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Cargando... Las deudas del cuerpo (2013)por Elena Ferrante
Books Read in 2017 (41) Italian Literature (22) » 14 más Books Read in 2016 (725) Books Set in Italy (50) Top Five Books of 2014 (537) Books Read in 2019 (490) Top Five Books of 2018 (789) Books Read in 2018 (970) Female Author (579) Books Read in 2021 (4,649) Finished in 2020 (9) 2023 (3) Cargando...
Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. Dues dones que que han intentat trencar les barreres que les volien tancar en un destí de miseria , ignorancia i submissió, les dues navegant amb un ritme apassionant alls principis dels setanta ( ) Continúa en este tercer volumen de la trilogía la historia que empezó en 1944, cuando Elena y Lila nacieron en un barrio pobre de la ciudad de Nápoles. Lila vive en un barrio miserable, entre cuatro paredes húmedas donde comparte lo poco que le proporciona su salario de obrera con su hijo y un amigo, pero su ingenio no ha mermado solo se ha transformado en rabia. Es este odio hacia sí misma y lo que la rodea lo que la llevará a capitanear las revueltas en la fábrica, a negarse a una convivencia pacífica y modesta con su compañero, a claudicar. Elena, en cambio, ha continuado con los estudios e incluso ha escrito una novela. Ahora vive entre Nápoles y Pisa, y es novia de un profesor de la Universidad de Florencia. Así, a primera vista, nada une ya a las dos amigas, pero el barrio de Nápoles donde fueron niñas aún las reclama, las viejas costumbres las devuelven a un tiempo que ya se fue, y lo que han ido haciendo con su cuerpo se cobra su precio.
... Writing about the Brilliant Friend books has been one of the hardest assignments I’ve ever done. When I began, I thought I felt this way because I loved them so much and didn’t know where to start with all my praising. Then I had to fight a deep desire not to mention the things I most liked in the novels so I could keep them to myself. Now my view of the matter is that somehow Ferrante so thoroughly succeeds in her aim of seizing at “the evasive thing” that she has stirred up something from the depths of her mind that touches and spreads through mine. It has to do, presumably, with femininity, with having been a girl who loved reading and was supposed to know that you have to let the boys keep winning at math. It has to do too with the less gendered but even more bodily experience of living in and through a mind. And it has to do, profoundly, with living in a mind and being touched by another one: delighted, exasperated, confused, envious, sorrowful, appalled. As the years go by, the women in these novels allow the holes in their friendship to spread, yet Elena feels the presence of Lila constantly, an almost physical pressure, a disturbance in the air. Telling her own story, she thinks, is easy enough: “the important facts slide along the thread of the years like suitcases on a conveyor belt at an airport.” But involving Lila, “the belt slows down, accelerates, swerves abruptly . . . The suitcases fall off, fly open, their contents scatter here and there. Her things end up among mine.” “May I point out something?” Lila says to Elena in one of the women’s scarce, increasingly ill-tempered phone conversations in the Seventies. “You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when do people ever speak truthfully and when do things ever happen unexpectedly? You know better than I that it’s all a fraud and that one thing follows another and then another.” This, in a nutshell, is Lila’s problem, perhaps her tragedy. She thinks so fast and with such ferocious rigor; she sees connections and discerns so many fine distinctions; she’s impossible and overwhelming — “too much for anyone” and, most of all, for herself. But Elena keeps thinking about her, putting her on the page. Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both. Contenido enPremiosDistincionesListas de sobresalientes
-- FerranteLa magia de Elena Ferrante consiste en convertir la complejidad de la vida en una lectura apasionante. Julia Montejo Una mirada clara, lcida, intensa. La VanguardiaNria Escur, La VanguardiaBenjamn G. Rosado, Cultura (El Mundo)Robert Saladrigas, La VanguardiaJennifer Morrison, actriz en House a Time. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)853.92Literature Italian Italian fiction 1900- 21st CenturyClasificación de la Biblioteca del CongresoValoraciónPromedio:
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