James.» - T. S. Eliot«Él tenía una de las cualidades más raras en la literatura: encanto, encanto como Keats lo había tenido ¿y quién lo posee hoy día?» - Raymond Chandler «Fitzgerald representa el estilo, la profundidad y la lucidez... Hay frases en sus libros que quedarán grabadas para siempre en tu memoria... Bienvenido sea cualquier pretexto cinematográfico si sirve para que los lectores jóvenes descubran a Fitzgerald. Los viejos nunca hemos dejado de releerlo. La adicción que crea es para siempre.» Carlos Boyero, Babelia «Fitzgerald era el mejor de todos nosotros.» -Ernest Hemingway «Fitzgerald es mi autor favorito.» -Haruki Murakami «Le leerán cuando muchos de sus contemporáneos estén olvidados.» -Gertrude Stein ENGLISH DESCRIPTION Nominated as one of America's best-loved novels by PBS's The Great American Read The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. The Great Gatsby is one of the great classics of twentieth-century literature. No se han encontrado descripciones de biblioteca.
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![]() GénerosSistema Decimal Melvil (DDC)813.52Literature English (North America) American fiction 20th Century 1900-1944Clasificación de la Biblioteca del CongresoValoraciónPromedio:![]()
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El Gatsby de la novela (narrada en primera persona por uno de los personajes) es inmensamente exitoso pero también inmensamente enfermo por que a pesar de sus riquezas no se puede sobreponer a sus complejos y a su sentimiento de ser inadecuado.
Es una obra inolvidable, ejemplo de la producción de un autor malogrado porque nunca alcanzó en vida lo que aspiraba, exactamente igual que Gatsby.