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Bellevue Square (2017)

por Michael Redhill

MiembrosReseñasPopularidadValoración promediaMenciones
25717103,802 (3.26)34
Fiction. Literature. Suspense. Thriller. HTML:*Winner of the 2017 Scotiabank Giller Prize*
A darkly comic literary thriller about a woman who fears for her sanity??and then her life??when she learns that her doppelganger has appeared in a local park.

Jean Mason has a doppelganger. She's never seen her, but others swear they have. Apparently, her identical twin hangs out in Kensington Market, where she sometimes buys churros and drags an empty shopping cart down the streets, like she's looking for something to put in it. Jean's a grown woman with a husband and two kids, as well as a thriving bookstore in downtown Toronto, and she doesn't rattle easily??not like she used to. But after two customers insist they've seen her double, Jean decides to investigate.
She begins at the crossroads of Kensington Market: a city park called Bellevue Square. Although she sees no one who looks like her, it only takes a few visits to the park for her to become obsessed with the possibility of encountering her twin in the flesh. With the aid of a small army of locals who hang around in the park, she expands her surveillance, making it known she'll pay for information or sightings. A peculiar collection of drug addicts, scam artists, philanthropists, philosophers and vagrants??the regulars of Bellevue Square??are eager to contribute to Jean's investigation. But when some of them start disappearing, she fears her alleged double has a sinister agenda. Unless Jean stops her, she and everyone she cares about will face a fate much stran
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» Ver también 34 menciones

Mostrando 1-5 de 17 (siguiente | mostrar todos)
Mystery
  BooksInMirror | Feb 19, 2024 |
The Scotiabank Giller Prize-winning novel of 2017 follows Jean Mason, who works in a bookstore in downtown Toronto, has a husband and two sons, and has several people inform her that she has a doppelganger wandering around Kensington Market. As Jean embarks on a quest to find this elusive other her, she'll end up spending a lot of time in Bellevue Square trying to unravel the mysterious connection between them.

Ugh! This book! I really disliked it throughout and then HATED the ending. I understand the appeal of it for an awards committee with the unreliable narrator and it's constant exploration of sanity (Bellevue isn't in the title for nothing). It leaves one constantly questioning what is or isn't real, but for this reader it was an uncomfortable and occasionally infuriating reading experience. It feels mostly like an exercise in Michael Redhill feeling very smug about what a clever novel he wrote and how many questions it leaves its readers with. I'm not biting. Decidedly not my jam but I can see other readers eating it up so don't let my violent dislike (entirely) dissuade you ( )
  MickyFine | Jul 6, 2022 |
Well written but confusing novel for me. I think it is deliberate that the author leaves you confused as to what is real and what is happening in Jean's head. I was okay with this until the novel ends abruptly with no closure or explanation for me. ( )
  Smits | Dec 2, 2020 |
A narrator so unreliable you are constantly left guessing what is truth, half-truth and reality. As close as a descent into madness as writing can get you. ( )
  Georgina_Watson | Jun 14, 2020 |
Michael Redhill’s Giller Prize-winning novel Bellevue Square guards its secrets closely. Set in Toronto, the novel features a twisty, zig-zaggy plot that careens unpredictably through a shape-shifting chain of events that, when all is said and done, seems to question the very nature of truth, reality and perception. Seemingly ordinary Jean Mason owns and operates a bookstore in a pleasant downtown neighbourhood crowded with cafés, specialty shops and upscale, refurbished homes. One day a regular customer of the bookstore, Mr. Ronan, comments that he has just seen Jean outside and asks how she managed to change her hair and clothes so quickly. Strangely, unnervingly, the encounter turns violent when Jean denies that the person he saw was her. Then, not long after this, a customer Jean has never met before enters the store with a similar tale: a friend of hers, who lives nearby, is a dead-ringer for Jean. Driven by curiosity, Jean befriends this stranger, whose name is Katerina, and begins her search for Ingrid Fox, her apparent doppelgänger. Jean’s search takes her to Bellevue Square, a park in the old city centre, near Kensington Market, where Ingrid has been spotted, a place occupied by a motley crew of intriguing and unusual characters (homeless misfits, addicts, derelicts), a few of whom she enlists to help her in her search. Then Katerina and Mr. Ronan both end up dead, and the plot apparently veers into thriller territory. As the weeks pass Jean’s obsession with Ingrid escalates. Each day she shuts the bookstore early in order to camp out in Bellevue Square and wait for Ingrid to put in an appearance. She lies to her husband Ian and her children about where she’s spending her time. The situation escalates further when Jean breaks into Ingrid’s home. Eventually Jean’s fixation with Ingrid dominates her waking hours, and she becomes a danger to herself and those around her. At this point the story swivels again. Jean is institutionalized and the reader learns that much of what he has been led to believe about Jean Mason is not necessarily true. In Jean Mason, Michael Redhill has created an archetypal unreliable narrator, someone with a story to tell but whose observations, for very good reasons, cannot always be trusted. The story Jean tells is often puzzling, sometimes confusing, sometimes frustratingly so, but because this happens repeatedly, the reader can only assume that it is a deliberate gambit on the part of the author, meant to throw us off the scent or keep us off balance. As we approach the chaotic denouement, Jean’s obsession drives her to increasingly bizarre and desperate behaviour, and we are left wondering if the elusive Ingrid Fox is real or a projection of a disordered mind. Redhill drops clues aplenty but declines to answer this question in a definite manner. However, this is not a problem since early on Redhill establishes that Bellevue Square is a book of hidden depths, where very little is as it seems, and where much is going on beneath the visible surface. Ultimately it will fall to the reader to decide if, having reached the end, getting there was worth the effort. ( )
  icolford | Mar 24, 2020 |
Mostrando 1-5 de 17 (siguiente | mostrar todos)
The novel also conveys a formidable understanding of the role of doppelgangers throughout literature and myth and the sundry psychological malaises that might summon up such visions of solipsistic doom. But once we pass through the seismic shift at the novel's exact midpoint, even those comfortable with bafflement and wild flights of subjectivity might find themselves feeling excluded from Redhill's intricate design, a sort of latticework of unreliable memories shrouding a variety of unreliable views of reality. In its taut span of 262 pages, Bellevue Square features several narrative and tonal hairpin turns. With each of these, our admiration for Redhill's storytelling dexterity burgeons, while our investment in Jean's story itself diminishes. Still, I'd rather be lost in Redhill's ghost story than grounded in your average slab of tasteful literary realism.
 
