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Cargando... The Sunday Bookspor Michael Moorcock
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He illustrated his spontaneous stories with delightfully vivid drawings of the characters in his tales, but never set down words to go with them. Now, decades after Peake¹s death, world-renowned fantasy writer (and friend of the Peakes) Michael Moorcock has written verses to go with Peake¹s drawings. This star collaboration--funny, surprising, and haunting by turns--is accompanied by an illuminating and elegiac introduction by Moorcock. Overlook is publishing The Sunday Books to mark the centenary of Peake¹s birth, which will be commemorated around the world on July 9, 2011. No se han encontrado descripciones de biblioteca. |
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The illustrations were made by Peake for his children's story times and were not originally intended for publication. That many of them are drawn on line-ruled note paper and that some drawings have "leaked" through from the page beneath just adds to the charm.
Some of the drawings are rough sketches, but still clearly "Peake-ian" and worthy of inclusion. For the most part, however, they are really high quality illustrations and they look like they were made for a professional commission.
Moorcock's introduction is sweet and, as a friend of Peake and his family, his affection and regard really comes through. There are also some nice photos of the Peake family that I haven't seen before.
Regarding the main text, as Peake didn't record the stories he told to his children while making the drawings, Moorcock has written a story to link them together. He's created a pastiche of [b:Captain Slaughterboard Drops Anchor|39266|Captain Slaughterboard Drops Anchor|Mervyn Peake|http://photo.goodreads.com/books/1309674090s/39266.jpg|1332136] and [b:Letters from a Lost Uncle|39268|Letters from a Lost Uncle|Mervyn Peake|http://photo.goodreads.com/books/1169282265s/39268.jpg|1180463], but it doesn't quite work. The story feels overly forced to reference the illustrations instead of flowing naturally. I also found a few of the references to contemporary news stories (the banking crisis, rising oil prices, etc.) rather jarring. Annoying because Moorcock is a brilliant writer and should have done this better.
So, five stars for Peake's illustrations, three stars for Moorcock's text = 4 stars.
As an artefact, the book is very well put together: good quality paper and sturdily constructed. It sits really well in the hand and is a pleasure to read. ( )