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The Undocumented Americans (2020)

por Karla Cornejo Villavicencio

Otros autores: Ver la sección otros autores.

MiembrosReseñasPopularidadValoración promediaMenciones
5271746,072 (4.22)21
Biography & Autobiography. History. Sociology. Nonfiction. HTML:NATIONAL BOOK AWARD FINALIST ? One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation.
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??Karla??s book sheds light on people??s personal experiences and allows their stories to be told and their voices to be heard.???Selena Gomez
FINALIST FOR THE NBCC JOHN LEONARD AWARD
? NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME

Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she??d tried to steer clear of was the only one she wanted to tell.  So she wrote her immigration lawyer??s phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants??and to find the hidden key to her own. 
 
Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented??and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. 
 
In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. 
 
In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An… (más)
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» Ver también 21 menciones

Mostrando 1-5 de 17 (siguiente | mostrar todos)
I really disliked this book. The only section that I found really interesting was about the undocumented workers who were the "second responders" at the 9/11 site. The author made a point of saying that she wanted to write about those undocumented Americans who have been used, abused, demonized, harassed and forgotten, but then she kept insinuating herself into THEIR narrative. At one point, she writes that she is no journalist. No sh!t. Either write more about the people she said she was going to focus on or write her own memoir. Including all of her interactions with them put her center stage instead of them. ( )
  AliceAnna | Apr 18, 2024 |
A mix of memoir and interview, Karla centers undocumented Americans and their stories in fictionalized versions (for protection), alongside that of her own family. ( )
  Daumari | Dec 28, 2023 |
whew. this is amazing. her writing, her reporting, her connections, her honesty. this is incredible. this is so raw and full of hard stories, but also so full of love and even some humor. everything about this is brilliant.

i wanted to mark just about everything but in the end just:

"I respect the role of god in the lives of people who suffer but basically only in the lives of people who suffer."

"I think about the work of Roberto Gonzales, a Harvard scholar who has conducted longitudinal studies on the effects of undocumented life on young people. As a result of all the stressors of migrant life, he found his subjects suffered chronic headaches, toothaches, ulcers, sleep problems, and eating issues. Which is funny to find in research because I'm twenty-nine and I have this ulcer my doctors can't seem to soothe or diagnose the cause of. It feels like I have an open wound right beneath my breasts in the center of my abdomen and I can feel it spasm and bleed and it never goes away. Sometimes I have to go to Urgent Care, and I drink concoctions and take pills and drink teas and I just keep bleeding, and it hurts the most when, after a long day of reading about people forming human chains to block ICE officers from arresting a man and his child, I sit down to write about my parents.

Now, imagine that thirty, forty, fifty years in. Of course Octavio is sick. We're all fucking sick. It's a public health crisis and it's hard to know how to talk about it without feeding into the right-wing propaganda machine that already paints immigrants as charges to the healthcare system and carriers of disease. The trick to doing it is asking Americans to pity us while reassuring them with a myth as old as the country's justifications for slavery - that is, reassuring Americans with the myth that people of color are long-suffering marvels, built to do hard work, built to last longer and handle more, reminding them what America already believes in its soul, which is that we are 'impervious to pain,' as scholar Robin Bernstein has put it. We can only tell them we're sick if we remind them that sick or not, we are able to still be high-functioning machines."

"Ivy’s baby has regained her vision, but nobody knows what the long-term effects of the water poisoning will be in her little body. The wait is torturous for Ivy. It is torturous for her mom. It is torturous for the community. It is not torturous for the government. They want us all dead, Latinxs, black people, they want us dead, and sometimes they’ll slip something into our bloodstreams to kill us slowly and sometimes they’ll shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot and shoot and shoot and shoot shoot and shoot until their bloodlust is satisfied and it’s all the same, our pastors will say god has a plan for us and our parents will plead with the Lord until the end to give them an answer." ( )
  overlycriticalelisa | Apr 24, 2023 |
3.5 stars. ( )
  CarolHicksCase | Mar 12, 2023 |
NA ( )
  eshaundo | Jan 7, 2023 |
Mostrando 1-5 de 17 (siguiente | mostrar todos)
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» Añade otros autores (3 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Karla Cornejo Villavicencioautor principaltodas las edicionescalculado
Ake, RachelDiseñador de cubiertaautor secundarioalgunas edicionesconfirmado
Cunningham, CarolineDiseñadorautor secundarioalgunas edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image.

-- Joan Didon, The White Album
Dedicatoria
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Chinga la Migra
In memory of Claudia Goméz Gonzáles
Primeras palabras
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

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Ninguno

Biography & Autobiography. History. Sociology. Nonfiction. HTML:NATIONAL BOOK AWARD FINALIST ? One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans in this deeply personal and groundbreaking portrait of a nation.

??Karla??s book sheds light on people??s personal experiences and allows their stories to be told and their voices to be heard.???Selena Gomez
FINALIST FOR THE NBCC JOHN LEONARD AWARD
? NAMED A BEST BOOK OF THE YEAR BY THE LOS ANGELES TIMES, THE NEW YORK TIMES BOOK REVIEW, NPR, THE NEW YORK PUBLIC LIBRARY, BOOK RIOT, LIBRARY JOURNAL, AND TIME

Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she??d tried to steer clear of was the only one she wanted to tell.  So she wrote her immigration lawyer??s phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants??and to find the hidden key to her own. 
 
Looking beyond the flashpoints of the border or the activism of the DREAMers, Cornejo Villavicencio explores the lives of the undocumented??and the mysteries of her own life. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers. The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. 
 
In New York, we meet the undocumented workers who were recruited into the federally funded Ground Zero cleanup after 9/11. In Miami, we enter the ubiquitous botanicas, which offer medicinal herbs and potions to those whose status blocks them from any other healthcare options. In Flint, Michigan, we learn of demands for state ID in order to receive life-saving clean water. In Connecticut, Cornejo Villavicencio, childless by choice, finds family in two teenage girls whose father is in sanctuary. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival. 
 
In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. Through these stories we come to understand what it truly means to be a stray. An

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