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Art in a Season of Revolution: Painters, Artisans, and Patrons in Early America

por Margaretta M. Lovell

Series: Early American Studies (2005)

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"Focusing on the rich heritage of art-making in the eighteenth century, this illustrated book positions both wall-known painters and unknown artisans within the framework of their economic lives, their families, and the geographies through which they moved as they created notable careers and memorable objects. In considering painting and decorative arts simultaneously, Art in a Season of Revolution departs from standard practice and resituates painters as artisans. Moreover, it gives equal play to the lives of the makers and the lives of the objects, studying both within the interdependent social and economic webs linking local and distant populations of workers, theorists, suppliers, and patrons throughout the mercantile Atlantic." "Art in a Season of Revolution illuminates the participation of pictures, objects, and makers in their cultures. It invites historians to look at the material world as a source of evidence in their pursuit of even very abstract concerns such as the nature of virtue, the uses of identity, and the experience of time. Arguing in favor of a more complex approach to research at the nexus of aesthetic and ideological concerns, this provocative book challenges established frameworks for understanding the production of art in British America during the tumultuous decades bracketing the Revolution."--Jacket.… (más)
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"Focusing on the rich heritage of art-making in the eighteenth century, this illustrated book positions both wall-known painters and unknown artisans within the framework of their economic lives, their families, and the geographies through which they moved as they created notable careers and memorable objects. In considering painting and decorative arts simultaneously, Art in a Season of Revolution departs from standard practice and resituates painters as artisans. Moreover, it gives equal play to the lives of the makers and the lives of the objects, studying both within the interdependent social and economic webs linking local and distant populations of workers, theorists, suppliers, and patrons throughout the mercantile Atlantic." "Art in a Season of Revolution illuminates the participation of pictures, objects, and makers in their cultures. It invites historians to look at the material world as a source of evidence in their pursuit of even very abstract concerns such as the nature of virtue, the uses of identity, and the experience of time. Arguing in favor of a more complex approach to research at the nexus of aesthetic and ideological concerns, this provocative book challenges established frameworks for understanding the production of art in British America during the tumultuous decades bracketing the Revolution."--Jacket.

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