Pulse en una miniatura para ir a Google Books.
Cargando... Schindler's List (Widescreen Edition) (1993)por Steven Spielberg, Steven Zaillian (Screenwriter)
Cargando...
Inscríbete en LibraryThing para averiguar si este libro te gustará. Actualmente no hay Conversaciones sobre este libro. Oskar Schindler (Liam Neeson), un empresario alemán de gran talento para las relaciones públicas, busca ganarse la simpatía de los nazis de cara a su beneficio personal. Después de la invasión de Polonia por los alemanes en 1939, Schindler consigue, gracias a sus relaciones con los altos jerarcas nazis, la propiedad de una fábrica de Cracovia. Allí emplea a cientos de operarios judíos, cuya explotación le hace prosperar rápidamente, gracias sobre todo a su gerente Itzhak Stern (Ben Kingsley), también judío. Pero conforme la guerra avanza, Schindler y Stern comienzan ser conscientes de que a los judíos que contratan, los salvan de una muerte casi segura en el temible campo de concentración de Plaszow, que lidera el Comandante nazi Amon Goeth (Ralph Fiennes), un hombre cruel que disfruta ejecutando judíos. Durante la Segunda Guerra Mundial, Oskar Schindler proyecta un plan para hacerse amigos de los nazis y salvar la vida de todos los judíos que viven en Cracovia. Después de que el 1 de septiembre de 1939 Alemania invadiera Polonia, Schindler consigue hacerse con una fábrica industrial, para la que decide contratar a miles de operarios judíos, para intentar protegerles. Después de que en 1944 se llevara a cabo el mayor caso de genocidio en Plaszow, Schindler apunta la lista de todos los empleados judíos que tiene que salvar. La lista aumenta y aumenta, hasta ser cuantiosa. Familias enteras, rabinos, niños... Todos, dentro en la lista de Schindler, son enviados en trenes de ganado hacia Brünnlitz, en Checoslovaquia, donde trabajarán en otra fábrica de Schlinder. Después de un episodio tenso, en el que las mujeres acaban siendo rescatadas de Auschwitz, la empresa sigue funcionando hasta siete meses después cuando quiebra debido al devenir de la guerra. Oskar tiene que huir tras el final por sus lazos con los nazis, no sin dejar entre sus trabajadores judíos el recuerdo de que nadó contracorriente para salvarles la vida. Segunda Guerra Mundial (1939-1945). Oskar Schindler (Liam Neeson), un hombre de enorme astucia y talento para las relaciones públicas, organiza un ambicioso plan para ganarse la simpatía de los nazis. Después de la invasión de Polonia por los alemanes (1939), consigue, gracias a sus relaciones con los nazis, la propiedad de una fábrica de Cracovia. Allí emplea a cientos de operarios judíos, cuya explotación le hace prosperar rápidamente. Su gerente (Ben Kingsley), también judío, es el verdadero director en la sombra, pues Schindler carece completamente de conocimientos para dirigir una empresa. (FILMAFFINITY)
Despite its seven Oscars I doubt that Schindler’s List will survive its season either as a memorable film or as a comment on the concentration camps, for the evil that Spielberg tries to portray lies beyond his imagination... Except to the people whose lives he saved, Schindler made no difference to the outcome of the Holocaust. But the film’s aim is to show that he made a huge difference, for he is meant (like Spencer Tracy at Black Rock, etc.) to prove that remarkable individuals can outsmart evil. What then of the others? Did they die by the millions simply because they weren’t clever enough themselves or lucky enough to find a Schindler of their own? The relationship between Schindler and Stern is developed by Spielberg with enormous subtlety. At the beginning of the war, Schindler wants only to make money, and at the end he wants only to save "his" Jews. We know that Stern understands this. But there is no moment when Schindler and Stern bluntly state what is happening, perhaps because to say certain things aloud could result in death... The French author Flaubert once wrote that he disliked Uncle Tom's Cabin because the author was constantly preaching against slavery. "Does one have to make observations about slavery?" he asked. "Depict it; that's enough." And then he added, "An author in his book must be like God in the universe, present everywhere and visible nowhere." That would describe Spielberg, the author of this film. He depicts the evil of the Holocaust, and he tells an incredible story of how it was robbed of some of its intended victims. He does so without the tricks of his trade, the directorial and dramatic contrivances that would inspire the usual melodramatic payoffs. Spielberg is not visible in this film. But his restraint and passion are present in every shot. After all this time, I'd almost forgotten how acerbic a lot of it is, with little shocks of black comedy that take far more chances with the audience's undependable (cf. Oakland) reactions than is Spielberg's norm. He usually relies on composer John Williams to spell out everything's meaning as schmaltzily as possible, but Williams's work here is uncommonly sophisticated... You also have to admire how Spielberg and his screenwriter, Steven Zaillan, stress the Final Solution's bureaucratic methodology. Each new enormity is signalled by petty officials setting up open-air desks and arranging their stamp-pads. Purely as a piece of filmmaking, the terrifying liquidation of the Krakow ghetto is probably the greatest sequence Spielberg has directed, topping even Saving Private Ryan's opening Omaha Beach bloodbath. Yet in both cases, one's perhaps already self-congratulatory sense of vicariously experiencing What It Was Probably Like gives way to a distracting recognition that this is one heck of a set-piece. Just how do you navigate the difference in priorities between "Never again" and "Right up there with D.W. Griffith"? Pertenece a las series editorialesAmblin Entertainment Films (1993) Es una adaptación deTiene como guía/complementario de referencia aTiene como estudio aTiene como suplemento aTiene como guía de estudio aPremiosListas de sobresalientes
The story of a Catholic war profiteer, Oskar Schindler, who risked his life and went bankrupt in order to save more than 1,000 Jews from certain death in concentration camps. He employed Jews in his crockery factory manufacturing goods for the German army. At the same time he tries to stay solvent with the help of a Jewish accountant and negotiates business with a vicious Nazi commandant who enjoys shooting Jews as target practice from the balcony of his villa that overlooks the prison camp he commands. No se han encontrado descripciones de biblioteca. |
Debates activosNingunoCubiertas populares
Google Books — Cargando... GénerosSin géneros Sistema Decimal Melvil (DDC)791.43The arts Recreational and performing arts Public performances Film, Radio, and Television FilmClasificación de la Biblioteca del CongresoValoraciónPromedio:
¿Eres tú?Conviértete en un Autor de LibraryThing. |