There was a disjointed style to this that took a while to settle in but then it became incredibly gripping. A failed expedition into the interior of later 1700s Cape colony in South Africa turns into a very complicated story of Elizabeth and Adam (Aob) figuring out how they can survive together or apart. It is brutally honest at times about their relationship and their own pasts and also just a terrifying story of survival in a very harsh world. The constantly shifting point of view was extremely effective, sometimes from one sentence to the next and made both the characters an equal part of the story. The ending was left somewhat enigmatic until I went back to read the front chapter again. Then just tragic.

Set in the late 1700s, Elizabeth Larsson, an enterprising white woman, accompanies her new husband on an exploratory trip into the South African interior, where he abandons her. Alone, she is found by a black man, Adam Mantoor, who has escaped slavery and imprisonment, after refusing to beat his own mother at the behest of the baas. Adam takes pity on Elizabeth, and together they try to get back to civilization across the harsh, unfriendly wilds of South Africa, trekking through the tropical forests of the Eastern Cape, across swollen, raging floodwaters, through lush forests, battling wildlife, and across the burning desert, the Karoo. As they learn to rely more and more upon one another, their bond deepens, eventually falling in love by shedding their prejudices and suspicions. Their resolve to remain together along with their relationship was undermined by the hostile environment, and their path home to the Cape seemed needlessly long. Brink's writing is evocative. ( )

Afrique du Sud, vers 1750. Une femme blanche de bonne famille, dont le mari est décédé au cours d'une expédition scientifique, et un esclave en fuite se voient contraints de traverser le pays ensemble pour retourner au Cap. S'ensuit une longue et éprouvante route, une véritable quête initiatique et existentielle, la découverte de la liberté et de ses contraintes, la montée du désir et le dépassement des tabous. Un roman d'une sensualité âpre, d'une force évocatrice rare, et une bouleversante description de la lutte pour la survie. Une grande histoire de passion et une magnifique déclaration d'amour à l'Afrique. ( )

An Instant in the Wind is an intriguing and thought-provoking novel. The book was banned in South Africa when it was published. In it Brink was challenging the boundaries of Afrikaans literature and was also using it to speak against apartheid (more here on Brink). This book clearly does both.

Set in 1749, in the South African interior, An Instant in the Wind tells the love story of a Adam, a black, runaway slave, and Elizabeth Larssen, a white woman and only survivor of an exploratory expedition led by her husband. When the two meet, deep in the interior, in them clashes two very different ways of thinking. It is this conflict of attitudes and the changes in them that I found the most interesting part of the book. In order for that change to occur, Brink has isolated his characters from the society that has shaped their respective worldviews. Eventually, overcoming a rather volatile relationship, the two fall in love and book becomes a bit of a sexual romp in an Eden-like paradise, the two of them alone and naked in it. While there is temptation to stay in this blissful state, they decide they will make the long trek back to the Cape and face/confront society with their love (she will procure him a pardon certainly). Their trek eventually takes them through the Karoo, the desert, a kind of Biblical crucible, and the story becomes one of survival. Miraculously they make it through, but as the reader, one cannot help but have a sense of foreboding as they near the Cape.

Brink writes beautifully about the landscape of South Africa, whether it be the lush or arid parts, the mountains or the sea. I enjoyed this book, but found myself impatient with some parts of the romp and survival stories. At times, it seemed a bit melodramatic (or cinematic?) and I wondered how this might have read to me if I had read it in the 70s. The book brought to mind Valerie Martin's Property, but also McCarthy's The Road, mostly in the way that he has isolated his characters in order to tell a kind of Biblical-style tale. ( )

Een korte tijd, een ogenblik in de wind, kunnen Elisabeth en Adam Mantoor zich in het paradijs wanen, ook al bestaat dat paradijs uit steile berghellingen, wild stromende rivieren en woestijn: ze zijn bij elkaar en houden van elkaar, de zwarte slaaf die van Robbeneiland is ontsnapt en de blanke weduwe, wier man in het binnenland is omgekomen. Ze hebben elkaar nodig om terug te komen naar de Kaap. Daar worden ze uit het paradijs gestoten.