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Cargando... The Dolly Dialoguespor Anthony Hope
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In the character of Dolly Foster, British writer Anthony Hope has created an unforgettable embodiment of the turbulent end of the Victorian era. Constrained by old-fashioned conventions but bursting with newfangled ideas, this young woman is the element that ties together all of the vignettes and short tales collected in The Dolly Dialogues. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)823.7Literature English & Old English literatures English fiction Early 19th century 1800-37Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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The 24 chapters (or sketches) are light-hearted social comedy that give the contemporary reader a perspective of upper class English society in the late Victorian period. The narrator, Mr. Samuel Carter, is a bachelor who carries a torch for a woman named "Dolly" with whom he once shared affections. Dolly marries Lord Archie Mickleham, a man deemed more suitable by virtue of his social position and wealth. The chapters trace the formal friendship between Carter and Dolly from before her engagement to years into her marriage. Each consists of conversations and light interactions between Carter and Dolly or others of her circle of family and acquaintances. The repartee is quick, sparkling, and clever, full of mild flirtation, epigrams, and double entendre. The tone is gently satirical, and the content superficial and mildly amusing. However, a touch of pathos suffuses the whole. Carter remains single as the ladies of his acquaintance marry and have families, and by the penultimate chapter he is feeling the press of a solitary middle age. The last sketch is a peculiar one -- he has a dream in which has he died and finds himself in a waiting room to the Elysian Fields -- into which he gains entrance, along with Dolly and of course, her ever- present husband.
In truth, The Dolly Dialogues will be unlikely to attract more than an occasional contemporary reader, and are mainly of historical interest. Nonetheless, I enjoyed them, found them amusing, subtle, and clever, and deeper than a first impression might have suggested. Public domain copies are available online at no cost. For a more professional review than I can offer, see the link here: http://www.unz.org/Pub/BookmanUK-1894sep-00181a02?View=PDF ( )