PortadaGruposCharlasMásPanorama actual
Buscar en el sitio
Este sitio utiliza cookies para ofrecer nuestros servicios, mejorar el rendimiento, análisis y (si no estás registrado) publicidad. Al usar LibraryThing reconoces que has leído y comprendido nuestros términos de servicio y política de privacidad. El uso del sitio y de los servicios está sujeto a estas políticas y términos.

Resultados de Google Books

Pulse en una miniatura para ir a Google Books.

Cargando...

Dancing Fish and Ammonites: A Memoir (2013)

por Penelope Lively

MiembrosReseñasPopularidadValoración promediaMenciones
3352377,442 (4.03)68
"The beloved and bestselling author takes an intimate look back at a life of reading and writing. "The memory that we live with is the moth-eaten version of our own past that each of us carries around, depends on. It is our ID; this is how we know who we are and where we have been." Memory and history have been Penelope Lively's terrain in fiction over a career that has spanned five decades. But she has only rarely given readers a glimpse into her influences and formative years. Dancing Fish and Ammonites traces the arc of Lively's life, stretching from her early childhood in Cairo to boarding school in England to the sweeping social changes of Britain's twentieth century. She reflects on her early love of archeology, the fragments of the ancients that have accompanied her journey-including a sherd of Egyptian ceramic depicting dancing fish and ammonites found years ago on a Dorset beach. She also writes insightfully about aging and what life looks like from where she now stands"--… (más)
Cargando...

Inscríbete en LibraryThing para averiguar si este libro te gustará.

Actualmente no hay Conversaciones sobre este libro.

» Ver también 68 menciones

Mostrando 1-5 de 23 (siguiente | mostrar todos)
12. Ammonites and Leaping Fish: A Life in Time by Penelope Lively
OPD: 2013
format: 234-page paperback
acquired: April 2023 read: Feb 23-29 time reading: 6:20, 1.6 mpp
rating: 3½
genre/style: Personal Essaystheme: TBR
locations: Mainly Egypt and England, but also New England, Wales and Jerusalem
about the author: English author born Cairo in 1933, who moved to England in 1945.

Very different from what I was expecting. I was hoping for a memoir, but really this is a collection of five personal essays on somewhat random topics - on being 80, on her life in light of the Suez crisis of 1956 (as she grew up in Egypt), on memory, on reading (and a little on writing), and on some personal objects and the thoughts they inspire (which is where the title comes from). It's all written with her sharp intelligent prose, that is it reads beautifully. And, reading her essay on being 80, you can't help but be struck by how mentally sharp she is as a writer.

I think if you are in the right state of mind, this is a wonderful book. I came at it wrong. And so, for me, it didn't amount to much more than some light distracting entertainment.

She does have some lovely quotes:

On writing versus life:
You are looking to supply the deficiencies of reality, to provide order where life is a matter of contingent chaos, to suggest theme, and meaning, to make a story that is shapely where real life is linear.

On memory:
We can make a choice from accessible memories...but we can't choose what to remember. There is something disturbing about the thought that, if some other, hither to unavailable retrieval system were activated, I might find myself with a series of entirely unfamiliar memories - an alternate past that happened, but of which I had ceased to be aware.

On Reading:
What happens to all this information, this inferno of language? Where does it go? Much, apparently, becomes irretrievable sediment; a fair amount, the significant amount, becomes the essential part of us - what we know and understand and think about above and beyond our own immediate concerns. It becomes the life of the mind. What we have read makes us what we are - quite as much as what we have experienced, and where we have been and who we have known. To read is to experience.

On education in an Egyptian expat school:
The Iliad and Odyssey spilled out of the lesson time into the rest of the day; I enacted the siege, the wanderings, as I drifted around our garden, because of course I was there anyway - Penelope - so this must be something to do with me personally. The solipsism of the nine-year-old mind. Except that I was there in the wrong part; Penelope is not as beautiful as Helen, she is described as wise and good, qualities that did not appeal. And Ulysses - red-haired and crafty - is clearly not a patch on brave Hector or glamorous Achilles. So I juggled with the narrative - true to the tradition of reworking Homer, had I known it - airbrushed the tiresome Helen, and set myself up with Achilles. And, to bring things more up to date, equipped him with a Matilda tank and a Bren gun, instead of all that stuff with chariots and spears - the Libyan campaign was raging a hundred miles or so away, remember, in 1941.


2024
https://www.librarything.com/topic/358760#8449719 ( )
  dchaikin | Mar 2, 2024 |
Memoirs are strange things that can take many forms and tones. This one is quite brilliant and thought-provoking. I'm thinking about the role of memory in my life and what my book collection says about me. I've added many of these books to my own reading lists. This was my first experience with Penelope Lively, but it certainly won't be my last. ( )
  suzannekmoses | May 20, 2022 |
“Books are the mind's ballast, for so many of us--the cargo that makes us what we are, a freight that is ephemeral and indelible, half-forgotten but leaving an imprint. They are nutrition, too. My old age fear is not being able to read--the worst deprivation. “

“I can measure out my life in books. They stand along the way like signposts: the moments of absorption and empathy and direction and enlightenment and sheer pleasure.”

“Reading in old age is doing for me what it has always done- it frees me from the closet of my own mind...So I have my drug, perfectly legal and I don't need a prescription.”

