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La formación de una marquesa (1901)

por Frances Hodgson Burnett

MiembrosReseñasPopularidadValoración promediaMenciones
5292645,859 (3.73)17
«Una novela british y decimonónica, de corte sosegado y elegante, cómoda en su lectura, descripción detallada y minuciosa, donde los buenos son muy buenos y los malos son perversos, propia para tardes otoñales y perezosas o momentos de tranquilidad» Raquel EspejoEsta singular novela de Frances Hodgson Burnett, una de las favoritas de Nancy Mirford, empieza como La Cenicienta y termina como Rebeca. Emily Fox-Seton, que se gana la vida haciendo encargos para las damas de la alta sociedad y vive –a sus treinta y cuatro años– en una pensión de tercera categoría, cautiva contra todo pronóstico a uno de los mejores partidos de toda Inglaterra, el marqués de Walderhurst. El marqués no es un hombre romántico: «No tengo disposición al matrimonio –le dice– pero tengo que casarme, y usted me gusta más que cualquier mujer que haya conocido». Una vez instalados en la gran mansión de Palstrey Manor, Emily tendrá ocasión de conocer la otra cara del final feliz: no contaba con que se ha interpuesto en los planes de unos siniestros parientes de su marido venidos de la India, que esperaban heredar.… (más)
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Having only read the author's stories about children, I was not sure what to expect going into this one. Now that I'm through, I definitely prefer her as writer of stories about children!

The story wasn't awful---just the typical late Victorian Women's fiction—-how to be a perfect person in just three chapters! The main character is so good it almost kills her and the story could have been a third as long had the author not spent so much time building her up into an absolutely impossibly virtuous and selfless person---so many adjectives!!

I did love it that the story took an interestingly gothic turn a little over half way through and was pleased at the ending. Quite like a little Agatha Christie with a final twist to everything and then roll to the credits.

The story was ridiculously riddled with laughable lines. Here are a few:

“A silk handkerchief, daringly knotted” ( )
  classyhomemaker | Dec 11, 2023 |
Emily Fox-Seton is a single, well bred woman of 35, with some education but absolutely no money. She lives in one room of a boarding house, and with the help of the daughter of the house, is able to work her limited wardrobe as best they can.[return][return]She therefore works for a living, surviving by running errands for various wealthy people around London. When one of her employers invites her for a summer holiday at a country estate, Emily is ecstatically grateful and accepts. One of the guests is the Marquis of Walderhurst, an older, very rich but not someone Emily considers to be particularly attractive. With three younger, more attractive (but not necessarily richer) single women in the house party, there is immense speculation as to who the Marquis is going to select as his second wife (his first wife having died not long after giving birth to the now dead first child).[return][return]To her surprise the Marquis (he's in his late 50s) proposes and they are married. Soon afterwards the Osborns - the heir presumptive to the Marquis' title and estate if he hadnt married again with another chance of having an heir - returns to England with his pregnant wife. Emily, being a naive innocent women, befriends both of them and Hester in particular. [return][return][return]Emily realises she is pregnant when Edward is away on business in India, and it takes a while for others to realise that the Osborns wish her and her unborn baby harm. She escapes to London where she is protected. She gives birth to the wanted boy but is on her death bed when Edward returns from India (he's been ill himself and Emily has been warned not to tell of the prengancy).[return][return]It later transpires that the Osborns have had a girl (who would never have inherited no matter what happened with Emily), and that Alec had died after "accidentally" shooting himself in the head whilst drunk.[return][return]This book is a surprise in several different ways. First that Burnett had written a book for adults, as she is better known for writing for children. Second, that she has includes alcoholism and domestic abuse (in the Osborns). The last chapter in particular is not a "happily ever after" rather a "here's how an abusive husband has been managed and I have to live with the result".[return][return]The Marquis appears little in the story - it is primarily about her after all, and how people react to someone who is essentially good and innocent (a desire to protect and look after being the uppermost wants). The only people who want to damage her really are The Osborns - Alec because he is a drunk who sees his escape from debts and India being taken away from him by this healthy decent woman, Hester because she's scared of Alec and Hester's amah because she'll do anything for her mistress. [return][return]As a reader Emily not an annoying character - Burnett travels a fine line between an attractive innocent and someone you want to shake to bring her to her senses.[return][return]If compared to "The secret Garden", "marchioness" is a more subtle, less "playing outside is good for you" patronising - although Emily does have a favourite place outside away from everyone and beside a quiet pool, where she gets to mediate, so there is a certain amount of showing Burnett's interest in gardening. ( )
  nordie | Oct 14, 2023 |
I think I would've enjoyed this much more if I hadn't so much as skimmed the preface or afterword. Normally, I prefer to read a book and form my own opinion before admitting any other perspectives that might warp or shift the way I look at it. This time, I was a bit carried away at the prospect of reading an adult novel by an author whose books I loved so much as a child, and though I resisted temptation so far as to only skim the preface and afterword, that was more than enough to dampen my reading experience. Still, I did enjoy the story and Emily's character, and someday, perhaps when the critical commentary has faded sufficiently, I'd like to try discovering The Making of a Marchioness anew. ( )
  slimikin | Mar 27, 2022 |
So wonderfully absurd as to be hilarious. I'm not sure if it was intended to be satirical when first published but given that the heroine is described as "ridiculous" on multiple occasions, I can reach no other conclusion. ( )
  fionaanne | Nov 11, 2021 |
A lovely little book made even more lovely by being a Persephone edition. This was my first purchase of a Persephone book and I love the size, feel, and look of these publications.

