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Cargando... Mechademia 9: Origins (edición 2014)por Frenchy Lunning (Editor)
Información de la obraMechademia 9: Origins por Frenchy Lunning
Anime/Manga Studies (39) Cargando...
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Pertenece a las seriesMechademia (9)
If the source of manga and anime is physically located in Japan, the temptation for many critics and scholars is to ask what aspects of Japanese culture and history gave rise to these media. This ninth volume of Mechademia-an annual collection of critical work on anime and manga-challenges the tendency to answer the question of origins by reductively generalizing and essentializing "Japaneseness." The essays brought together in Mechademia 9 lead us to understand the extent to which "Japan" might be seen as an idea generated by anime, manga, and other texts rather than the other way around. Wha No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)741.595105The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections Asian China and adjacent areasClasificación de la Biblioteca del CongresoValoraciónPromedio: No hay valoraciones.¿Eres tú?Conviértete en un Autor de LibraryThing. |
I attempted to respond with this explanation: “Lesbianism introduces reality into the work.” After all, doesn’t Hagio Moto say that when she was writing “Jūichigatsu no gimunajiumu” (1971, November gymnasium)— which was the model for her masterpiece Th e Heart of Thomas (1974, Tōma no shinzō), that set shōnen’ai in motion— doesn’t she say that at the draft phase, she tried writing both a female and a male version, and she gave up the female version because it was too raw and fleshy? 2 Girl readers do not want to embrace female bodies; they want to create a distance between themselves and sexual love. If that is indeed the case, then girls have no reason to desire lesbianism.
Hyperbolic Nationalism: South Korea’s Shadow Animation industry
Children—mostly boys—waited in anticipation all year for these films. Most showed strong parallels to Japanese animation of the time. Some titles, including Roboteu taegweon V (1976, Robot Taekwon V), Dalryeora Majinga X (1978, Run Mazinga X), Mujeok yongsa hwanggeum nalgae (1978, Invincible warrior golden wing), Uju heukgisa (1979, Space black knight), Heukseong roboteu sseondeo A (1981, Black planet robot Thunder A), Solla won tu sseuri(1982, Solar one two three), Seupaeiseu Gandam V(1984,Space Gandam V), as well as many other films, used visuals and narratives reminiscent of popular Japanese anime series. As evident from the titles and film posters, most of the influences came from anime such as Mazinger Z (1972–74, Majingaa zetto) and Grendizer (1975–77, UFO robo gurendaizaa).