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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. Inspirada en la leyenda griega de Quirón y Prometeo, a quien aquél cedió su sabiduría y su don de ser inmortal, esta novela no ocurre en el Olimpo, sino en torno a la escuela superior de una pequeña ciudad de Pennsylvania. Quirón, el más sabio de entre los centauros, pasa a ser aquí un profesor de ciencias, quien, antes de los incidentes -y accidentes- que se producen durante tres días de invierno de 1947, procura descifrar los conflictos que le enfrentan a su hijo de quince años -Prometeo-, a quien intenta rescatar de la mediocridad y la apatía. Gracias a la referencia mitológica, el lector revivirá en toda su dureza, pero también en toda su profunda ternura, la tragedia de la agonía del viejo maestro y la iniciación del hijo en la difícil tarea de existir, que transcurren en el escenario de una casi titánica confrontación generacional. La figura del centauro fue creada por John Updike como contrapunto evidente a la figura ya célebre de su personaje Harry «Conejo» Angstrom.
Purports to tell the story of the evolution of a father's relationship with his son in a small town in modern Pennsylvania. At least this is how the average dopey reader would undertand the story, until, that is, he is confronted with an index ... having belatedly realised that the modren-dress story is a retelling of the legends of classical Greece. Above all there is that beautiful Updikean wordplay, here manifested in attributive metaphors. Half the sentences in this book could be studied for Updike’s uncanny ability to lay visual markers on unrelated nouns, embedding man-made objects into natural surroundings by modifying the images of the artificial with those of the natural. This is a poor novel irritatingly marred by good features. The title, grindingly reinforced by the tasteful Hellenic fragment on the cover, sounds the warning note of “significance” and the severe intention is further signaled by a dark quotation from Karl Barth on the title page: something about man being “a creature on the boundary between heaven and earth.” As if one were not tuned by this time to the “universal” wave length, there follows on the next page, before our story really begins, a précis of the myth of Chiron, the weary centaur who sacrifices his immortality as an atonement for Prometheus. Then, lest we forget, the author has appended, at the suggestion of his wife, an index of the mythical references which crop up throughout the text... The fact is that Updike does himself a great disservice by enameling his tale with the elaborate reference. At the center of all that wearisome pedantry he has a neglected germ of literary imagination. The father is carefully and sympathetically observed with a shambling heroism, fatigued and gullible, which is nicely set off against the irritable fondness of his son. He has chosen however to inflate this compact moral set-up, blowing it up into a volume which is out of proportion to its weight. It finally becomes flounderingly portentous and pompously intoned, like Hemingway’s Old Man and the Sea. PremiosDistincionesListas de sobresalientes
In a small Pennsylvania town in the late 1940s, schoolteacher George Caldwell yearns to find some meaning in his life. Alone with his teenage son for three days in a blizzard, Caldwell sees his son grow and change as he himself begins to lost touch with his life. Interwoven with the myth of Chiron, the noblest centaur, and his own relationship to Prometheus, The Centaur is one of John Updike's most brilliant and unusual novels. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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