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The Long Room

por Francesca Kay

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492521,787 (3.56)6
Fiction. Literature. Suspense. Thriller. London. December 1981. The IRA is on the attack, a cold war is being waged, another war is just over the horizon, and Stephen Donaldson spends his days listening. When he first joined the Institute, he expected to encounter glamorous, high-risk espionage. Instead he gets the tape-recorded conversations of ancient Communists and ineffectual revolutionaries-until the day he is assigned a new case: the ultra-secret PHOENIX, a suspected internal leak. The monotony of Stephen's routine is broken, but it's not PHOENIX who captures his imagination: it's the target's wife, Helen. Beset by isolation and loneliness, Stephen becomes dangerously obsessed with Helen, risking his job to keep his fragile connection to her and inadvertently setting himself up for a fall that will forever change his life. With compassion and tenderness and moments of unexpected humor, Francesca Kay charts the way in which imagination, projection, and desire overwhelm the paucity of Stephen's life and identity. As beautiful as it is intense, The Long Room explores a mind under pressure and the wilder cravings of the heart.… (más)
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If you have read more than one review on my blog, you may have noticed I have a thing for the publishing company Tin House. I have found almost all of the books I have read published by them intriguing to say the least. They have topics that are worth discussing and make one think.

The Long Room by Francesca Kay is no different. This is a book that can be discussed, taken apart, examined, and I still think there will be things to be found in it. While I will admit that at times it was a bit slow, the overall premise is what pulled me in.

Stephen is a listener in the 80s. His job is to listen to conversations that have been recorded in people's houses to listen for any talk of espionage. His subjects always have code names to keep from allowing bias.

Stephen is also routine oriented. He has his days planned out he does the same thing day in and day out, and he is a loner.

One day, he gets an assignment to listen to a husband and wife, yet he can only hear the day time portion and not the night time portion. The more he listens, the more he starts to connect with the wife Helen. He becomes so connected, he starts creating a narrative for this couple that may or may not be true. His curiosity becomes obsession and he starts to do things he would not normally do. How far will Stephen take it?

As stated above, Tin House has a way of publishing books that make people think. The whole time reading Kay's book, I kept wondering about conversations, people I knew, and how much I really knew about them. Stephen is in a place where he only gets a piece of the whole, yet creates a whole dialog which is a tiny bit based on truth, but mostly upon his own read into things. At one point, he dismisses a portion of dialog because it didn't fit his narrative.

I also kept thinking about how people approach politics and the idea of narrative. I don't think Kay chose the 80s without reason. It was a time of line drawing, heavy politics, and the beginning of the major split between conservative and liberal. It was the beginning of the political narrative that was taking place in London as well as the US.

What is truth and what is fiction, when you only hear one piece of the story?

Needless to say, I really enjoyed this one, but as stated, it is slower than most of their books. This is a simmer book rather than a boil book. It takes time, but once Stephen's world starts to become unraveled, it takes off.

I gave this one 4 stars.

*I want to thank Tin House publishing for the ARC of the book. It was given with the intent of receiving an honest review* ( )
  Nerdyrev1 | Nov 23, 2022 |
Sad tale of a British intelligence officer deluded into believing he's in love with the subject of his surveillance and what happens when someone with dark motives takes advantage of his fantasy life.Stephen is a "listener" who is tasked with surveillance on a suspected double agent and then becomes enamored of the subject's wife Helen. Single and the only child of a lonely aging mother, Stephen leads an isolated life and his imaginary relationship with Helen distracts him from some very real manipulations right under his nose. What happens next is just sad. But the book is a slow burn and a satisfying read. ( )
  bostonbibliophile | Oct 1, 2016 |
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Fiction. Literature. Suspense. Thriller. London. December 1981. The IRA is on the attack, a cold war is being waged, another war is just over the horizon, and Stephen Donaldson spends his days listening. When he first joined the Institute, he expected to encounter glamorous, high-risk espionage. Instead he gets the tape-recorded conversations of ancient Communists and ineffectual revolutionaries-until the day he is assigned a new case: the ultra-secret PHOENIX, a suspected internal leak. The monotony of Stephen's routine is broken, but it's not PHOENIX who captures his imagination: it's the target's wife, Helen. Beset by isolation and loneliness, Stephen becomes dangerously obsessed with Helen, risking his job to keep his fragile connection to her and inadvertently setting himself up for a fall that will forever change his life. With compassion and tenderness and moments of unexpected humor, Francesca Kay charts the way in which imagination, projection, and desire overwhelm the paucity of Stephen's life and identity. As beautiful as it is intense, The Long Room explores a mind under pressure and the wilder cravings of the heart.

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