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Bob Dylan is the debut studio album by American singer-songwriter Bob Dylan, released on March 19, 1962[8] by Columbia Records. Produced by Columbia's legendary talent scout John H. Hammond, who signed Dylan to the label, the album features folk standards, plus two original compositions, "Talkin' New York" and "Song to Woody".

By the time sessions were held for his debut album, Dylan was absorbing an enormous amount of folk material from sitting and listening to contemporaries performing in New York's clubs and coffeehouses. Many of these individuals were also close friends who performed with Dylan, often inviting him to their apartments where they would introduce him to more folk songs. At the same time, Dylan was borrowing and listening to a large number of folk, blues, and country records, many of which were hard to find at the time. Dylan claimed in the documentary No Direction Home that he needed to hear a song only once or twice to learn it.

The final album sequence of Bob Dylan features only two original compositions; the other eleven tracks are folk standards and traditional songs. Few of these were staples of his club/coffeehouse repertoire. Only two of the covers and both originals were in his club set in September 1961. Dylan stated in a 2000 interview that he was hesitant to reveal too much of himself at first.[citation needed]

Of the two original songs, "Song to Woody" is the best known. According to Clinton Heylin, the original handwritten manuscript to "Song to Woody" bears the following inscription at the bottom of the sheet: "Written by Bob Dylan in Mills Bar on Bleecker Street in New York City on the 14th day of February, for Woody Guthrie." Melodically, the song is based on one of Guthrie's own compositions, "1913 Massacre", but it is possible Guthrie fashioned "1913 Massacre" from an even earlier melody; like many folk artists, including Dylan, Guthrie would often adapt familiar folk melodies into new compositions. Guthrie was Dylan's main musical influence at the time of Bob Dylan's release, and indeed on several of the songs, Dylan is apparently imitating Guthrie's vocal mannerisms. "Talkin' New York" is closely based on Guthrie's song "Talking Dustbowl Blues" and also references "The Ballad of Pretty Boy Floyd".

Dylan takes an arranger's credit on many of the traditional songs, but a number of them can be traced to his contemporaries. For example, the arrangement of "House of the Rising Sun" was developed by Dave Van Ronk, who was a close friend at the time. Van Ronk had intended to record this arrangement himself and was upset that Dylan had recorded it. During his recording of "Baby Let Me Follow You Down", Dylan mentions the arranger, Eric Von Schmidt, whom he met in Cambridge, Massachusetts. Von Schmidt introduced the arrangement to Dylan as well as an arrangement for "He Was a Friend of Mine", which was also recorded for but omitted from Dylan's first album.

Dylan would leave most of these songs behind when he moved to the concert stage in 1963, but he performed "Man of Constant Sorrow" during his first national television appearance in mid-1963 (a performance included on the 2005 retrospective No Direction Home). "Baby Let Me Follow You Down" would later return in a driving electric arrangement during his 1965 and 1966 tours with the Hawks; a live recording was included on Live 1966.

After 1966, Dylan performed only five songs from his debut album in concert, and only "Song to Woody" and "Pretty Peggy-O" would be heard with any frequency.

Outtakes
Three additional songs recorded during the Bob Dylan sessions were included on Volume 1 of the Bootleg Series: "House Carpenter", "He Was a Friend of Mine" and another original composition, "Man on the Street". A fourth outtake, "Ramblin' Blues" written by Woody Guthrie, remains unreleased.

Of these four, the most celebrated is perhaps "House Carpenter", a new rendition of the 16th-century Scottish ballad "The Daemon Lover" and the final song recorded for Bob Dylan. Biographer Clinton Heylin described the song as "the most extraordinary performance of the sessions, as demonically driven as anything Robert Johnson put out in his name". Though it was a favorite at the time in folk circles, Dylan apparently never played "House Carpenter" in any documented performance.

An alternate (shortened) version of "House of the Rising Sun", heavily overdubbed with electric instruments in 1964 (produced by Tom Wilson), was later included on the Highway 61 Interactive CD-ROM.