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Cargando... Why Jane Austen? (2011 original; edición 2011)por Rachel Brownstein
Información de la obraWhy Jane Austen? por Rachel Brownstein (2011)
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From the first publication of Pride and Prejudice to recent film versions of her life and work, Jane Austen has continued to provoke controversy and inspire fantasies of peculiar intimacy. Whether celebrated for her realism, proto-feminism, or patrician gentility, imagined as a subversive or a political conservative, Austen generates passions shaped by the ideologies and trends of her readers' time?and by her own memorable stories, characters, and elusive narrative cool. In this book, Rachel M. Brownstein considers constructions of Jane Austen as a heroine, moralist, satirist, romantic, woman, and author and the changing notions of these categories. She finds echoes of Austen's insights and techniques in contemporary Jane-o-mania, the commercially driven, erotically charged popular vogue that aims paradoxically to preserve and liberate, to correct and collaborate with old Jane. Brownstein's brilliant discussion of the distinctiveness and distinction of Austen's genius clarifies the reasons why we read the novelist-or why we should read her-and reorients the prevailing view of her work. Reclaiming the rich comedy of Austen while constructing a new narrative of authorship, Brownstein unpacks the author's fascinating entanglement with readers and other admirers. No se han encontrado descripciones de biblioteca. |
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Google Books — Cargando... GénerosSistema Decimal Melvil (DDC)823.7Literature English & Old English literatures English fiction Early 19th century 1800-37Clasificación de la Biblioteca del CongresoValoraciónPromedio:
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My only criticism of Why Jane Austen? is that it seems to wander away from the thesis quite a bit, with many of these wanderings not seeming to support the overall argument particularly. Really though, the overall question is never, to my mind, satisfactorily answered; Brownstein's explanation is essentially what my off the cuff answer would be if asked.
Why read it you may ask? Because above and beyond the so-called thrust of the novel, there is a ton of delightful literary analysis and historical information to enjoy. Reading through this academic publication is like nerding out over all of Austen's books at once (all of which I now really want to reread, even the dreary Mansfield Park).
I also love learning about some of the other authors of the time, such as Byron and Charlotte Smith. The discussion of the film versions, especially of Amy Heckerling's Clueless, were charming and made me look at them in a new light. I also now want to reread Ian McEwan's Atonement, even though it was a slog the first time; I never noticed the ties to Austen (and am not particularly sure from the summation how much I agree with that argument, which by the way has little to nothing to do with why we read Jane Austen) and am curious to see if I can find them, even though the novel was a painful, heart-wrenching slog the first time through.
If you love Jane Austen or nerding out over authors in general, this is a really great read. From an academic standpoint, Brownstein clearly knows what she is talking about and has compiled a useful collection of footnoted and references. Reading this could give you a good list of other works to use for a paper on 'dear Jane.' ( )