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Cargando... The Redeemedpor Tim Pears
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. I have really enjoyed this trilogy though I cannot agree with the newspaper reviewer who compared Tim Pears to Cormac McCarthy. This last novel works well in terms of the "will they or won't they" in Leo's and Lottie's relationship. I am not sure all the Scapa Flow part fitted properly and in the revealing note by Pears at the end we learn that was based on his grandfather. Is that why it made the cut? Whatever, I did feel all the research showed a bit - kind of, "I have found all this out by reading so it is going in". Having said that the novel retains integrity. It could have all become like 'Lady Chatterly's Lover' but it doesn't. sin reseñas | añadir una reseña
Pertenece a las series
Fantasy.
Fiction.
Historical Fiction.
HTML:The final installment in Tim Pears's spellbinding chronicle of love, exile and belonging in a world on the brink of change. It is 1916. The world has gone to war, and young Leo Sercombe, hauling coal aboard the HMS Queen Mary, is a long way from home. The wild, unchanging West Country roads of his boyhood seem very far away from life aboard a battlecruiser-a universe of well-oiled steel, of smoke and spray and sweat, where death seems never more than a heartbeat away. Skimming through those West Country roads on her motorcycle, Lottie Prideaux defies the expectations of her class and gender as she covertly studies to be a vet. But the steady rhythms of Lottie's practice, her comings and goings between her neighbors and their animals, will be blown apart by a violent act of betrayal, and a devastating loss. In a world torn asunder by war, everything dances in flux: how can the old ways of life survive, and how can the future be imagined, in the face of such unimaginable change? How can Leo, lost and wandering in the strange and brave new world, ever hope to find his way home? The final installment in Tim Pears's exquisite West Country Trilogy, The Redeemed is a timeless, stirring, and exquisitely wrought story of love, loss, and destiny fulfilled, and a bittersweet elegy to a lost world. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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That alone would be a peculiar irony, but, even worse, Leo’s encased in a steel-plated gun turret on the heavy cruiser Queen Mary, without fresh air or a window to the exterior. I probably don’t need to tell you that the Queen Mary will fare poorly in the imminent Battle of Jutland. But I should note that Pears suggests how British complacency and pride in an outdated warship brings disaster, and that the sailors pay the price.
Meanwhile, Charlotte (Lottie) Prideaux, an earl’s daughter roughly Leo’s age and a childhood companion (their illicit friendship having caused great trouble in an earlier volume), studies veterinary medicine on the sly. Lottie watches, pained, as her father’s estate transforms under the pressures of war and modernity.
But she’s determined to follow this career denied young women, especially the well-born, and in her zeal, she trusts the wrong party, enduring violence and betrayal. There are no protections in this world.
The Redeemed is the final installment of Pears’s West Country Trilogy and makes a fitting sequel to The Wanderers, a mesmerizing novel of grace and beauty. As with the previous work, in The Redeemed, the prose remains luminous and fixed on the physical world, especially through Leo’s part of the narrative. Many writers try to do this, but Pears has the particular knack of rendering Leo through the natural and metaphysical at once, whether he’s in his gun turret or at anchor at Scapa Flow.
Lottie’s world involves going on rounds as a veterinarian’s assistant, pretending to be male; learning how to help a mare get through a breech birth; getting angry when a farmer mistreats his animals, all rendered in painstaking detail. But she’s also the daughter of the manor, with a stepmother not much older than herself, and the precarious emotional territory that entails. Through her and the constraints she faces, the reader sees England of the past fade forever, a touching elegy to what once was.
I like both narratives very much, though I think Leo’s succeeds more fully, portraying his social skittishness and fierce desire for independence, much like the horses he loves, and his fear to ask for friendship, which he subsumes in a remarkably disciplined dedication for work. You also see how the machine has come to dominate — the gun turret, the tractor that replaces farm horses, the people he once knew who’ve changed their rural ways of life to accommodate the trend — and what gets lost in the exchange.
Throughout, whether from the narrative, the title, or the jacket cover, you sense that Lottie and Leo are meant to find one another again, but you know the path won’t be easy. Pears strings out the tension to the utmost. Along the way, both characters blunder, especially Leo, who trusts very little and has trouble claiming his own.
Compared to The Wanderers, The Redeemed doesn’t hang together as tightly, and though the story unfolds with riveting detail, it’s not always clear why and how the pieces belong or fit together. Though Pears doesn’t waste words, his discursive style may not be for everyone, though I find it enthralling.
I did bump up against one contrivance. The story implies that Leo enlists in the navy at sixteen to avoid the trenches; but if so, why didn’t he wait a couple years to see whether the war would end first? Had he done so, however, I suspect that those two years would have posed a serious problem for the novelist. What would Leo do in all that time, and might he seek out Lottie too soon? Not only that, Jutland was the only major naval battle of the war, and you can see why Pears wants to include it, for he does a magnificent job of rendering it and linking it to Leo’s character.
But that’s a minor point and in no way detracts from The Redeemed. I think I enjoyed the book more for having read its predecessor, but it’s not essential. ( )