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House of Trelawney (2020)

por Hannah Rothschild

MiembrosReseñasPopularidadValoración promediaMenciones
22810117,174 (3.48)12
"For more than 700 years, the vast, rambling Trelawney Castle in Cornwall--turrets, follies, a room for every day of the year, four miles of corridors and 500,000 acres--was the magnificent and grand "three dimensional calling card" of the Earls of Trelawney. By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Three women dominate the story: Jane; Kitto's sister, the spinster, Blaze, who left Trelawney and made a killing in finance in London, and the wildly beautiful, seductive, and long-ago banished Anastasia whose 19 year old daughter, Ayesha-- a complete replica of her mother--arrives unannounced at Trelawney. When Ayesha marries very well and buys the house to avenge her mother's memory, she makes Blaze's plan to save Trelawney completely unnecessary. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together"--… (más)
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» Ver también 12 menciones

Mostrando 1-5 de 10 (siguiente | mostrar todos)
A sprawling, bizarre epic of a novel that somehow only covers a few months of time. Could have used another few rounds of editing to remove a few of the more cliched elements and hackneyed tropes (but then maybe they were all intended, I don't know) but it was certainly interesting to see what the author did with the story, anyway. ( )
  JBD1 | Jul 31, 2023 |
“All happy families are all alike; each unhappy family is unhappy in its own way.”'
Leo Tolstoy, "Anna Karenina"

While reading, "House of Trelawney", I was haunted by this famous quote. Indeed, this book highlights the brokenness of a highly dysfunctional British aristocratic family. Yet there is so much more to this story beyond all its family drama.

Author Hannah Rothschild has done a bang up job of poking fun at the slowly decaying aristocratic society (old money), the greed of hedge funds managers in their search for power and fame (new money) and the struggle to hold onto crumbling estates while meeting the demands of needed repairs and inheritance taxes (no money). Although much of this satirical story is sad, there is also a tremendous amount of humor and even tenderness. The depth of character writing is excellent and scene settings are richly portrayed. It is interesting how a crumbling 800 year old castle is also a breathing/dying character in the book - so much in need of resuscitation or its own requiem. Ms. Rothschild's writing is well crafted, her understanding of the human condition and her knowledge of financial markets - spot on. Not wanting to give too much of the plot away, I'll just leave it at this - I, for one, look forward to reading more stories by this talented writer.

I am grateful to author Hannah Rothschild and her publisher Alfred A. Knopf for having provided a complimentary copy of this book. Their generosity, however, has not influenced this review - the words of which are mine alone. ( )
  KateBaxter | Feb 3, 2021 |
This book had such potential. A great historical year 2008, fabulous characters dead and alive, interesting situations. But some parts should not have been included. A good editor would have improved the book ( )
  shazjhb | Dec 30, 2020 |
I do like a good family saga, and The House of Trelawney has all the strained relationships and eccentric relatives imaginable. After 700 years of titled wealth, the remaining members of the Trelawney family have inherited the vast, falling-down estate and most of the aristocratic sensibilities, but there isn't actually any money left. Rather than succumb to a reasonable middle-class (or even upper-class) lifestyle, the aging Earl insists on keeping up standards, and pretending they still have servants, while the future earl of Trelawney constantly re-mortgages the estate for financial schemes to reverse the family fortunes.

I loved the family's near-constant refusal to mention anything wrong, like the lack of staff, heat, private schools, or the missing relatives. Despite the huge estate full of empty rooms, the younger siblings are not permitted to stay in the family estate after they reach adulthood. I also loved when the Trelawneys occasionally met other aristocrats, and as they go around calling each other their ridiculous nicknames, you can't help wondering who else had sold off painting and fields. And the reversals and shocks just keep coming, with perfect tension and timing, throughout the novel.

At times, though, it's just too much. The house is not just a rundown manor, with no heating and gaps where the auctioned paintings used to be, instead it's revolting, with mold and animal droppings and general filth. The stubborn spinster aunt, a bit too into her horses or dogs, is a familiar character in stories about British aristocrats, but here she's scraping fleas off animal corpses for research. Gross. Other stories have infidelity, here it seems like half the village is a Trelawney byblow and half the fortune has gone to pregnant housemaids. The grandson and future heir is uselessly privileged, of course, but is it too much? Can 700 years of rank and breeding really end up like this? ( )
  TheFictionAddiction | Aug 12, 2020 |
I spent a grand old day in the sun reading this novel in more or less one sitting! The eccentric Trelawney family really came to life for me, not least being the 800 year old castle inhabited by three generations from the doddering old Earl and Countess to the ‘spare’, Kitto, and his wife and three teenage children. The story is supposed to be centred around three friends – ‘Plain’ Jane the daughter-in-law, Blaze the sister, scarred but financially shrewd, and the brilliant, mysterious Anastasia, who exists only in memory like Rebecca de Winter – but apart from a predictable twist in the tale, nothing really came of the big ‘family secret’ after Ayesha’s arrival.