Indeed, the opening chapters of this new opus, Bellevue Square, stick closely to the grip-lit script: simple, compelling prose, sudden plot twists, looming violence and a female narrator who swiftly proves unreliable. But as the reader becomes more and more absorbed in the story, the book quietly becomes something else. Something mystifying and haunting and entirely its own. ...This is a bewildering book. And, strangely, that is part of its draw. Reading Bellevue Square is as captivating as it is unsettlingAll told, this modern ghost story — the first of a planned triptych — will not soon be forgotten
 
With Bellevue Square, the first panel of a projected triptych titled Modern Ghosts, Michael Redhill puts his protagonist, Jean Mason, through wringer after wringer. As witnesses and vicarious participants, readers can appreciate Jean’s otherworldly predicaments, though they might experience greater bafflement than she does....A willing – if somewhat mystified – reader might at this point wonder if Redhill is heading toward a wild black comedy in the Blue Velvet vein, in which a well-mannered, snowy white individual gets doused with a rainbow of motley urban archetypes. Evidently, he’s not....Still, the core matter of “doppelgangerness” feels overwrought and hallucinogenic without being astounding or intellectually stimulating.

The more Jean is subsumed by the machinations of a plot that demands resolution, the less the novel engages. The story cites Goethe and de Maupassant as literary antecedents, and Bellevue Square aspires to embody an elevated ghost story. The subdued tale-within-a-tale of a woman lost in Toronto the Weird, however, would be captivating enough without the
stylistic pyrotechnics.
 
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"I and this mystery here we stand."

WALT WHITMAN
"Song of Myself"
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For Elizabeth Marmur and Ruth Marshall
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My doppelganger problems began one afternoon in early April.
Citas
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Fiction. Literature. Suspense. Thriller. HTML:*Winner of the 2017 Scotiabank Giller Prize*
A darkly comic literary thriller about a woman who fears for her sanity??and then her life??when she learns that her doppelganger has appeared in a local park.

Jean Mason has a doppelganger. She's never seen her, but others swear they have. Apparently, her identical twin hangs out in Kensington Market, where she sometimes buys churros and drags an empty shopping cart down the streets, like she's looking for something to put in it. Jean's a grown woman with a husband and two kids, as well as a thriving bookstore in downtown Toronto, and she doesn't rattle easily??not like she used to. But after two customers insist they've seen her double, Jean decides to investigate.
She begins at the crossroads of Kensington Market: a city park called Bellevue Square. Although she sees no one who looks like her, it only takes a few visits to the park for her to become obsessed with the possibility of encountering her twin in the flesh. With the aid of a small army of locals who hang around in the park, she expands her surveillance, making it known she'll pay for information or sightings. A peculiar collection of drug addicts, scam artists, philanthropists, philosophers and vagrants??the regulars of Bellevue Square??are eager to contribute to Jean's investigation. But when some of them start disappearing, she fears her alleged double has a sinister agenda. Unless Jean stops her, she and everyone she cares about will face a fate much stran

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