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Pirating and Publishing: The Book Trade in the Age of Enlightenment

por Robert Darnton

Otros autores: Ver la sección otros autores.

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In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" -- countries located along the French border, stretching from Holland to Switzerland -- pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged -- tacitly or openly -- that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters -- lofty idealists and down-and-dirty opportunists -- this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.… (más)
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Darnton looks mainly at the publishers surrounding France and how they carved out a living without copyright and often under threat of censorship (sometimes for the political works they published, sometimes for the sexy books). They also lived without much money—there were lots of debts and promises, but very little specie and no government-backed paper, which complicated matters a lot as they tried to make a living in trade. Their interactions and unauthorized dissemination of works, he suggests, were significant in spreading the Enlightenment: with some notable exceptions, nearly all the works of the French Enlightenment were published outside France and smuggled back in. (Hostility to legally enforced “privilege” thus permeated the books both in content and in practice.) He estimates that half the standard books in the crucial period leading up to the French Revolution were pirated in this way, making piracy crucial to the history of ideas. It was a hard life—lots of bankruptcies (which meant flight or debtor’s prison in those days), occasional arrests, lots of authors commissioning print runs and then failing to pay the bills. But by making books available to the literate middling classes—lawyers, doctors, state officials—they contributed to fundamental changes in French society. Since they competed with each other to sell whatever would sell, they had to try to stay ahead of demand and sometimes engaged in false advertising about their own plans to warn others off.

One of the most fascinating tidbits: As the system creaked under strain, censors began giving private approval to printing, until privately approved texts represented 30% of printed books. The approval remained secret and the books would usually indicate they’d been printed outside of France even if they’d been printed in Paris; if they became controversial, they could be withdrawn without a fuss. Also, booksellers who trafficked in unapproved texts were known as marrons, a term also applied to fugitive slaves in the colonies. And people saved a perhaps surprising number of letters discussing their shenanigans, even ones marked “tear this up right away.” ( )
  rivkat | Sep 17, 2021 |
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In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" -- countries located along the French border, stretching from Holland to Switzerland -- pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged -- tacitly or openly -- that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters -- lofty idealists and down-and-dirty opportunists -- this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.

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