Instead, I enjoyed reading about the day to day life of the family and the crumbling ancestral home, which is like a millstone around the neck of each generation, passed onto the eldest, usually ungrateful, son and causing sibling rifts. Trelawney Castle, set in Cornwall like Du Maurier’s Manderley, is the star of the story, but in the thoroughly modern, decaying and depressing sense of being a symbol of the aristocracy in the twentieth century: The decline and fall of the House of Trelawney would mirror the history of Britain; like the country, Trelawney was a shadow of its former self, a mere elegy and an effigy. The message gets a little heavy-handed at times - ‘People matter, places shouldn’t. And the worst thing of all is just to keep on doing things because that’s what was done before. You lot aren’t even old-fashioned or quaint. You’re myopic Jurassic has-beens,’ as one ‘commoner’ remarks – but the effect is truly atmospheric. The characters could be straight out of Cold Comfort Farm or We Have Always Lived in the Castle, but their lives are so modern and ordinary – Jane struggling to patch up the house and hold her family together, Blaze filling her life with work, the Earl and Countess trapped in the past – that they somehow become believable. Although, I did find the final chapters slightly ridiculous, when the Dowager Countess becomes the subject of a TV docudrama, but for the most part, I could believe that Trelawney family really existed!

My only quibble – of course I have one – would be the pacing. Key events, or at least dramatic scenes that would have livened the story, are told ‘off screen’, or in retrospect. Also, the ending felt slightly rushed – to spend so long with this family, only to have their lives summarised with a passing line, seemed unfair. ( )
  AdonisGuilfoyle | May 27, 2020 |
Mostrando 1-5 de 10 (siguiente | mostrar todos)
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Trelawney Castle, dimora della famiglia omonima da ottocento anni, sorge su una rupe che domina la costa meridionale del mare di Cornovaglia.
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“Le nostre armi sono spaventosamente rozze”, sbuffò Tuffy. “Gli umani si ammazzano a vicenda soltanto da decine di miliardi si anni, mentre la natura lo fa da tre miliardi”.
La lettera di Anastasia le aveva capire una cosa: non sentiva la mancanza della ricchezza e neppure della giovinezza. Ciò di cui sentiva disperatamente la mancanza era l’amicizia.
La terminologia finanziaria lo confondeva. Nel corso dei secoli la City aveva sviluppato un proprio linguaggio, un patois cosparso di acronimi e di arcane abbreviazioni. All’inizio amitto era intimorito da coloro che lo parlavano fluentemente, tuttavia non aveva tardato a capire che le parole pretenziose erano un modo per esagerare l’importanza di idee semplici e per confondere i profani.
“Ha l’opportunit Di aiutare qualcuno, e se c’ Una cosa che ho imparato, nella vita, è che meglio essere oggetto di bisogno che di desiderio, il desiderio e l’amore romantico passano, lasciando poche tracce. Invece la dipendenza ha una gioia che perdura, la soddisfazione di aver fatto qualcosa di buono”.
Blazer aveva il lato destro del volto molto bello, una chioma lussureggiante, una bella figura, eppure quando si guardava allo specchio vedeva unicamente la pelle corrugata e l’umiliante delusione della madre. Mentre le lacrime le colmavano gli occhi e scendevano sulle guance, si conficcò le unghie nei morbidi palmi delle mani. L’autocommiserazione era persino peggiore della solitudine.
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"For more than 700 years, the vast, rambling Trelawney Castle in Cornwall--turrets, follies, a room for every day of the year, four miles of corridors and 500,000 acres--was the magnificent and grand "three dimensional calling card" of the Earls of Trelawney. By 2008, it is in a complete state of ruin due to the dulled ambition and the financial ineptitude of the twenty-four earls, two world wars, the Wall Street crash, and inheritance taxes. Still: the heir to all of it, Kitto, his wife Jane, their three children, their dog, Kitto's ancient parents, and his aunt Tuffy Scott, an entomologist who studies fleas, all manage to live there and keep it going. Three women dominate the story: Jane; Kitto's sister, the spinster, Blaze, who left Trelawney and made a killing in finance in London, and the wildly beautiful, seductive, and long-ago banished Anastasia whose 19 year old daughter, Ayesha-- a complete replica of her mother--arrives unannounced at Trelawney. When Ayesha marries very well and buys the house to avenge her mother's memory, she makes Blaze's plan to save Trelawney completely unnecessary. But both Blaze and Jane are about to discover that the house itself is really only a very small part of what keeps the family together"--

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