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Cargando... El refugio de la memoriapor Tony Judt
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Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. I found these autobiographical essays by the late Tony Judt a mixed bag, some of his essays not opaque to me but of no real relevance, like his account of his first meeting with his third wife, and others were striking and had an emotional impact such as his discussion of his experiences in Israel during and after his time on a kibbutz. In general, I found the pieces at the end of the book more engaging, but I have no idea whether he wrote them in the sequence they are presented here. ( ) Even taking away the amazing fact that Mr. Judt wrote this collection of memoir/essays while dealing with ALS, this is still a great collection of memories and ruminations. The last third of the book really stood out as excellent; thoughtful and sure of its opinions while showing grace and understanding. A very enjoyable book. The young woman was flabbergasted: the only form of discrimination she could imagine was sexual. It had never occurred to her that I might just be an elitist. Allow an extra 1.25 stars for the circumstances of its origin. This is series of light pieces, incipient memory exercise that Judt steadied his mind with during the interminable nights of his terminal affliction with ALS. There is some fascinating material here, especially of a intellectual historical basis. Much appears to have been imagined in longer forms with Timothy Snyder in the [b:Reappraisals: Reflections on the Forgotten Twentieth Century|1817659|Reappraisals Reflections on the Forgotten Twentieth Century|Tony Judt|https://d.gr-assets.com/books/1266902447s/1817659.jpg|3149551]. This is an ideal commute book Tony Judt's memoir, THE MEMORY CHALET, has an added poignancy you cannot escape considering as you read of his childhood and adolescence in England, France and Israel. He was in the later stages of ALS (aka Lou Gehrig's Disease) as he was writing it. Indeed he was no longer able to write, but was apparently dictating these memories and working with a "collaborator." Judt, an Anglo-American Jew, was a noted historian, teacher and frequent contributor to The New York Review of Books. He came from very ordinary circumstances - his parents were both hairdressers in London's south side. We learn something of his parents' Jewish origins, but Judt is quick to say they were non-practicing Jews, and so was he (although he does tell us he was named for his father's cousin, Toni Avegael, an Auschwitz victim). He was clever enough to get into King's College at Cambridge, and then a very prestigious school in Paris, which made all the difference in his later life. He taught at Cambridge for a time before moving permanently to the U.S., where he was a teacher and administrator at NYU. He was thrice married, but reveals little about that aspect of his life, preferring to dwell on his early years and his professional life. An astute observer of the public life, on politics, Judt notes that "ceaseless chatter and grandiloquent rhetoric mask a yawning emptiness." And on entertainment: "The wealth of resources we apply ... serves only to shield us from the poverty of the product." Judt seems especially prescient (the book was published in 2010) when he comments - "We are entering, I suspect, upon a time of troubles. It is not just the terrorists, the bankers and the climate that are going to wreak havoc with our sense of security and stability. Globalization itself ... will be a source of fear and uncertainty to billions of people who will turn to their leaders for protection. 'Identities' will grow mean and tight, as the indigent and the uprooted beat upon the ever-rising walls of gated communities from Delhi to Dallas." If a statement like this doesn't succinctly describe "Trump times" and the world refugee crisis, then I don't know what does. There are a few essays here, where he talks at some length about East European writers and thinkers (he studied and learned Czech in his mid-thirties), that caused my attention to wander and I will admit to skimming some of this. But I was especially taken with his memories of the sixties, his college years, his early jobs and wanderings across Europe and years on a kibbutz in Israel. And I couldn't help but be amazed at his ability to organize all of this in his mind and then to dictate it for transcription. He explains his long nights, unable to to move, and how, sometimes sleepless, he is able to - "... scroll through my life, my thoughts, my fantasies, my memories, mis-memories, and the like ..." Toni Judt managed to finish this last collection of elegant essays about his life, an accomplishment in itself, and one which will enrich the lives of discerning readers everywhere. Judt succumbed to ALS in 2010. He was sixty-two. Very highly recommended. - Tim Bazzett, author of the memoir, BOOKLOVER PremiosListas de sobresalientes
Este libro autobiográfico es distinto a cualquier otro. Cada capítulo evoca un recuerdo del pasado a través del filtro de la prodigiosa mente de Judt. Durante sus últimos meses de vida, escribir estas pequeñas piezas le permitió en cierto modo escapar de su enfermedad degenerativa, una prisión que se iba estrechando, y éstas han pasado a ser el contrapunto personal de su obra maestra, Postguerra. Amores, vivencias, imágenes y olores hace tiempo perdidos... todos compiten por la atención de Judt y lo llevan a inesperadas y lúcidas reflexiones sobre la historia, la política y la sociedad hasta formar un elegante arco de análisis. Todo tan simple y hermosamente dispuesto como una casita suiza #un reconfortante e inalterable refugio perdido en las montañas de la memoria#. «Hermoso y conmovedor. A pesar de que Judt falleció demasiado pronto, esta obra póstuma es más reconfortante que triste.» JOHN BANVILLE, The Guardian «La bellísima, impávida, heterodoxa confesión memorial de una persona que pone plazos a su irremediable sentencia volcándose en el interior de su cabeza (lo único intocado por el mal) y sacando de ella las armas de repudio de la muerte». VICENTE MOLINA FOIX, El País «El refugio de la memoria muestra al hombre sabio, ingenioso, sutil y, sobre todo, civilizado que hemos perdido.» Evening Standard «Este libro es la quintaesencia de Judt: humano, audaz y de una honestidad ilimitada.» Financial Times No se han encontrado descripciones de biblioteca. |
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