The Tale of the Night of the Long Knives by Fritz Leiber is a tale of men and women at the end of the world. (The book was written in 1960 and published in Amazing Science Fiction Stories.) The story takes place in a world remade by Nuclear Holocaust.
"I was one hundred miles from Nowhere—and I mean that literally—when I spotted this girl out of the corner of my eye. I'd been keeping an extra lookout because I still expected the other undead bugger left over from the murder party at Nowhere to be stalking me."The main character, Ray Baker, is a self justified murder and survivalist in the anarchic land. His weapon he relies on he has named "Mother." He walks in a land where only the strong can survive, but one always has to watch their own back. Baker's Deathland Psychology is focused on the aesthetics of homicide. "we talk, mostly to ourselves, about the aesthetics of homicide; we occasionally admit, but only each to himself alone, that we're just plain nuts." Fritz Leiber. The Night of the Long Knives (Kindle Locations 129-130).
But then Baker finds a beautiful girl Alice, and the urge for sex is driving him in new directions.

Leiber asks the reader to consider: "Is murder ever justified?" "Where is civility when the civilized institutions have been destroyed?" "Where is the higher level of self in a land gone to crap?" ( )

Originally posted at FanLit. Just "Night of the Long Knives" (not "Other Works")

3.5 stars

"Murder, as you must know by now, I can understand and sympathize with deeply. But war? No."

After a nuclear holocaust, America is unrecognizable. There are a few cities left on the coasts, but most of America is now the Deathlands, where radioactive dust hazes the skies and radiation-scarred survivors try to stay alive another day. Besides devastating the land, the catastrophe has somehow warped the minds of the few remaining citizens of the Deathlands; they have all turned into murderers. They can�??t help it ƒ?? itƒ??s a drive that can only be released by killing someone. Even when they band together for companionship, it always ends up in a bloodbath.

Ray has been on his own for a long time when he meets Alice, a woman whoƒ??s just as tough as he is. When the two of them decide, just for a while, not to kill each other, they come upon an old man and a hovercraft that seems to offer a way out of the Deathlands. Instead, they get caught up in a war between the sophisticated city dwellers.

The Night of the Long Knives, a novella by Fritz Leiber (one of my favorite writers), is totally absorbing. It vividly describes a horrifying possible future America where nuclear war has ravaged the land and the human brain. Leiberƒ??s characters are pathetic guilt-ridden people whoƒ??ve learned that the only way to eke out a wretched existence is to kill anyone who gets close. There is no goal but survival, and those whoƒ??ve managed have their methods. Ray wears sharp metal dental implants, a lead-lined hat, and a knife he calls ƒ??Mother.ƒ? Alice, who is missing a hand, screws a knife into her stump and hides weapons in her hair. They circle each other warily, knowing that it canƒ??t be long before one of them canƒ??t deny the urge to kill the other.

Leiber uses his story to examine the mind of the murderer and to ask what it would take for a serial killer to change his ways. What are the influences of community, culture, and religion? How can a reformed killer get rid of guilt, make reparation, and help reform others? Another obvious theme, which was especially popular at the time Leiber wrote this novella, is the danger of nuclear war. The Night of the Long Knives is a grim story, but it doesnƒ??t leave us in despair. I liked the note of hope at the end.

The Night of the Long Knives, which was originally published in Amazing Science Fiction Stories in 1960, feels surprisingly current ƒ?? the character names are the most dated-feeling aspect of the story. The novella is now in the public domain, so you can get it free on Kindle, but I want to recommend the audio version which is 3 hours and 17 minutes long and is read by Matt Armstrong. ( )