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Bryant and May and the Invisible Code

por Christopher Fowler

Otros autores: Ver la sección otros autores.

Series: Peculiar Crimes Unit/Bryant and May (10)

MiembrosReseñasPopularidadValoración promediaMenciones
3622471,014 (3.79)13
Fiction. Mystery. Suspense. Thriller. HTML:London’s craftiest and boldest detectives, Arthur Bryant and John May, are back in this deviously twisting mystery of black magic, madness, and secrets hidden in plain sight.
 
When a young woman is found dead in the pews of St. Bride’s Church—alone and showing no apparent signs of trauma—Arthur Bryant assumes this  case will go to the Peculiar Crimes Unit, an eccentric team tasked with solving London’s most puzzling murders. Yet the city police take over the investigation, and the PCU is given an even more baffling and bewitching assignment.
 
Called into headquarters by Oskar Kasavian, the head of Home Office security, Bryant and May are shocked to hear that their longtime adversary now desperately needs their help. Oskar’s wife, Sabira, has been acting strangely for weeks—succumbing to violent mood swings, claiming an evil presence is bringing her harm—and Oskar wants the PCU to find out why. And if there’s any duo that can deduce the method behind her madness, it’s the indomitable Bryant and May.
 
When a second bizarre death reveals a surprising link between the two women’s cases, Bryant and May set off on a trail of clues from the notorious Bedlam hospital to historic Bletchley Park. And as they are drawn into a world of encrypted codes and symbols, concealed rooms and high-society clubs, they must work quickly to catch a killer who lurks even closer than they think.
 
Witty, suspenseful, and ingeniously plotted, The Invisible Code is Christopher Fowler at the very top of his form.
Praise for The Invisible Code
 
“Delightful . . . priceless dialogue . . . Fowler’s small but ardent American following deserves to get much larger. . . . The Invisible Code has immense charm. . . . Fowler creates a fine blend of vivid descriptions, . . . quick thinking and artful understatement. . . . Best of all are the two main characters, particularly Bryant, whose fine British stodginess is matched perfectly by the agility of his crime-solving mind.”—Janet Maslin, The New York Times
 
“Excellent . . . In the light of the challenges that Fowler has given his heroes in prior books, it’s particularly impressive that he manages to surpass himself once again.”Publishers Weekly (starred review)
 
Praise for the ingenious novels featuring the Peculiar Crimes Unit
 
“Witty, charming, intelligent, wonderfully atmospheric and enthusiastically plotted.”The Times (UK)
 
“A series of narratives that exert an Ancient Mariner–like grip on the reader . . . Christopher Fowler is something of a British national treasure.”Crime Time
 
“Quirky, ingenious and quite brilliant . . . If you haven’t indulged you are really missing out. . . . Wonderful, gently humorous stuff, so clever.”The Bookseller
 
“A brilliant series of impossible crime novels.”The Denver Post
 
Grumpy Old Men does CSI with a twist of Dickens! Bryant and May are hilarious. I love this series.”—Karen Marie Moning
 
“An example of what Christopher Fowler does so well, which is to merge the old values with the new values—reassuring, solid, English, and traditional. He’s giving us two for the price of one here.”—Lee Child.
… (más)
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    Nothing But the Night por John Blackburn (SomeGuyInVirginia)
  2. 01
    A Touch of Frost por R. D. Wingfield (LongDogMom)
    LongDogMom: Both feature older detectives who are somewhat rebellious of authority and like to do things their own way.
  3. 01
    La Mujer Que Aranaba Las Paredes (Spanish Edition) por Jussi Adler-Olsen (LongDogMom)
    LongDogMom: Both feature older detectives who have no respect for authority and head up units that get results by being unconventional.
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Mostrando 1-5 de 24 (siguiente | mostrar todos)
An enjoyable and intriguing story where, in a dramatic turnabout, the Peculiar Crimes Unit is engaged to help the unit's arch enemy Oskar Kasavian. His wife has started behaving erratically and his rivals at the Home Office will be all too willing to exploit the situation to ruin his career, but could it be an elaborate double bluff? Meanwhile, the case seems to connect with other mysterious deaths in earlier books and the unit is up against its most baffling case.

The only thing holding this back from a 5 star rating for me is the eleventh hour introduction of a new villain whose input breaks the deadlock. I assume he will be an important villain in future stories now Kasavian has been humanised, but I didn't find such a late addition to the story convincing. ( )
  kitsune_reader | Nov 23, 2023 |
Written as a pair with Deathworld

Deathworld I admit it. Harry Harrison's bad style irritated me. For a while. Mainly it was these. The short sentences. If you can call them that. Sentences.

I did manage after some encouragement from the ranks to get over that and I'm glad I did. It's a good bad-book. The Wildside edition I read was horribly proofread, but not nearly as badly as the academic books I've been reading lately. Nothing, at any rate, that distracted me from a punchy story, good characterisation as sci fi goes and a really interesting idea for world in which the story takes place.

As it happens I next picked up The Invisible Code by Christopher Fowler. I thought this was going to be another good bad-book for a few pages, but it doesn't take long to discover it's a bad bad-book.

Rest here:

http://alittleteaalittlechat.wordpress.com/2014/09/23/harry-harrison-and-christo...
  bringbackbooks | Jun 16, 2020 |
Written as a pair with Deathworld

Deathworld I admit it. Harry Harrison's bad style irritated me. For a while. Mainly it was these. The short sentences. If you can call them that. Sentences.

