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Steve Coogan was born and raised in Manchester in the 1960s, the fourth of six children. From an early age he entertained his family with impressions and was often told he should 'be on the telly'. Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image. The late eighties and early nineties saw Coogan developing characters he could perform on the comedy circuit, from Ernest Moss to Paul Calf, and in 1992 he won a Perrier award with John Thomson. It was around the same time, while working with Armando Iannucci and Patrick Marber on On The Hour and The Day Today, that Alan Partridge emerged, almost fully formed. Coogan, once a tabloid fixture, is now a respected film actor, writer and producer. He runs his own production company, Baby Cow, has a raft of films to his name (from 24 Hour Party People to Alpha Papa, the critically-acclaimed Partridge film), six Baftas and seven Comedy Awards. He has found huge success in recent years with both The Trip and Philomena, the latter bringing him two Oscar nominations, for producing and co-writing. In Easily Distracted he lifts the lid on the real Steve Coogan, writing with distinctive humour and an unexpected candour about a noisy childhood surrounded by foster kids, his attention-seeking teenage years and his emergence as a household name with the birth of Alan Partridge.… (más)
Everybody has a comedic touchstone - a stand-up or a sitcom they can go back to time and again and know just how easily it will tickle them and engage fond memories. Steve Coogan and his comic creations have seen me through my adolescence, my uni days, and my working life so far. Alan Partridge is - as for many Coogan fans - my ultimate comfort comedy; the one I can recite backwards. I can still laugh at his frantic and futile attempts to placate enraged farmers despite a thousand previous viewings.
Perhaps part of the challenge in appreciating Easily Distracted is in remembering that this is the autobiography of Steve Coogan and not one of his creations. Indeed, after I read it and put it on my bookshelf, my wife asked me to fetch it so she could have a read and - unconsciously - I picked up I, Partridge, instead. I could imagine Steve shaking a mock-angry fist at me for doing so, and at those who claim there is too much similarity between him and his comic characters (and between some of those creations). But this only strengthens a point Coogan tries to get across in telling his story - that there is a bit of Alan Partridge, Paul Calf, Gareth Cheeseman, Duncan Thickett and co in Steven Coogan and vice versa. It's not a secret, it's a fact - one he is happy to acknowledge and embrace. In Easily Distracted, Coogan does not try to paint a whiter-than-white image of himself; rather, he accepts himself for what he is, vices and virtues. He talks of his youthful, idealistic visions of his future self - unflappable, engaging and witty - but acknowledges the man he has become: a man who at times can exhibit all of these qualities and at other times none of them. It's quite a rational and balanced stance and one that is not hard to empathise with; it certainly helped me as a reader to understand a little bit more about the man behind the comic mask.
The book - slightly unconventionally for an autobiography - starts with the here and now, the recent times of the Coogan we think we know: the darkness of the Leveson inquiry, the exhausting realities behind the Partridge movie and his pride at the BAFTA-winning Philomena (an excellent demonstration of his abilities as a straight actor). It then settles into a more typical chronological account of his life, delivered in an enjoyably raconteurial rhetoric: from his sepia-tinted memories of boyhood holidays in Ireland (I challenge any child of the 50s, 60s or 70s to read this without drifting off to memories of their own holidays of this ilk) and life in his somewhat eccentric family home, to his struggles to break into comedy and acting, then on to the stellar rise that followed... and the well-documented baggage that came with it. It's an engaging and fulfilling journey, though I suspect - and respect - that Steve hasn't given us absolutely everything (who would?)
Being such a fan of his comedy, there was a big part of me looking for in-gags in each paragraph, but that's not what this book is about. It does have gags and it did have me chuckling away, But he makes it clear that straight comedy doesn't quite cut it for him any more. That said, there are a few Easter eggs in there, such as page 201 when he refers to that excellent James Bond movie 'To Russia With Love' (To Russia? Stop getting Bond wrong!).
Easily Distracted works well in doing what I think it set out to achieve: presenting Steve Coogan, as he is, without apology. An entertaining, at times gritty and at times warm, and consistently thought-provoking read.
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
To Mum and Dad
Primeras palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Most of my life has been spent wanting to be someone else.
