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The Fates Will Find Their Way

por Hannah Pittard

MiembrosReseñasPopularidadValoración promediaMenciones
5064748,324 (3.46)33
Nora went missing on Halloween. Far more eager to imagine Nora's fate than to scrutinize their own, the neighborhood boys sleepwalk into an adulthood of jobs, marriages, families, homes, and daughters of their own, all the while pining for a girl-- and a life-- that no longer exists, except in the imagination.… (más)
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Mostrando 1-5 de 47 (siguiente | mostrar todos)
Hannah Pittard talked a bit about this book at a reading I went to this evening, in which she shared: if she had it to do over again she would actually leave out the character of Nora Lindell. The initial germ of the novel was her observation that her male friends looked back nostalgically on the past in a way that she didn't notice her female friends doing; and indeed this focus on the past, particularly a certain age range (what Bruce Springsteen was singing about in "Glory Days" I suppose) is what this book is about, not what happens to Nora. Nora, who was supposed to be dead in the novel's conception, except that Pittard couldn't bring herself to actually write Nora's death into creation, leaving her fate up in the air.

I really liked this novel when I read it when it came out in 2011; now that it's re-entered my consciousness I'm gonna have to go re-read it, I do believe. ( )
  lelandleslie | Feb 24, 2024 |
This is a tough book.

It's well written and compelling but it's also confusing and unpleasant. I do not know how true to life this version of life from the POV of boys and men is (especially since it's written by a woman) but I really, really hope that it is way off base. It makes most men seem very unpleasant. Unpleasant and immature to their core.

As for what happened to Nora (an unpleasant, confusing, unlikeable character) I guess I'm not sure. I think I know the truth but like "the boys" who narrate, I will always wonder a little bit about those bones.




( )
  hmonkeyreads | Jan 25, 2024 |
This is a well written but not a great book for me. It would have been a great short story or even a good novella but it drags as anything more than that. I stopped caring about 100 pages into it and by the end I just wanted it to end. ( )
  MsTera | Oct 10, 2023 |
This was a totally 3rd person view and it drove me crazy....took me forever to get into the storyline itself..... ( )
  SRQlover | Jul 18, 2023 |
An amazing book. I don't usually read literary fiction but this was really good. The book wasn't too long, but I finished it in just two days because the story drew me in. The story was very nonlinear, and in that sense had a Calvino-esque flavor to it. I had a little trouble keeping up with - and picturing - all the different characters. But it was very well done. Especially considering it was a female author focused mainly, but not exclusively, on male characters, from their point of view, both as boys and as men. Highly recommended. ( )
  MarkLacy | May 29, 2022 |
Mostrando 1-5 de 47 (siguiente | mostrar todos)
In this, Ms. Pittard’s debut is less novel than a chorus monologue: There’s no real plot, and the characters don’t develop (or only in superficial ways - the boys start families, buy homes, but their thoughts, attitudes and interactions remain adolescent). Instead, the book is a patchwork of discontinuous recollections, gossip and imaginings about Nora, the boys, their friends and neighbors.
 
Where The Virgin Suicides had a good old gothic wallow in its adolescent turmoil, The Fates Will Find Their Way is more meditative. It leaps back and forth in time, looking forward to the boys' adulthood and back again, nostalgically, as they grow up. It's a coming-of-age story in which everyone is all ages, all the time.
añadido por lkernagh | editarThe Guardian, Carrie O'Grady (Feb 19, 2011)
 
By turns, "Fates" is a mystery and a coming of age story, chock-full of sexual innuendo and misconduct that includes rape and possible murder. Although there is a lot of unseemly action in "Fates," there is very little dialogue. Pittard prefers to let her narrators ruminate, allowing her readers to form their own conclusions about what may have happened and why.
 
As deeply felt as “The Fates Will Find Their Way” might be, it only circles around a plot, and so its collective voice eventually loses strength. The more characters are peeled away from the group, the less powerful the original collective becomes.
 
At other times, the novel's voice seems weirdly incorporeal, lacking the visceral sense of what it's like to inhabit a breathing, sweating, working male body. These "we boys" who grow up to become "we men" are an oddly sensitive, feminine ideal of male consciousness, filled with quiet sorrow for the transgressions of men.
añadido por lkernagh | editarThe Washington Post, Ron Charles (Jan 25, 2011)
 
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What each man does will shape his trail and fortune. For Jupiter is king to all alike; the fates will find their way. --Virgil, The Aeneid
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For Malcolm Hugh Ringel, who disappeared from our lives June 16, 2006
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Some things were certain; they were undeniable, inarguable.
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Nora went missing on Halloween. Far more eager to imagine Nora's fate than to scrutinize their own, the neighborhood boys sleepwalk into an adulthood of jobs, marriages, families, homes, and daughters of their own, all the while pining for a girl-- and a life-- that no longer exists, except in the imagination.

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