I did manage after some encouragement from the ranks to get over that and I'm glad I did. It's a good bad-book. The Wildside edition I read was horribly proofread, but not nearly as badly as the academic books I've been reading lately. Nothing, at any rate, that distracted me from a punchy story, good characterisation as sci fi goes and a really interesting idea for world in which the story takes place.

As it happens I next picked up The Invisible Code by Christopher Fowler. I thought this was going to be another good bad-book for a few pages, but it doesn't take long to discover it's a bad bad-book.

Rest here:

http://alittleteaalittlechat.wordpress.com/2014/09/23/harry-harrison-and-christo...
  bringbackbooks | Jun 16, 2020 |
Written as a pair with Deathworld

Deathworld I admit it. Harry Harrison's bad style irritated me. For a while. Mainly it was these. The short sentences. If you can call them that. Sentences.

I did manage after some encouragement from the ranks to get over that and I'm glad I did. It's a good bad-book. The Wildside edition I read was horribly proofread, but not nearly as badly as the academic books I've been reading lately. Nothing, at any rate, that distracted me from a punchy story, good characterisation as sci fi goes and a really interesting idea for world in which the story takes place.

As it happens I next picked up The Invisible Code by Christopher Fowler. I thought this was going to be another good bad-book for a few pages, but it doesn't take long to discover it's a bad bad-book.

Rest here:

http://alittleteaalittlechat.wordpress.com/2014/09/23/harry-harrison-and-christo...
  bringbackbooks | Jun 16, 2020 |
I enjoy the Bryant & May books; they are such fun. I can see them as a television series. The brilliant , old detective employs solves the crimes in strange ways. ( )
  scot2 | Dec 16, 2018 |
Mostrando 1-5 de 24 (siguiente | mostrar todos)
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Nombre del autorRolTipo de autor¿Obra?Estado
Fowler, Christopherautor principaltodas las edicionesconfirmado
Anastassatos, MariettaDiseñador de cubiertaautor secundarioalgunas edicionesconfirmado
Coleman, SarahArtista de Cubiertaautor secundarioalgunas edicionesconfirmado

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Money can't buy friends, but it can get you a better class of enemy.
-- Spike Milligan
'It started with me, it ends with me.'
-- Unnamed teenager, when asked about the history of London
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For Peter Chapman
(US edition) For Jennifer Siegel, smart cookie, good egg, hot tamale
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Wikipedia en inglés (1)

Fiction. Mystery. Suspense. Thriller. HTML:London’s craftiest and boldest detectives, Arthur Bryant and John May, are back in this deviously twisting mystery of black magic, madness, and secrets hidden in plain sight.
 
When a young woman is found dead in the pews of St. Bride’s Church—alone and showing no apparent signs of trauma—Arthur Bryant assumes this  case will go to the Peculiar Crimes Unit, an eccentric team tasked with solving London’s most puzzling murders. Yet the city police take over the investigation, and the PCU is given an even more baffling and bewitching assignment.
 
Called into headquarters by Oskar Kasavian, the head of Home Office security, Bryant and May are shocked to hear that their longtime adversary now desperately needs their help. Oskar’s wife, Sabira, has been acting strangely for weeks—succumbing to violent mood swings, claiming an evil presence is bringing her harm—and Oskar wants the PCU to find out why. And if there’s any duo that can deduce the method behind her madness, it’s the indomitable Bryant and May.
 
When a second bizarre death reveals a surprising link between the two women’s cases, Bryant and May set off on a trail of clues from the notorious Bedlam hospital to historic Bletchley Park. And as they are drawn into a world of encrypted codes and symbols, concealed rooms and high-society clubs, they must work quickly to catch a killer who lurks even closer than they think.
 
Witty, suspenseful, and ingeniously plotted, The Invisible Code is Christopher Fowler at the very top of his form.
Praise for The Invisible Code
 
“Delightful . . . priceless dialogue . . . Fowler’s small but ardent American following deserves to get much larger. . . . The Invisible Code has immense charm. . . . Fowler creates a fine blend of vivid descriptions, . . . quick thinking and artful understatement. . . . Best of all are the two main characters, particularly Bryant, whose fine British stodginess is matched perfectly by the agility of his crime-solving mind.”—Janet Maslin, The New York Times
 
“Excellent . . . In the light of the challenges that Fowler has given his heroes in prior books, it’s particularly impressive that he manages to surpass himself once again.”Publishers Weekly (starred review)
 
Praise for the ingenious novels featuring the Peculiar Crimes Unit
 
“Witty, charming, intelligent, wonderfully atmospheric and enthusiastically plotted.”The Times (UK)
 
“A series of narratives that exert an Ancient Mariner–like grip on the reader . . . Christopher Fowler is something of a British national treasure.”Crime Time
 
“Quirky, ingenious and quite brilliant . . . If you haven’t indulged you are really missing out. . . . Wonderful, gently humorous stuff, so clever.”The Bookseller
 
“A brilliant series of impossible crime novels.”The Denver Post
 
Grumpy Old Men does CSI with a twist of Dickens! Bryant and May are hilarious. I love this series.”—Karen Marie Moning
 
“An example of what Christopher Fowler does so well, which is to merge the old values with the new values—reassuring, solid, English, and traditional. He’s giving us two for the price of one here.”—Lee Child.

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