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Heidegger took Peasant Shoes as an example to demonstrate that Zeug is rooted in its Verlasslichkeit, which gives it the framework of art to the Tao theory of Entbergen and Dingheit of the work of art. The Weltlichkeit of peasant shoes can express its existence because of "absence" (uncertain background of works), which is the unique feature of Heidegger's ontology. The usefulness of the work of art makes the meaning change itself, which is reminiscent of Benjamin's concept of arua. "Art is the insertion of truth into a work by itself" (the occurrence of truth), as well as the path of truth in and out (Weise). The source of art (Ursprung) is poem (Dichtung), and the essence of poetry is the creation of truth (Stiftung). 1935 was the transitional period of Heidegger's thought. Like some outside critics at that time, I personally did not like Heidegger's overly poetic extensional deconstruction theory.

"To be a poet in a time of poverty means: to sing and groping for the traces of gods that have passed away. Therefore, the poet can speak of the divine in the darkness of the world." To contact the Ode to Holderlin (?) Especially in "What is a Poet? "The turning of the ages of the world does not happen when some new God comes out, or when an old God comes out again from an ambush. If man has not prepared a dwelling place for him, where is God to go when he returns? If the light of divinity had not begun to shine in all things beforehand, how could God have lived in a divine way?"

100 HEI 17