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White Blood: A Lyric of Virginia

por Kiki Petrosino

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2011,091,121 (4)Ninguno
"In her fourth full-length book, White Blood: A Lyric of Virginia, Kiki Petrosino turns her gaze to Virginia, where she digs into her genealogical and intellectual roots, while contemplating the knotty legacies of slavery and discrimination in the Upper South. From a stunning double crown sonnet, to erasure poetry contained within DNA testing results, the poems in this collection are as wide-ranging in form as they are bountiful in wordplay and truth. In her poem "The Shop at Monticello," she writes: "I'm a black body in this Commonwealth, which turned black bodies/ into money. Now, I have money to spend on little trinkets to remind me/ of this fact. I'm a money machine & my body constitutes the common wealth." Speaking to history, loss, and injustice with wisdom, innovation, and a scientific determination to find the poetic truth, White Blood plants Petrosino's name ever more firmly in the contemporary canon"--… (más)
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I'm trying to find words to describe this collection, and so far "lovely" and "ambivalent" come to mind. Petrosino uses repetition and startling images to describe her relationship to an (ever present) past. There's a sense of the author mediating between conflicting narratives, heritages, ways of understanding.

I wish I'd come to this book with a better knowledge of what I will term the Monticello-Industrial Complex, but certainly I've spent enough years living in the Upper South to get the gist. My favorite poems were "Happiness," which is beautiful and distressing and warrants a few rereads, and a series of villanelles titled "Message From the Free Smiths of Louisa County," which address gaps in the historical record. Petrosino reads these omissions as their own kind of resistance, but the resulting absences are nonetheless baffling and heartbreaking. Until reading these poems I'd never realized how much genealogy research feels like playing three-dimensional chess with dead people.
  raschneid | Dec 19, 2023 |
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"In her fourth full-length book, White Blood: A Lyric of Virginia, Kiki Petrosino turns her gaze to Virginia, where she digs into her genealogical and intellectual roots, while contemplating the knotty legacies of slavery and discrimination in the Upper South. From a stunning double crown sonnet, to erasure poetry contained within DNA testing results, the poems in this collection are as wide-ranging in form as they are bountiful in wordplay and truth. In her poem "The Shop at Monticello," she writes: "I'm a black body in this Commonwealth, which turned black bodies/ into money. Now, I have money to spend on little trinkets to remind me/ of this fact. I'm a money machine & my body constitutes the common wealth." Speaking to history, loss, and injustice with wisdom, innovation, and a scientific determination to find the poetic truth, White Blood plants Petrosino's name ever more firmly in the contemporary canon"--

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