Here's what I wrote in 2008 about this read: "NYC in Civil War times . . . A pressure cooker as immigrants stream in from Europe and former slaves from the south without adequate employment, which explodes as the U.S. creates a draft to provide soldiers to the Civil War. Good insights also provided to the Irish potato famine." ( )

The details of life in NYC during this time are amazing - one can almost smell the air (thankfully, we can't). After seeing "Gangs of New York" I was impressed with how the details from the book and the details in movie held true. Baker has done a marvelous job of creating characters who are from different backgrounds and putting them into circumstances beyond their control. The short chapters told from the different view points is particularly effective. Anyone who loves NYC should read this book. ( )

How did Kevin Baker manage to weave all that research on the Civil War, the famine in Ireland, slavery, the draft riots in the Five Points in Mew York City and seven voices into such a powerful and urgent tale of love, loss, what it means to be free vs. enslaved, redemption and revenge? The language is poetry really. "The city is a picked skull, but the maggots are still in the streets." I'm so sorry I finished it, because I'm afraid I'll never find a book I love as much. This is, I think, a masterpiece, and should rank with Grapes of Wrath. I hope this review helps to keep it alive with readers. ( )

Baker provides a richly detailed and harrowing account of the New York City draft riots of 1863, told through the fictional lives of Irish immigrants, an escaped slave and a jaded journalist. With his customary attention to historical accuracy and his ear for dialect, this novel creates a world that is both fascinating and horrifying- and true to one of the most dramatic and searing episodes in American history. ( )

Kevin Baker and I have many common interests in the history of New York City and their potential for dramatization as evidenced by his previous novel Dreamland. In this novel Baker takes the things I love to learn about – Irish emigration during the famine, free blacks in the the City, tenement life, Tammany Hall politics, firefighting and gangs, and the Draft Riots – and spins it into a very personal story of seven iconic New Yorkers

Ruth Dove – survived the famine and emigrated to New York only by tagging along with Johnny Dolan. She endures his abuse until seeing Billy Dove in Seneca Village (now Central Park) and falling in love. She plots to have Johnny shanghaied and then marries Billy. They raise several children in their tenement off Paradise Alley. She has to hold her family together during the riots and Billy’s absence and dies tragically of injuries incurred trying to protect her son Milton from Johnny.

Billy Dove – learned the art of shipbuilding as a slave and escaped on board a ship while on errand for his master. Having gained his freedom, he sadly is unable to practice his craft in New York where the shipyards hire white only. Instead he reluctantly works at the Colored Orphans Asylum. On the day of the riot he is trapped at the orphanage while trying to pick up his wages and is forced by duty to help the orphans to safety while all the time plotting to return to his family. Suffering unbelievable injuries from the mobs he works his way downtown arriving too late to save Ruth. Later he joins New York’s black regiment and vanishes at Cold Harbor.

Dangerous Johnny Dolan - An evil character that Baker tries hard – and sometimes succeeds – to make look sympathetic. His big secret is that he let his brother die in the famine to save his own life turning into a monster in the process. He also has an obsession with a cabinet of curiosities stolen from a gypsy in Ireland that I can’t quite make sense of literally or symbolically. His return to New York bent on revenge sets off the course of events in the novel and somehow he gets involved in the mob spearheading some of their greatest atrocities. Ruth forces him to make the tragic realization of his crimes and he wanders off only to get himself shanghaied again in a bar.

Deirdre Dolan O’Kane – The symbol of pride in this novel, she aspires to raise herself and her family to the level of American Protestants. She blames Ruth for Johnny’s degradation and though she helps the conspiracy to get rid of Johnny she shuts out Ruth and her family. She also forces Tom to join the Union Army. Her realization of what her pride hath wrought is a turning point of the novel and she’s the main hero of rescuing the families from the attack of the riotous mobs.

Tom O’Kane – He likes the company of men so he says and participates in all matter of fraternal organizations for Irish New Yorkers including the Black Joke fire company. The appeal of Deirdre’s aspirations convinces him to give up his street life and try on respectability. At times a seeming puppet for Deirdre, he is also a kind and gentle character who helps Ruth’s family with housing and money and spends time drinking with Billy. He comes to hate his wife and their reconciliation over the course of the war is an important subplot to the novel. He gives a good soldier’s eye view of the war and the reasons they fight – not for country, not for ideology, but for each other.

Maddy Boyle – The wild child, a girl prostitute who becomes the object of Herbert Willis Robinson’s obsessions. She is put up in a fine house with clothing and fine possessions by Robinson, but deliberately acts the brazen prostitute when she realizes that Robinson will never love her. She never develops much as a character herself but plays an important part in the perceptions of the other characters.

Herbert Willis Robinson – a hack journalist for Greeley’s Tribune, he is the only character to tell his story in first person. Robinson presents most of the narrative of the riot (and cleverly seeing a young Theodore Roosevelt at Lincoln’s funeral procession) seeing pretty much all of the other characters in the course of the novel while only interacting with Maddy. He has a conscience but tragically fails to follow it and ends up an unredeemed character.

Overall this was an enjoyable novel, albeit heavy on melodrama and could use some judicious editing to trim down repetition of belabored points. Also, there are times when the progress of the main narrative would be better served by not being interrupted by yet another flashback. The climax is unsatisfying and relies too much on unlikely coincidence to bring all the characters together at the same time. Still I liked the book and look forward to reading Strivers Row. ( )