PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Cargando...

Pearl (2005)

por Mary Gordon

MiembrosReseñasPopularidadValoración promediaMenciones
2577103,802 (3.46)8
On Christmas night of 1998, Maria Meyers learns that her twenty-year-old daughter, Pearl, has chained herself outside the American embassy in Dublin, where she intends to starve herself to death. Although Maria was once a student radical and still proudly lives by her beliefs, gentle, book-loving Pearl has never been interested in politics–nor in the Catholicism her mother rejected years before. What, then, is driving her to martyr herself? Shaken by this mystery, Maria and her childhood friend (and Pearl’s surrogate father), Joseph Kasperman, both rush to Pearl’s side. As Mary Gordon tells the story of the bonds among them, shetakes us deep into the labyrinths of maternal love, religious faith, and Ireland’s tragic history.Pearlis a grand and emotionally daring novel of ideas, told with the tension of a thriller. From the Trade Paperback edition.… (más)
Ninguno
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

» Ver también 8 menciones

Mostrando 1-5 de 7 (siguiente | mostrar todos)
I'm Pearl-ruling Pearl. I don't care for the style, or the patronising, self-important authorial tone in the guise of an omniscient narrator who makes a point of deciding when to tell us what. Any desire I may have had to understand why a young American woman would chain herself to an embassy fence in Ireland, determined to die like Bobby Sands, to "bear witness" to something, has preceded her in death. (If she's actually going to die, which I doubt.) I think there's an excellent story in there somewhere, but Gish Jen, Maxine Hong Kingston and Margaret Drabble to the contrary notwithstanding, I have yet to see a glimpse of the compassion, suspense or lyrical intensity they're on about; Gordon's habit of speaking directly to the reader, as if we're likely to miss the point but she's going to make it clear, makes me twitch; and I just don't have the patience to stick with it. Perhaps it's because I was not brought up to believe that voluntary suffering is its own reward?
  laytonwoman3rd | Jun 8, 2023 |
Gordon has tackled the major issue of life in this book: why choose life over death, what is worth dying for, what is the nature of relationships. The 3rd person, omniscient narrator makes it come off a bit preachy. But this is a thought provoking read. ( )
  ghefferon | May 11, 2015 |
Many of some of the most acclaimed writers break every writing rule and god bless them because rules are just to get people started, a means of learning. So write ye merry unpublished and know that all those rules used to reject your manuscript will not matter once you reach the right audience, once you hit the right formula. For much can be forgiven if a book is good enough in the right places and Pearl was just good enough when Pearl was its actual focus. But Pearl was not focused on enough, sadly, for me to like this book very much. (A book can also be forgiven if the intelligentsia has decided that writer is a worthy writer no matter what but best not to get too bogged down in details like that.)

Read the rest of the review here: http://ireadeverything.com/?p=77 ( )
  oddbooks | Jan 22, 2010 |
"Pearl" was not a happy book, it is full of struggles...modern day struggles of religon, beliefs, politics, sacrifice, martyrdom, and family bonds, particularly mother-daughter relationships...but I loved the 3rd person omniscent narative. I feel like the narrator was part of the story, perhaps the voice of god, or someone once involved in the story but had passed like Maria's father, Pearl's father, devorah, or the boy who pearl's death will "witness". For me personally, the story highlighted my own struggles with being a mother and acceptance of my own mother. I can relate to wanting "the best" for your child, but your idea of what's best might not actually be what is best for your child. And when you are the child in question, feeling like your parent does try not understand you...This books helps me to realize it is helpful to take a step back and accept your family members for who they are. And...I am once again embarrassed of my lack of awareness of the political unrest in Ireland during my own lifetime.I loved this book, it was a more difficult read but extremely worth the time. ( )
  AuntJha | Apr 8, 2009 |
ridiculous, self-indulgent, full of platitudes ( )
  ilanadm | Jan 10, 2009 |
Mostrando 1-5 de 7 (siguiente | mostrar todos)
sin reseñas | añadir una reseña
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Acontecimientos importantes
Películas relacionadas
Epígrafe
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
FOR
Enda McDonagh
&
Eileen Tobin
Dedicatoria
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
FOR
Enda McDonagh
&
Eileen Tobin
Primeras palabras
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
We may as well begin with the ride home.
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés (1)

On Christmas night of 1998, Maria Meyers learns that her twenty-year-old daughter, Pearl, has chained herself outside the American embassy in Dublin, where she intends to starve herself to death. Although Maria was once a student radical and still proudly lives by her beliefs, gentle, book-loving Pearl has never been interested in politics–nor in the Catholicism her mother rejected years before. What, then, is driving her to martyr herself? Shaken by this mystery, Maria and her childhood friend (and Pearl’s surrogate father), Joseph Kasperman, both rush to Pearl’s side. As Mary Gordon tells the story of the bonds among them, shetakes us deep into the labyrinths of maternal love, religious faith, and Ireland’s tragic history.Pearlis a grand and emotionally daring novel of ideas, told with the tension of a thriller. From the Trade Paperback edition.

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: (3.46)
0.5 1
1
1.5
2 3
2.5 2
3 10
3.5 5
4 9
4.5 4
5 3

¿Eres tú?

Conviértete en un Autor de LibraryThing.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 204,808,593 libros! | Barra superior: Siempre visible