Citas
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Simon Pegg gave me a congratulations card. 'Well done,' he had written, 'one day you will throw these BAFTAs through the windows of a large empty house.'"
There is no moment of catharsis when you come from a lower-middle-class background.
I mistrust anyone who has absolute moral certainty about anything. It's irritating that such people feel they have found the truth. It's a reductive, simplistic world view.
I grew to despise everything postmodern for covertly legitimising appalling attitudes that we thought we had got rid of.
Últimas palabras
Información procedente del conocimiento común inglés.Edita para encontrar en tu idioma.
Steve Coogan was born and raised in Manchester in the 1960s, the fourth of six children. From an early age he entertained his family with impressions and was often told he should 'be on the telly'. Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image. The late eighties and early nineties saw Coogan developing characters he could perform on the comedy circuit, from Ernest Moss to Paul Calf, and in 1992 he won a Perrier award with John Thomson. It was around the same time, while working with Armando Iannucci and Patrick Marber on On The Hour and The Day Today, that Alan Partridge emerged, almost fully formed. Coogan, once a tabloid fixture, is now a respected film actor, writer and producer. He runs his own production company, Baby Cow, has a raft of films to his name (from 24 Hour Party People to Alpha Papa, the critically-acclaimed Partridge film), six Baftas and seven Comedy Awards. He has found huge success in recent years with both The Trip and Philomena, the latter bringing him two Oscar nominations, for producing and co-writing. In Easily Distracted he lifts the lid on the real Steve Coogan, writing with distinctive humour and an unexpected candour about a noisy childhood surrounded by foster kids, his attention-seeking teenage years and his emergence as a household name with the birth of Alan Partridge.
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(3.16)
1
Perhaps part of the challenge in appreciating Easily Distracted is in remembering that this is the autobiography of Steve Coogan and not one of his creations. Indeed, after I read it and put it on my bookshelf, my wife asked me to fetch it so she could have a read and - unconsciously - I picked up I, Partridge, instead. I could imagine Steve shaking a mock-angry fist at me for doing so, and at those who claim there is too much similarity between him and his comic characters (and between some of those creations). But this only strengthens a point Coogan tries to get across in telling his story - that there is a bit of Alan Partridge, Paul Calf, Gareth Cheeseman, Duncan Thickett and co in Steven Coogan and vice versa. It's not a secret, it's a fact - one he is happy to acknowledge and embrace. In Easily Distracted, Coogan does not try to paint a whiter-than-white image of himself; rather, he accepts himself for what he is, vices and virtues. He talks of his youthful, idealistic visions of his future self - unflappable, engaging and witty - but acknowledges the man he has become: a man who at times can exhibit all of these qualities and at other times none of them. It's quite a rational and balanced stance and one that is not hard to empathise with; it certainly helped me as a reader to understand a little bit more about the man behind the comic mask.
The book - slightly unconventionally for an autobiography - starts with the here and now, the recent times of the Coogan we think we know: the darkness of the Leveson inquiry, the exhausting realities behind the Partridge movie and his pride at the BAFTA-winning Philomena (an excellent demonstration of his abilities as a straight actor). It then settles into a more typical chronological account of his life, delivered in an enjoyably raconteurial rhetoric: from his sepia-tinted memories of boyhood holidays in Ireland (I challenge any child of the 50s, 60s or 70s to read this without drifting off to memories of their own holidays of this ilk) and life in his somewhat eccentric family home, to his struggles to break into comedy and acting, then on to the stellar rise that followed... and the well-documented baggage that came with it. It's an engaging and fulfilling journey, though I suspect - and respect - that Steve hasn't given us absolutely everything (who would?)
Being such a fan of his comedy, there was a big part of me looking for in-gags in each paragraph, but that's not what this book is about. It does have gags and it did have me chuckling away, But he makes it clear that straight comedy doesn't quite cut it for him any more. That said, there are a few Easter eggs in there, such as page 201 when he refers to that excellent James Bond movie 'To Russia With Love' (To Russia? Stop getting Bond wrong!).
Easily Distracted works well in doing what I think it set out to achieve: presenting Steve Coogan, as he is, without apology. An entertaining, at times gritty and at times warm, and consistently thought-provoking read.
http://www.gordondoherty.co.uk/reviews/easilydistracted-stevecoogan (