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Cargando... Doctor Who: The Movie [1996 film]por Geoffrey Sax, Alex Beaton (Producer), Peter Bryant (Producer), Sydney Newman (Writer)
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The Doctor is returning home to Gallifrey with the remains of his arch-nemesis, the Master. Forced off course, the TARDIS arrives in San Francisco on New Year's Eve 1999, where the Doctor is critically wounded in a gangland gun battle. At the local hospital, Dr. Grace Holloway fights, and fails, to save his life. Later, in the morgue, the Doctor wakes up a new man. But he is not the only one, the Master has also found himself a new body. As the clock counts down to the start of the new millennium, can the Doctor stop his oldest enemy from destroying all life on Earth? No se han encontrado descripciones de biblioteca. |
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 Google Books — Cargando...GénerosSin géneros Sistema Decimal Melvil (DDC)791.45The arts Recreational and performing arts Public performances Film, Radio, and Television TelevisionClasificación de la Biblioteca del CongresoValoraciónPromedio: (3.2)
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1
Who thought this plot was a good idea for a standalone movie and/or American pilot? It's bad enough that it doesn't make any sense, even if you know who these characters are; they also completely fail to include the stuff that hooks people into the series. The whole point of the show is that he can and does go anywhere in time and space, and this movie is set entirely in present day California. (Oh, sorry, it's set three years in the future. For no apparent reason.) They don't even bother to explain what the TARDIS is until about halfway through; before that, you get inexplicable images of a 1960s police box spinning in a CG vortex juxtaposed with shots of an old man in a vaguely steampunk sitting room. How can that possibly make any sense? Seen as just an episode of the series, it's mediocre at best, but as a movie it's a horrible mess.
Concept: D
Story: F
Characters: D
Dialog: D
Pacing: D
Cinematography: C
Special effects/design: B
Acting: C
Music: C
Enjoyment: D
GPA: 1.4/4 (Bad) (