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Cierta sonrisa (1953)

por Françoise Sagan

Otros autores: Ver la sección otros autores.

MiembrosReseñasPopularidadValoración promediaMenciones
509247,953 (3.48)4
Fran#65533;oise Sagan is best known for her first novel, Bonjour Tristesse, which caused a scandal when she first published it at the age of eighteen in 1953. But her second novel, A Certain Smile, less shocking and more psychologically convincing, was preferred by many critics.  Like Bonjour Tristesse, this story is set in Paris in the 1950s and told by a young student bored by her law books, restless and curious about love and sex.  She is fond of her loyal boyfriend, but he, too, bores her.  His worldly uncle strikes her as more exciting, appealingly risky and forbidden. Frank and spontaneous, vulnerable and cruel, thoughtless and insightful, Sagan's young narrator explores such perennial themes as unrequited love and the precarious balance of irrational emotions and self-restraint. This edition includes a new foreword by Diane Johnson, author of the best-selling novels Le Divorce and L'Affaire.   "The second book is now out, and so is the verdict. Sagan's novel Un Certain Sourire, written in two months, is the new literary sensation of Paris."--Time   "Miss Sagan is a technician of the highest order, working with exceptional economy and elegance in the tradition of Colette and Benjamin Constant."--Atlantic     "The reader is given the feeling of having opened a young girl's intimate diary by mistake. But whoever put such a diary down?--especially when the author is as sensitive, experienced, gifted and freshly talented as Mlle. Sagan!"--San Francisco Examiner   "[Sagan's] style is honest, direct, and her dialogue true. But for her sake let's hold back those invidious comparisons. Colette indeed! She might turn out to be Sagan."--Saturday Review… (más)
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Read this in the late 1960s and recently again, 50 years later - time provides perspective and I can appreciate both the intense feelings and angst of young love, which so appealed to me then, and the story line which is simple, almost to the point of being banal. ( )
  DramMan | Dec 28, 2021 |
Maddening passivity of a somewhat unsympathetic protagonist described in beautiful language. Somehow oddly satisfying. A good follow-up to Bonjour Tristesse.

---------------

Passivité atroce d'un protagoniste peu sympathique décrit dans un joli discours. Bizarrement satisfaisant. Un bon successeur de Bonjour Tristesse. ( )
  Frenzie | Dec 22, 2017 |
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Author Sagan's prose is as disciplined as her characters are not. Her style is spare, lucid and psychologically astute. Yet her novel is a petition in spiritual and emotional bankruptcy. The word "nothing" recurs with obsessive frequency in describing what the heroine thinks and feels. Hemingway reduced the value problem of his "lost generation" to "What is moral is what you feel good after." Sagan has reduced hers to "What you feel is good, if you feel anything."
añadido por jjlong | editarTime (Aug 20, 1956)
 

» Añade otros autores (15 posibles)

Nombre del autorRolTipo de autor¿Obra?Estado
Françoise Saganautor principaltodas las edicionescalculado
Ash, IreneTraductorautor secundarioalgunas edicionesconfirmado
Green, AnneTraductorautor secundarioalgunas edicionesconfirmado
Lampo, HubertTraductorautor secundarioalgunas edicionesconfirmado
Pariser, VanCover photographautor secundarioalgunas edicionesconfirmado
Treichl, Helgaautor secundarioalgunas edicionesconfirmado
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Información procedente del conocimiento común holandés. Edita para encontrar en tu idioma.
Título original
Títulos alternativos
Fecha de publicación original
Personas/Personajes
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Información procedente del conocimiento común holandés. Edita para encontrar en tu idioma.
"L'amour c'est ce qui se passe entre deux personnes qui s'aiment" (Roger Vaillant)
Dedicatoria
Información procedente del conocimiento común holandés. Edita para encontrar en tu idioma.
Voor: Florence Malraux
Primeras palabras
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
We had spent the afternoon in a cafe on the Rue Saint-Jacques, a spring afternoon just like any other.
Citas
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés (1)

Fran#65533;oise Sagan is best known for her first novel, Bonjour Tristesse, which caused a scandal when she first published it at the age of eighteen in 1953. But her second novel, A Certain Smile, less shocking and more psychologically convincing, was preferred by many critics.  Like Bonjour Tristesse, this story is set in Paris in the 1950s and told by a young student bored by her law books, restless and curious about love and sex.  She is fond of her loyal boyfriend, but he, too, bores her.  His worldly uncle strikes her as more exciting, appealingly risky and forbidden. Frank and spontaneous, vulnerable and cruel, thoughtless and insightful, Sagan's young narrator explores such perennial themes as unrequited love and the precarious balance of irrational emotions and self-restraint. This edition includes a new foreword by Diane Johnson, author of the best-selling novels Le Divorce and L'Affaire.   "The second book is now out, and so is the verdict. Sagan's novel Un Certain Sourire, written in two months, is the new literary sensation of Paris."--Time   "Miss Sagan is a technician of the highest order, working with exceptional economy and elegance in the tradition of Colette and Benjamin Constant."--Atlantic     "The reader is given the feeling of having opened a young girl's intimate diary by mistake. But whoever put such a diary down?--especially when the author is as sensitive, experienced, gifted and freshly talented as Mlle. Sagan!"--San Francisco Examiner   "[Sagan's] style is honest, direct, and her dialogue true. But for her sake let's hold back those invidious comparisons. Colette indeed! She might turn out to be Sagan."--Saturday Review

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