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The Cambridge Companion to Shakespeare Studies

por Stanley Wells

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The Cambridge Companion to Shakespeare Studies offers a comprehensive introduction to the study of Shakespeare in a series of essays specially written by an international team of eminent scholars. Studies of Shakespeare's life, and of his relationship to the thought of his time, are followed by essays connecting his writings to the literary, dramatic, and theatrical conventions of his age. There are accounts of the transmission of his text, and of the theatrical and critical fortunes of his plays from his own time to ours. Particular attention is given to the twentieth century in studies of criticism, theatre history, the plays on film and television, new critical approaches, and reference books. Each essay is followed by a reading list. A successor to Cambridge's original Companion to Shakespeare Studies (1934) and the New Companion to Shakespeare Studies (1971) this attractively written and helpfully organized volume will be an indispensable companion to anyone with a serious interest in Shakespeare.… (más)
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[At Caesar's funeral] The brilliant political orator and the tongue-tied visionary - such contrasts show the complexity with which Shakespeare has developed his basic contrast. Clearly Brutus is the hero of the play; but what do we mean by "hero"? Shakespeare does not conceal the fact that Brutus is something of a prig, and also a military and political incompetent. His vision of a revitalized Roman republic is allowed no real substance. The movement he leads exists, as he knows, mainly as a vehicle for the malcontented and the envious. He has a touch of the martyr complex. (G. K. Hunter)
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The Cambridge Companion to Shakespeare Studies offers a comprehensive introduction to the study of Shakespeare in a series of essays specially written by an international team of eminent scholars. Studies of Shakespeare's life, and of his relationship to the thought of his time, are followed by essays connecting his writings to the literary, dramatic, and theatrical conventions of his age. There are accounts of the transmission of his text, and of the theatrical and critical fortunes of his plays from his own time to ours. Particular attention is given to the twentieth century in studies of criticism, theatre history, the plays on film and television, new critical approaches, and reference books. Each essay is followed by a reading list. A successor to Cambridge's original Companion to Shakespeare Studies (1934) and the New Companion to Shakespeare Studies (1971) this attractively written and helpfully organized volume will be an indispensable companion to anyone with a serious interest in Shakespeare.

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