This was a pleasant memoir, spanning five decades. It traces Lively's early childhood in Cairo, her boarding school years in London and her development as a writer. Of course, it also covers her love of books, which, of course, were my favorite parts. I will have to read more of her work. I have only read Moon Tiger, which I loved. ( )
  msf59 | Jun 19, 2021 |
DANCING FISH gets off to a fine start, then rambles until Gardening becomes the focus.

"The bricks remember."

Studying memory ends up boring and recursive until "Reading and Writing" and the Ammonites.

For the author, "Taxonomy is crucial, essential." For readers...?

She also writes that she is "...only enjoying it ((a tree)) as an agreeable sight."
Hmm...really...no other connections? ( )
  m.belljackson | Jan 29, 2021 |
This odd little book is both a memoir and a bit of an homage to books, reading, and writing. Penelope Lively looks back on her 80-plus years, exploring how memory has shaped her as a person and a writer. Lively was born in Egypt and lived there until she was about thirteen. Her early education was based on a curriculum provided to English children being raised abroad, and the methods were unusual by today’s standards. Once in England she followed the traditional path for her class: boarding school followed by a degree from Oxford, where she read history. Her career as a writer came much later.

Lively reveals her life story through a somewhat disjointed approach, touching on a variety of topics while simultaneously connecting them to points in her life. While some aspects were repetitive, reading her thoughts left me feeling like I was sitting in Lively’s kitchen having a nice long chat over cups of tea. Lively is one of my favorite authors, and this book is well-written, but the unusual structure will be most appreciated by her fans. ( )
  lauralkeet | Aug 27, 2020 |
Mostrando 1-5 de 23 (siguiente | mostrar todos)
Debes iniciar sesión para editar los datos de Conocimiento Común.
Para más ayuda, consulta la página de ayuda de Conocimiento Común.
Título canónico
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Título original
Títulos alternativos
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Fecha de publicación original
Personas/Personajes
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
Lugares importantes
Acontecimientos importantes
Películas relacionadas
Epígrafe
Dedicatoria
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
JACK - in memory
Primeras palabras
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
This is not quite a memoir. Rather, it is the view from old age.
Citas
Información procedente del conocimiento común inglés. Edita para encontrar en tu idioma.
The world is full of widows - several among my closer friends. We have each know that grim rite of passage, have engaged with grief and loss, and have not exactly emerged but found a way of living after and beyond. It is an entirely changed life, for anyone who has been in a long marriage - forty-one years for me : alone in bed, alone most of the time, without that presence towards which you turned for advice, reassurance, with whom you shared the good news and the bad. Every decision now taken alone; no-one to defuse anxieties. And a thoroughly commonplace experience - everywhere, always - so get on with it and don't behave as if you're uniquely afflicted.
[Aged 16, at the London Library] "for some obscure reason I ordered Hakluyt's Voyages Round the World. It arrived on a trolley, in several volumes, and I sat stolidly reading for a week, unable to admit to a mistake."
Autobiographical memory is random, non-sequential, capricious, and without it we are undone.
Memory has acquired some merciful ability to close up, to diminish the worst passages of [more] recent life. For me, the awful summer and autumn of Jack's illness - the hospital months, the last weeks at home - are now not time but a series of images I cannot lose.
If you have no sense of the past, no access to the historical narrative, you are afloat, untethered; you cannot see yourself as a part of the narrative, you cannot place yourself within a context. You will not have an understanding of time, and a respect for memory and its subtle victory over the remorselessness of time.
Últimas palabras
Aviso de desambiguación
Editores de la editorial
Blurbistas
Idioma original
DDC/MDS Canónico
LCC canónico

Referencias a esta obra en fuentes externas.

Wikipedia en inglés

Ninguno

"The beloved and bestselling author takes an intimate look back at a life of reading and writing. "The memory that we live with is the moth-eaten version of our own past that each of us carries around, depends on. It is our ID; this is how we know who we are and where we have been." Memory and history have been Penelope Lively's terrain in fiction over a career that has spanned five decades. But she has only rarely given readers a glimpse into her influences and formative years. Dancing Fish and Ammonites traces the arc of Lively's life, stretching from her early childhood in Cairo to boarding school in England to the sweeping social changes of Britain's twentieth century. She reflects on her early love of archeology, the fragments of the ancients that have accompanied her journey-including a sherd of Egyptian ceramic depicting dancing fish and ammonites found years ago on a Dorset beach. She also writes insightfully about aging and what life looks like from where she now stands"--

No se han encontrado descripciones de biblioteca.

Descripción del libro
Resumen Haiku

Debates activos

Ninguno

Cubiertas populares

Enlaces rápidos

Valoración

Promedio: (4.03)
0.5
1
1.5
2
2.5 3
3 11
3.5 9
4 23
4.5 9
5 18

¿Eres tú?

Conviértete en un Autor de LibraryThing.

 

Acerca de | Contactar | LibraryThing.com | Privacidad/Condiciones | Ayuda/Preguntas frecuentes | Blog | Tienda | APIs | TinyCat | Bibliotecas heredadas | Primeros reseñadores | Conocimiento común | 204,762,405 libros! | Barra superior: Siempre visible