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Cargando... Batman: Fortunate Sonpor Gerard Jones, Gene Ha (Ilustrador)
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Batman suspects a modern-day rock-and-roll icon of masterminding a nationwide crime spree, using teenaged fans as his henchmen. However, Robin is certain that his idol could not be responsible for these crimes. In his secret identity of Dick Grayson, the Boy Wonder uncovers a bizarre and elaborate frame-up.In Fortunate Son, Jones and Ha put their considerable storytelling gifts to work, exploring a theme rarely considered in stories of Batman and Robin: how the generation gap between them leads them to view the world in strikingly different ways. As the heroes struggle to overcome their differences and uncover the truth about rocker Izaak Crowe's alleged crimes, incredible secrets are revealed about pop culture, American life and the role music played in the development of two of DC's greatest heroes.With amazingly realistic artwork, Batman: Fortunate Son should appeal to fans of elaborate line-art, as well as the traditional comic audience. The ideal audience for this project begins at age 16, and continues from there. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)741.5973The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections North American United States (General)Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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This is a weird book, no doubt about it. A rock musician that Robin's really into commits a crime, or seems to, Batman decides the team will investigate, as a favor to Robin. It turns out that Batman utterly despises rock music, and he and Robin (quite temporarily) split up. It also turns out that in additional to homicidal maniacs (right down the hall from them, in fact), Arkham Asylum houses rock managers who did too much drugs. Also also: the ghost of Elvis Presley, but blond, and only ever referred to as "God"!
Yet... I cannot imagine a better story of Batman and rock music. The weirdness of the story doesn't bother me, because it's operating by its own rules; this is a heightened world where rock music is powerful, where it instigates riots and sweeps people up at the drop of a beat. It's weird and kind of mystical without being magical or fantastical. People can be hypnotized by it, and terrible crimes can be committed by its adherents, all because of the music. It can do great good, but also great evil, and people will do anything to harness its power. You might now be saying, "this world sounds an awful lot like our world." That's the point!
Of course Batman hates rock music, then. Even at its best, it's disorderly, it's suspect. You don't need the scene where young Bruce Wayne is told to turn off that rock music, because it's time to go to the theatre, to make him hate it. Rock is about changing the world, but through disorder. It's accomplishing what Batman stands for the most, through means that are utterly alien to him.
I should also say that I really liked the look of Gene Ha's art, though his storytelling was often confusing. He draws Batman like a guy in costume, if that makes sense; you can tell his suit is something he's wearing, especially his cowl, not something that magically molds into his body. I don't think that approach would work for every Batman story (it's hard to imagine it in my next read, Batgirl: Year One, for example), but it is the right approach for this one, a story which emphasizes the fragility of who Batman is and what he does.
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