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Music at the White House: From the 18th to the 21st Centuries

por Elise Kirk

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A lyrical history of the American presidency and people, this is the story of a show that goes on. Elise Kirk traces the story of more than 200 years of musical performance in the White House to present the tale of the American process of music-making-how music in a democracy has been absorbed, shaped, transformed, and perceived from the period of George Washington to early in the Donald J. Trump administration. Whether dramatic or abstract, vernacular or cultivated, music can mold the political process and shape a historic event in a manner like no other. Nancy Reagan once said, "What but art can cause tears among strangers?" In her foreword, American soprano Jessye Norman explains, "Music is not only the universal language: it is the language of the universe. . . . A universe of thought and beauty, of dreams and belief. . . . For more than two centuries, music has been understood as an integral part of the myriad-cultured educated life of our presidents and their families. Their personal inspiration and enjoyment has gone hand-in-hand with the official presentation of countless performances in the East Room. The long list of musicians of all genres who have crossed that welcoming, intimate stage is at once storied and magnificent. . . . This book on the glorious mosaic of music at the White House shows us who we are and what we strive to be: One nation.… (más)
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A lyrical history of the American presidency and people, this is the story of a show that goes on. Elise Kirk traces the story of more than 200 years of musical performance in the White House to present the tale of the American process of music-making-how music in a democracy has been absorbed, shaped, transformed, and perceived from the period of George Washington to early in the Donald J. Trump administration. Whether dramatic or abstract, vernacular or cultivated, music can mold the political process and shape a historic event in a manner like no other. Nancy Reagan once said, "What but art can cause tears among strangers?" In her foreword, American soprano Jessye Norman explains, "Music is not only the universal language: it is the language of the universe. . . . A universe of thought and beauty, of dreams and belief. . . . For more than two centuries, music has been understood as an integral part of the myriad-cultured educated life of our presidents and their families. Their personal inspiration and enjoyment has gone hand-in-hand with the official presentation of countless performances in the East Room. The long list of musicians of all genres who have crossed that welcoming, intimate stage is at once storied and magnificent. . . . This book on the glorious mosaic of music at the White House shows us who we are and what we strive to be: One nation.

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