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Cargando... Fieldwork (2007)por Mischa Berlinski
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. I wasn’t a fan of this one because I struggled with the subject matter and the characters, none of whom are very likable. ( ) Thailand is the setting for Mischa Berlinski's Fieldwork. But modern Thailand plays the most minor and unimportant role of the three scenarios Berlinski depicts. Of the three, the fictional Dyalo, a remote hilltribe in Thailand's far north is the most interesting. Taking the perspective of an anthropologist who has situated herself among them, the novel is fascinating not only for the rituals it examines and the utterly exotic ways it explains but also for its incorporation of mostly unheard of academic theories of social anthropology. At times, the book even seems a condensed history of the discipline. There aren't too many works of fiction, after all, that are capable of working James Frazer's The Golden Bough into the plot in a meaningful and interesting way. Otherwise, the form of the novel is almost a literary version of Citizen Kane, revolving around a mysterious death and a murder. This in turn leads to the exploring of the second group due anthropological uncovering--fundamentalist American missionaries devoted to converting the heathen Dyalo to Christianity. What the narrator and sometimes protagonist in the story reveals is that both the Dyalo and the missionaries operate from a similar perspective on the world. Both peoples are encased in a worldview where demons and spirits populate the world and determine human fate. It's to Berlinski's credit, by the way, that he represents the missionaries as deserving of sympathetic observation as much as would normally be the case for the Dyalo alone. The exotic and unknown and sometimes unknowable worlds of both peoples are rendered with some subtlety as well as nuance. Mischa Berlinski, finally, is not only the author of this mystery, the name is also that given to the lead narrator/protagonist. And it is his story that is used for the side trips into modern Thailand. This is also the weakest part of the novel. Berlinski's observations about expats in Thailand mostly do little beyond presenting cliched images. It sometimes seems as if he has made a checklist of foreigners' faults and oddities from sources such as Thai Visa Forum--available online, for anyone interested. He also gets a few things wrong. But he also gets one thing very right, the world of Thailand right before the smartphone revolution brought global immediacy to the remotest of Thai villages. Berlinski's Thailand, barely 12 years in the past, is now long gone. In its place is something that may be much more harsh and violent, with fading traditions replaced with a megamall in every provincial Thai capital or major city. Flash back to my school’s “Blind Date with a Book” exercise last January. The librarians wrapped library books like Christmas presents with codes on them, and you could pick one up, let them use the code to check it out for you, and take it back to your dorm to unwrap it. In my package, I found Fieldwork, Mischa Berlinski’s debut novel. I consider myself quite lucky to have done so, because I never would have noticed it otherwise — it’s a captivating story masked by a rather bland title and cover design. Stephen King noted this in his otherwise complimentary review in Entertainment Weekly, saying, “why, why, why would a company publish a book this good and then practically demand that people not read it? Why should this book go to waste?” Feeling obligated to at least try the book, even though it focused on subjects that don’t ordinarily grab my attention, I started in. By the end of the second chapter, I was snared – I couldn’t put it down. Don’t be fooled by appearances; read this book.
Fieldwork is a clever book, chock-full of David Foster Wallace–esque footnotes and moments of direct address. The arc of the story is interrupted by a variety of informants: Martiya’s roommate from Berkeley; Martiya’s advisor/lover (who once arrived at his cultural anthropology class “wearing nothing but a handsome, three-foot-long embroidered penis sheath”); Martiya herself, in letters. There is pleasure in piecing these bits together, but we occasionally lose sight of Mischa, despite his self-referential devices.
When his girlfriend takes a job as a schoolteacher in northern Thailand, Mischa Berlinski goes along for the ride, working as little as possible for one of Thailand's English-language newspapers. One evening a fellow expatriate tips him off to a story. A charismatic American anthropologist, Martiya van der Leun, has been found dead--a suicide--in the Thai prison where she was serving a fifty-year sentence for murder. Motivated first by simple curiosity, then by deeper and more mysterious feelings, Mischa searches relentlessly to discover the details of Martiya's crime. His search leads him to the origins of modern anthropology--and into the family history of Martiya's victim, a brilliant young missionary whose grandparents left Oklahoma to preach the Word in the 1920s and never went back. Finally, Mischa's obssession takes him into the world of the Thai hill tribes, whose way of life becomes a battleground for two competing, and utterly American, ways of looking at the world. Vivid, passionate, funny, deeply researched, and exquisitely plotted, Fieldwork is a novel about fascination and taboo--scientific, religious, and sexual. It announces an assured and captivating new voice in American fiction. No se han encontrado descripciones de biblioteca. |
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