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Lucky Alan: And Other Stories

por Jonathan Lethem

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1555176,136 (3.17)2
"Jonathan Lethem's third collection of stories uncovers a father's nervous breakdown at SeaWorld in "Pending Vegan"; a foundling child rescued from the woods during a blizzard in "Traveler Home"; a political prisoner in a hole in a Brooklyn street in "Procedure in Plain Air"; and a crumbling, haunted "blog" on a seaside cliff in "The Dreaming Jaw, The Salivating Ear." Each of these locates itself in Lethem-land, which can be discovered only by visiting. As in his celebrated novels, Lethem finds the uncanny lurking in the mundane, the irrational self-defeat seeping through our upstanding pursuits, and the tragic undertow of the absurd world(s) in which we live. Devoted fans of Lethem will recognize familiar themes: the anxiety of influence taken to reductio ad absurdum in "The King of Sentences"; a hapless, horny outsider summoning bravado in "The Porn Critic"; characters from forgotten comics stranded on a desert island in "Their Back Pages." As always in Lethem, humor and poignancy work in harmony, humans strive desperately for connection, words find themselves misaligned to deeds, and the sentences are glorious" --… (más)
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The only thing I remember about Jonathan Lethem’s first collection of short stories (The Wall of the Eye, The Wall of the Sky) is that he really liked abrupt endings. Lucky Alan is no different. Sometimes the endings work, and sometimes the stories just feel unfinished. That’s probably why this collection has so many one-star ratings – people assume that Lethem is trying to palm off his fragments on an unsuspecting public, and they react with vehemence.

Thing is, I think the one-star critics are being overly harsh. Yes, a few of these stories are duds, but the good ones far outweigh the misses, and it’s possible that Lucky Alan is Lethem’s strongest collection (although I’d have to re-read his earlier work for a definitive verdict). It definitely made me want to pick up his most recent few novels, and I haven’t been as interested in his work since he starting writing in a more exclusively literary vein.

Although I definitely recommend listening to the audiobook version of this collection – the narrators are all pretty great, even Lethem himself – all the stories (but one) are available online from their original publications.

“Lucky Alan” read by Mark Deakins
Very much about New York and the people who live there. An actor and a theatre director strike up a casual friendship, and one day the director tells a story about his fraught relationship with a neighbor. Subtle but great. All about small details and the way people perceive each other and themselves.

“The King of Sentences” read by David Wain
A couple is so obsessed with an author they call “The King of Sentences” that they travel to his hometown and stalk him until he appears at the local post office. The object of their affection responds with distaste but it doesn’t faze them in the least. Heightened and satirical but still entertaining – I could almost picture this as a sketch on Portlandia.

“Traveler Home” read by Mark Deakins
A man known only as Traveler survives a blizzard along with his dog, only to find a baby under odd circumstances. Lethem uses a stilted, affected style here that I found distracting. This out of all the stories felt the most like it was the first part of something unfinished.

“Procedure in Plain Air” read by Amy Landecker
A road crew digs a hole in a sidewalk outside a coffee shop and puts a prisoner inside. The only witness feels responsible for the nameless, voiceless prisoner and decides to keep watch. I think I liked the oddness of the situation more than the story itself, which felt lacking in incident.

“Their Back Pages” read by Isaac Butler
Characters from classic newspaper comic strips crash-land on an island and slowly but surely devolve. This is probably the most stylistically ambitious of the stories in this collection, alternating between descriptions of comic panels and more traditional narrative scenes. At first I wasn’t sure what to think of this story, but once I caught on to what was happening, I really enjoyed it.

“The Porn Critic” read by Bruce Wagner
A man writes reviews of porn tapes for his job, but it ends up interfering with both his reputation and his personal life. This felt a bit reminiscent of a Woody Allen story in some ways, although far more realistic than most of Allen’s fiction. Both this and the title story are very stylistically similar, and both feel like they are specifically about New York City.

“The Empty Room” read by Michael Goldstrom
A man designates one room in his house as the “empty room”, explaining to his family that they aren’t allowed to leave anything in the room once they finish using it. Over time, he ends up basically living in that room, away from his family. This story had a nice undercurrent of surrealism that helped bring home its more allegorical aspects. Additionally, although the ending is sudden, it works really well for the material.

“The Dreaming Jaw, The Salivating Ear” read by Jonathan Lethem
This story has one joke, really: that if a blog is like a house, a banned commenter is the rotting corpse left resting on the threshold. Once the joke becomes obvious, Lethem just keeps hammering it home. This is the only story in the collection that I’d consider an absolute dud.

“Pending Vegan” read by Mark Deakins
A man who has stopped taking his antidepressants goes to SeaWorld with his family despite his looming sense of disaster. For whatever reason, this story wasn’t particularly memorable. I didn’t dislike it, but it didn’t really hold my attention, either. The main character’s anxiety and endless worrying didn’t really add up to much in the end. ( )
  unsquare | Feb 16, 2021 |
I like Lethem's work generally and had positive feelings about this one after reading the first few stories, but it slumped here and there. "Traveler Home" was my favorite, and "Pending Vegan" was good too. "The King of Sentences" was funny and clever but not really capital-G Good. "Their Back Pages" fell really flat for me. "The Dreaming Jaw, The Salivating Ear" was baffling and frustrating initially but ok in the end (but still not one I much loved). I liked the title story well enough, and "Procedure in Plain Air" was ok. That leaves "The Porn Critic" and "The Empty Room," about which I mostly felt very meh. ( )
  dllh | Jan 6, 2021 |
These are well-written with beautifully crafted sentences, but I just didn't care about any of the characters. The whole thing was very Manhattan, NYC and very pretentious. I found myself skimming more than reading. If I was at a party the people in these stories (or the author) I would leave as soon as possible. The literary sentences that I enjoyed weren't enough to get me past everything about it that I didn't enjoy. ( )
  originalslicey | Jan 7, 2019 |
This is the sort of fiction that seems to live in a world different than the one I dwell in, one that is at home in the New Yorker and like magazines and that requires contexts that have nothing to do with my view of the universe.
Each sentence is well crafted. There are interesting paragraphs.
In the end though I wonder why I've spent time trying to decode a reason for the writing, or why I should care about the characters, or whether there are any people on the planet living the lives and inhabiting the situations presented in these stories. ( )
  mykl-s | Nov 15, 2015 |
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"Jonathan Lethem's third collection of stories uncovers a father's nervous breakdown at SeaWorld in "Pending Vegan"; a foundling child rescued from the woods during a blizzard in "Traveler Home"; a political prisoner in a hole in a Brooklyn street in "Procedure in Plain Air"; and a crumbling, haunted "blog" on a seaside cliff in "The Dreaming Jaw, The Salivating Ear." Each of these locates itself in Lethem-land, which can be discovered only by visiting. As in his celebrated novels, Lethem finds the uncanny lurking in the mundane, the irrational self-defeat seeping through our upstanding pursuits, and the tragic undertow of the absurd world(s) in which we live. Devoted fans of Lethem will recognize familiar themes: the anxiety of influence taken to reductio ad absurdum in "The King of Sentences"; a hapless, horny outsider summoning bravado in "The Porn Critic"; characters from forgotten comics stranded on a desert island in "Their Back Pages." As always in Lethem, humor and poignancy work in harmony, humans strive desperately for connection, words find themselves misaligned to deeds, and the sentences are glorious" --

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