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Cargando... Mishima o la visión del vacío (1980)por Marguerite Yourcenar
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On November 25, 1970, Japan's most renowned postwar novelist, Yukio Mishima, stunned the world by committing ritual suicide. Here, Marguerite Yourcenar, a brilliant reader of Mishima and a scholar with an eye for the cultural roles of fiction, unravels the author's life and politics: his affection for Western culture, his family and his homosexuality, his brilliant writings, and his carefully premeditated death. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)895.6Literature Literature of other languages Asian (east and south east) languages JapaneseClasificación de la Biblioteca del CongresoValoraciónPromedio:
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This often reads more as a literary work than as a critical essay - Yourcenar's instinct as a story-teller gets the better of her sometimes, and the plot-summaries of Mishima's works almost turn into full-scale re-imaginings. And she seems to have been almost as turned on as Mishima by the gruesome details of disembowelment and decapitation. In the final section she contrasts the fine Buddhist aesthetic of the closing image of the Tetralogy, the vision of the empty sky, with the physical reality of a photograph of Mishima's and Morita's detached heads. A clear and brutal reminder of the unromantic ugliness of death, but somehow I couldn't help thinking of the imagined decapitation in The Mikado, where Pooh-Bah relates that the detached head "...stood on its neck, with a smile well-bred, / And bowed three times to me." Yourcenar probably wasn't a G&S buff. ( )