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Cargando... Tolstoy, Rasputin, Others, and Me: The Best of Teffi (New York Review Books Classics) (2016)por Teffi
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Early in her literary career Nadezhda Lokhvitskaya, born in St. Petersburg in 1872, adopted the pen-name of Teffi, and it is as Teffi that she is remembered. In prerevolutionary Russia she was a literary star, known for her humorous satirical pieces; in the 1920s and 30s, she wrote some of her finest stories in exile in Paris, recalling her unforgettable encounters with Rasputin, and her hopeful visit at age thirteen to Tolstoy after reading War and Peace. In this selection of her best autobiographical stories, she covers a wide range of subjects, from family life to revolution and emigration, writers and writing. Like Nabokov, Platonov, and other great Russian prose writers, Teffi was a poet who turned to prose but continued to write with a poet's sensitivity to tone and rhythm. Like Chekhov, she fuses wit, tragedy, and a remarkable capacity for observation; there are few human weaknesses she did not relate to with compassion and understanding. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)891.73Literature Literature of other languages Literature of east Indo-European and Celtic languages Russian and East Slavic languages Russian fictionClasificación de la Biblioteca del CongresoValoraciónPromedio:
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Probably such a meeting would be as humiliating as the one the thirteen year old Teffi had with Tolstoy. Recounted in the short story "My First Tolstoy", (1920), Teffi captures perfectly the awkwardness of such a meeting when everything you pictured saying and doing condenses into the briefest of encounters. How else could it be when you plan to ask the great author to save Prince Andrei?
While it's easy to relate to the stories from childhood, seeing yourself in the anecdotes, it's a completely different matter with "Rasputin". Written in 1924, Teffi's encounters with Rasputin are still fresh enough in memory to enable her to convey a chilling picture of a sexual predator, a 'sorcerer' as she describes him, a man who has asked particularly to meet her. Reading of his murder, she remembers his prediction: She did.
Much of Teffi's fame in Russia was as a satirist. Satire usually has a short shelf life. However, reminiscences such as "New Life", recalling the politics of the Petersburg newspaper where she worked for awhile, are just as relevant to any office setting today, and still inspire a chuckle.
Teffi left Russian in 1919, just after writing "The Gadarene Swine", a devastating critique of the Whites. She didn't fully realize at the time that she would never return. Perhaps saddest of all are her reflections written in exile, such as "Ilya Repin", a sketch of a celebrated Russian artist living in Finland. His early portrait of her had disappeared, probably to the US. She wrote in 1951, a year before she died