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Cargando... Sargent's Women: Four Lives Behind the Canvaspor Donna M. Lucey
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. First woman, Elsie Singer, portrait https://www.google.com/search?q=the+portrait%2F+elsie+singer+by+sargent&oq=t...: Second woman, Lucia Fairchild. Although Sargent didn't paint her, only her sister Sally, he had a big influence on her own painting endevour and career. https://www.isabel.com/gallery/reproduction/s/sargent/om2611.html Third woman was Elizabeth Chanlor. All these women were from the most prominent families of their time. All were raised in the utmost privilege and excess of the Gilded age. Sargent rose to prominence by painting all the movers and shakers of the day. Although he never painted Lucia Fairchild, he was integral to her own career and success as an artist in her own right. He painted her sister Sally multiple times. If anyone proves the old adage, "money can't buy happiness, it is these women. Their stories were absolutely fascinating, their lives not without heartache and torment. The fourth woman was Isabelle Stewart Gardner and her story was the most fulfilling, her travels, the art she collected. She may not have been beautiful but she was one smart and headstrong woman. This book is meticulously researched, as the author acknowledged they left so many papers, letters, diaries it was a feast of all involved in their lives. The Gilded Age was a fascinating period and we get a keen sense of how these women and their families lived. How they made their money, spent it. We get a passing glimpse of the notable artists of the time, authors such as Henry James and other who moved in this upper class orbit. Sargent himself is mentioned throughout, and we do learn a bit about his life here and there. This though is not his biography, it is very much about these woman and the times in which they lived. Photographs of their paintings, as well as their house and a few other are included at the back of the book. I very much enjoyed this foray into a time that has come and gone. ARC from publisher. sin reseñas | añadir una reseña
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"In this seductive, multilayered biography, based on original letters and diaries, Donna M. Lucey illuminates four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny intuition, Sargent hinted at the mysteries and passions that unfolded in his subjects' lives. Elsie Palmer traveled between her father's Rocky Mountain castle and the medieval English manor house where her mother took refuge, surrounded by artists, writers, and actors. Elsie hid labyrinthine passions, including her love for a man who would betray her. As the veiled Sally Fairchild--beautiful and commanding--emerged on Sargent's canvas, the power of his artistry lured her sister, Lucia, into a Bohemian life. The saintly Elizabeth Chanler embarked on a surreptitious love affair with her best friend's husband. And the iron-willed Isabella Stewart Gardner scandalized Boston society and became Sargent's greatest patron and friend. Like characters in an Edith Wharton novel, these women challenged society's restrictions, risking public shame and ostracism. All had forbidden love affairs; Lucia bravely supported her family despite illness, while Elsie explored Spiritualism, defying her overbearing father. Finally, the headstrong Isabella outmaneuvered the richest plutocrats on the planet to create her own magnificent art museum. These compelling stories of female courage connect our past with our present--and remind us that while women live differently now, they still face obstacles to attaining full equality."--Jacket flap. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)920.72History and Geography Biography, genealogy, insignia Biography By Gender WomenClasificación de la Biblioteca del CongresoValoraciónPromedio:
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I hope that the actual printed publication is lavishly illustrated, as I admit I spent a great deal of time looking for the portraits and for any further imagery of the subjects. Particularly in reference to Lucia Fairchild. I also wonder at some of the author's choices when it comes to Fairchild sisters -- I quite agree that Lucia is probably the more interesting of the two, but given how little time is spent on Sally, it's really hard to tell.
Nonetheless , a wonderful read -- vibrant and illuminating both of art history and the lives of gilded age women.
advanced reader's copy provided by edelweiss. ( )