The story itself was rather predictable, but also a comforting, familiar read. Emily Fox-Seton is a wonderful person, living on a shoestring budget. She meets wealthy Lord Walderhurst who is enamored of her generous personality. They marry. At first I was surprised at how quickly this happened since I'm used to marriage being the end game of this sort of novel. Instead, the novel focuses on the fact that wealthy Lord Walderhurst is in his 50s with no direct heir. The next-in-line to inherit is Captain Osborn. His wife Hester is pregnant. They are devastated that Lord Walderhurst has married and could produce an heir of his own. When Walderhurst goes away for an extended business trip, Emily has to deal with the danger of their jealousy on her own.

I liked this. It's not remarkable in any way, but it was fun to read. ( )
  japaul22 | Oct 5, 2019 |
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When Miss Fox-Seton descended from the two-penny 'bus as it drew up, she gathered her trim tailor-made skirt about her with neatness and decorum, being well used to getting in and out of two-penny 'buses and to making her way across muddy London streets.
Alfred's proposal to Fanny in Nancy Mitford's Love In a Cold Climate (1949) is where many modern readers first come across what the critic Marghanita Laski called 'most people's favourite' Frances Hodgson Burnett novel, The Making of a Marchioness (1901). (Preface)
I bought my copy of The Making of a Marchioness more than twenty-five years ago, in a secondhand bookshop. (Afterword)
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The Persephone edition entitled The Making of a Marchioness (ISBN 9781903155141, 1903155142 and 1906462127) contains both The Making of a Marchioness and its sequel, The Methods of Lady Walderhurst and should not be combined with either single work.
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«Una novela british y decimonónica, de corte sosegado y elegante, cómoda en su lectura, descripción detallada y minuciosa, donde los buenos son muy buenos y los malos son perversos, propia para tardes otoñales y perezosas o momentos de tranquilidad» Raquel EspejoEsta singular novela de Frances Hodgson Burnett, una de las favoritas de Nancy Mirford, empieza como La Cenicienta y termina como Rebeca. Emily Fox-Seton, que se gana la vida haciendo encargos para las damas de la alta sociedad y vive –a sus treinta y cuatro años– en una pensión de tercera categoría, cautiva contra todo pronóstico a uno de los mejores partidos de toda Inglaterra, el marqués de Walderhurst. El marqués no es un hombre romántico: «No tengo disposición al matrimonio –le dice– pero tengo que casarme, y usted me gusta más que cualquier mujer que haya conocido». Una vez instalados en la gran mansión de Palstrey Manor, Emily tendrá ocasión de conocer la otra cara del final feliz: no contaba con que se ha interpuesto en los planes de unos siniestros parientes de su marido venidos de la India, que esperaban heredar.

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