Where to begin? There were so many good short stories in this volume. The short biographical blurbs with information about the authors' books, short bio and how each story came to be is really helpful.

My favorites? They didn't match Junot Diaz' favorites but here they are:

Wonders of the Shore by Andrea Barrett
For the God of Love, for the Love of God by Lauren Groff
Treasure State by Smith Henderson
The Prospectors by Karen Russell
( )

Lots of excellent short stories in this collection. Usually I end up with about equal thirds when it comes to collections like these: the "loved" third, the "liked" third, and the "everything else" third (which ranges from neutral to disliked), but this year's collection I found myself wanting to reread all but a few.

Favorites:
"On This Side" - Yuko Sakata
"The Prospectors" - Karen Russell
"Cold Little Bird" - Ben Marcus
"Wonders of the Shore" - Andrea Barrett
"Apollo" - Chimamanda Ngozi Adichie
"The Great Silence" - Ted Chiang ( )

Every Christmas my wife gives me the Best American Short Stories of the year. I just finished 2016. I like to read them one or a few at a time separated by long intervals. This year’s did not disappoint. There are always a few stories that I do not like, but I find most are gems – wonderfully written, and marvelously varied. If a novel is a bottle of craft beer, these are like a fine scotch, intense and to be savored. Sometimes, I finish one and immediately re-read it (and, sometimes, I do have a second glass of scotch). For me, added dividends are the authors’ notes in which they explain a bit about how the stories came about. As usual this year’s authors vary from the long distinguished, John Edgar Wideman, through those familiar from previous volumes or recent novels, Louise Erdrich, Karen Russell, and Lauren Groft, to Caille Millner, whose story was the first she has published.

I hesitate to choose any favorites and it is nearly impossible to describe them in a few phrases (though this year’s guest editor Junot Díaz does). Undaunted I will try a few. Karen Russell’s fantastical story, The "Prospectors", tells of the bond between two women on the make in Oregon in the 1930’s. Taking a chairlift to the opening of a luxurious lodge, they find themselves in another lodge inhabited by the spirits of 26 men killed in its accidental destruction. “The Politics of the Quotidian” by Caille Millner is a send-up of academia through the eyes of a postdoctoral student who melts down after an encounter with an abrasive student. In “Williamsburg Bridge” John Edgar Wideman’s narrator stands on the bridge about to jump. His thoughts somehow manage to touch on Sonny Rollins, the Korean War, an encounter in a massage parlor in Paris and to synthesize the black man in America. A beautiful woman who has led a charmed life until she has an affair while her son is ill with cancer is the subject of Sharon Solwitz’s “Gifted”. I could try to go on, but you had best read a few or all of them yourself. ( )

Heard part of "The Suitcase" by Meron Hadero on NPR but didn't get to hear the ending, so I finished that (it was excellent) and read a few others:

-"Apollo" by Chimamanda Ngozi Adichie
-"Garments" by Tahmima Anam
-"For the God of Love, for the Love of God" by Lauren Groff
-"Cold Little Bird" by Ben Marcus
-"Gifted" by Sharon Solwitz

They were all marvelously written, bringing the reader immediately into the characters' worlds, but all rather bleak; "Cold Little Bird" was especially chilling/haunting. ( )

This yearly collection of short stories never fails to impress. Junot Diaz’ selection is both varied and revelatory, but the quality is there throughout. I especially like Andrea Barrett’s “Wonders of the Shore,” and Louise Erdich’s “The Flower”, and Ben Marcus’ chilling “Cold Little Bird”, and Karen Russell’s “The Prospectors”. I could go on. There were many writers here that were new to me, though it is clear from the notes at the end that none of them are new on the scene or previously unheralded. And there were a few whose paths I’ve crossed before. Enjoy it in itself, or treat it as a sampler for authors whose other work you might want to read. Well worth a read. ( )