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Cargando... Shoot the Dogpor Brad Smith
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Pertenece a las seriesVirgil Cain (3)
"In upstate New York, Virgil Cain is drawing hay behind his team of massive Percherons when two movie scouts show up and offer $500 a day to use the horses in a film to be shot in the area. Virgil, in need of cash, reluctantly pockets the money, but he soon finds the chaotic set of Frontier Woman to be more trouble than it's worth. Savvy producer Sam Sawchuk is in over her head; when she's not propping up her talent-challenged husband-cum-director, she's trying to keep tabs on a new investor, the Native American casino owner Ronnie Red Hawk, a rambling egomaniac with designs on an infamous starlet. When the film's leading lady turns up dead, Virgil discovers that more is at stake than the carnal interests of a casino magnate and the production of a major motion picture. And although he'd rather leave the whole bunch to stew in their own juices, he realizes he needs to step in before a charming ten-year-old actress named Georgia becomes the next victim."-- From dust jacket flap. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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Virgil is again just minding his own business, plowing the back forty with a pair of Percherons when some movie folks scouting for locations pull up and offer to rent the horses for their 'Frontier Woman' movie. Well, the taxes are coming due and the soybean crop failed last year, so yeah, Virgil could use the money. But those movie folks are quick to talk and slow to listen. They assume Virgil is the 'half-wit dullard hired hand' that works for Mr. Cain - and he lets them think it. Virgil on the other hand is slow to talk and quick to listen.
There's lots of set up before we even get to the crime, but oh can Smith spin a tale. His tongue in cheek take on the movie industry and celebrity is hilarious. The dialogue, conniving and back stabbing amongst the group is priceless. But when the leading lady ends up dead, Virgil can't help himself. He decides to be on set a little more - he's taken a shine to ten year old actor Georgia - and besides, she likes his horses.
"'So do you follow it, or does it follow you?' Buddy asked.
What?
Trouble.
Virgil smiled and finished the beer."
Virgil is such a great character, from his droll dialogue, the way he thinks, his unerring sense of right and wrong and his decision to act on his principles. A white knight with manure on his workboots.
I love the laid back interactions between Virgil and his lover Detective Claire Marchand. (And I have to admit I'm a little jealous of Claire - Virgil is that laid back, quiet type that is oh appealing.) Claire on her own is just as great a character as Virgil - she's got a great mind and a sharp tongue - her dialogue with suspects cuts like a knife. These characters will appeal to readers of both sexes.
The goal of course it to solve who killed that leading lady, but the whodunnit in Shoot the Dog takes a backseat to the characters. And I wouldn't want it any other way.
Shoot the Dog is another entertaining romp of a read from Brad Smith. Smith has a sly, wry sense of humour that I truly enjoy. Do yourself a favour, pull up a chair on the porch, grab a beer and start from the first book - Red Means Run. You'll be hooked - on Brad Smith, not the beer.
Readers who enjoy Carl Hiaasen and Tim Dorsey's tongue in cheek mysteries will enjoy Brad Smith. ( )